Jurassic World: Fallen Kingdom
This is a movie that’s annoying in part because it doesn’t care if you’re annoyed by it. It doesn’t need you, the individual viewer, to…
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
Starring Dwayne Johnson and other giant creatures.
Some of 2018's biggest films were teased last night during the Super Bowl.
A countdown of our most anticipated films coming this winter.
The 25 films we're most excited to see during the fall of 2017.
Part I of our 2017 Pens to Lens Gala coverage, featuring remarkable short films written by students in Champaign-Urbana.
Disney previewed their upcoming live-action features during this year's D23 Expo.
25 films we can't wait to check out during the summer movie season.
The latest on Netflix and Blu-ray/DVD, including "45 Years," "Moonlight," "Rules Don't Apply," "The Eyes of My Mother," "Moana" and more!
The winners of the 89th Academy Awards.
An article about the African-American Film Critic's Association's announcement that 2016 is the best year for Blacks in cinema.
A review from AFI Fest of Disney's "Moana."
The latest and greatest on Blu-ray and DVD, including The Neon Demon, The Wailing, Central Intelligence, and more.
An extensive preview of 50 films coming out within the next four months, from "Sully" to "Toni Erdmann."
A TV critic's picks for the best TV of 2015-16.
A preview of dozens of films coming out this summer.
A recap of the latest and greatest on Blu-ray, including Jurassic World, Spy, Tomorrowland, Call Me Lucky, and The Larry Fessenden Collection.
Love Pixar and Disney? You're not going to believe what they have in store for you.
What should be nominated for Emmys this year? Let us guide the way.
A review of two new HBO comedies: Ballers and The Brink.
An FFC comments on the controversy surrounding Cameron Crowe's Aloha.
A look at why the "Fast & Furious" franchise has become an international juggernaut.
A recap of the new releases on Netflix, On Demand, and Blu-ray/DVD, including "Snowpiercer," "Maleficent," "Nightbreed," "F For Fake" and "La Dolce Vita."
Hollywood is actually regressing on Latino issues. As the industry continues to make progress in its depiction of black America, what we need now is a Spanish Harlem Renaissance.
Marie writes: If I have a favorite festival, it's SXSW and which is actually a convergence of film, music and emerging technologies. However it's the festival's penchant for screening "quirky" Indie movies which really sets my heart pounding and in anticipation of seeing the next Wes Anderson or Charlie Kaufman. So from now until March, I'll be tracking down the best with the zeal of a Jack Russell terrier! Especially since learning that Joss Whedon's modern B/W take on Shakespeare's "Much Ado About Nothing" is set to screen at SXSW 2013 in advance of its June 21st US release date; they'll cut an official trailer soon, rubbing hands together!
This is a free sample of the Newsletter members receive each week. It contains content gathered from recent past issues and reflects the growing diversity of what's inside the club. To join and become a member, visit Roger's Invitation From the Ebert Club.
Marie writes: Not too long ago, Monaco's Oceanographic Museum held an exhibition combining contemporary art and science, in the shape of a huge installation by renowned Franco-Chinese artist Huang Yong Ping, in addition to a selection of films, interviews and a ballet of Aurelia jellyfish.The sculpture was inspired by the sea, and reflects upon maritime catastrophes caused by Man. Huang Yong Ping chose the name "Wu Zei"because it represents far more than just a giant octopus. By naming his installation "Wu Zei," Huang added ambiguity to the work. 'Wu Zei' is Chinese for cuttlefish, but the ideogram 'Wu' is also the color black - while 'Zei' conveys the idea of spoiling, corrupting or betraying. Huang Yong Ping was playing with the double meaning of marine ink and black tide, and also on corruption and renewal. By drawing attention to the dangers facing the Mediterranean, the exhibition aimed to amaze the public, while raising their awareness and encouraging them to take action to protect the sea.