In Memoriam 1942 – 2013 “Roger Ebert loved movies.”

RogerEbert.com

Thumb garrett image

Who Killed Garrett Phillips?

At its best, it reminded me of the landmark HBO docuseries Paradise Lost or the remarkable The Staircase in its level of detail.

Other Reviews
Review Archives
Thumb xbepftvyieurxopaxyzgtgtkwgw

Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

Other Reviews
Great Movie Archives
Other Articles
Blog Archives

Cast and Crew

* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.

Cannes 2019: Palme des Whiskers

Primary trubchevsk

Headline in the New Cat Times: “Cannes Film Festival Bans Feline Actors!” “Eek, how did I not see this before we got on the plane?” squeals Siamese beauty Nico, stretched out on her seat on Air Felix. “You were too busy preening in the mirror,” says her housemate Chubbs. “Well, your scruffy striped coat could use a little of that,” she snaps, her paws trembling with rage as she reads the shocking report.

Continue reading →

Thumbnails 11/21/2013

Primary 24jpspike1 articlelarge

Scorsese, De Niro reuniting on a new gangster film; Zadie Smith on life, death, Warhol; Spike Lee speaks; our ancestors didn't sleep like us; Van Sant to headline a LGBT film fest in St. Petersburg.

Continue reading →

Black designers show the French a thing or deux

Primary  20 20 20 20pret thumb 500x493 58998

For those of us who missed our calling as jet setters, socialites or fashion models along comes the edifying, spritely documentary "Versailles '73: American Runway Revolution" to show us how much work it is to be spontaneously fabulous.

Nearly 40 years ago, in late November of 1973, something rather momentous happened at the Opéra Royal on the grounds of the King's old digs outside Paris. In the course of a fashion show that Women's Wear Daily dubbed "The Battle of Versailles," boldly assertive American runway models -- many of whom were what we now call African-American -- wore sporty, comfortable American designer clothes with such, well, panache that the absolute supremacy of French haute couture was dented for good.

Continue reading →

Into the Great Big Boring

Primary malick tree thumb 510x276 35775

When I was a child I was taught that it was unacceptable to call something -- a movie, a song, an activity -- "boring" because: 1) it doesn't make sense (a thing can't be boring, unless perhaps it is a drill bit; a person feels bored); and 2) it's indefensible, since the quality of "boringness" cannot be isolated or identified as an element of the thing itself; it's a feeling and it is yours).

So, saying something is "boring" is not exactly like saying something in a movie is "funny" or "moving" -- though, again, I'd prefer to place the responsibility for a response on the "feeler" rather than on the object -- because at least you can describe how something is presented or intended to be received as humorous or touching, even if you don't think it is. (Yes, there are exceptions to that, too.) I mean, a joke or a gag or an emotional situation can be objectively analyzed, but there are no agreed-upon cultural standards for evaluating "boring."¹

"Boring," I believe, is more like the word "entertaining" -- too vague to be of much use in a critical vocabulary. So, I might say I found something about a movie "tedious" or "engaging" or some other thesaurus word, but I'll attribute the emotion to myself and my taste, and even then not without a serious attempt to describe what I'm talking about, and to give at least one specific example.²

But now, "boring" is hot, at least in overheated Interwebular film criticism circles, since the publication of Dan Kois' New York Times Magazine piece called "Eating Your Cultural Vegetables," in which he says:

Continue reading →

#55 March 23, 2011

Marie writes:  Having recently seen a stage play, I was reminded again of how much I enjoy them. And the buildings they're often performed in. Which sent me off looking for old ones and hopefully Theatres you never hear about - as then it's like stumbling upon a secret known only to a lucky few. And thus how I found "Minack Theatre Portcurno Cornwall" with a view over-looking the Cornish sea...

Continue reading →

Trash Humpers not banned, hump trash

Primary trashhump thumb 500x331 30350

Part I (before I saw "Trash Humpers")

Google "Netflix" and "Trash Humpers" and the first result you'll get is this: Netflix - Watch Trash Humpers. The second result (dated October 20, 2010) is an article from Filmmaker Magazine headlined: "'Trash Humpers' too trashy for Netflix?" Note that the head is in the form of a question, because the article/post itself consists almost entirely of a promotional announcement from Drag City, the DVD distributor of "Trash Humpers," claiming that Netflix was refusing to carry the video, which (according to Amazon.com) was officially released September 21, 2010.

The press release was a useful publicity stunt (what do you expect for a Harmony Korine movie called "Trash Humpers"?), but how much truth it contained I haven't been able to determine, and I haven't been able to find any comments from anyone at Netflix. In its widely reprinted (but evidently unquestioned) October manifesto, Drag City said:

... Netflix has deemed the content of Trash Humpers to be too inappropriate for their subscribers to make it available to them. From their perspective, they may be right: they certainly know their subscribers and their tastes, and might have a better awareness of their breaking point (we thought that might have been fuckin' Avatar). So it's hard to fault them. But we do love a challenge! We don't expect Netflix to carry anything they don't want to, for whatever reason, but it reminds us that this is the price paid when we allow one entity to control the lion's-share of content distribution.

Drag City provided a link to "actual factual mom-and-pop DVD sales-and/or-rental stores" that were carrying "Trash Humpers," including Amazon.com, Newbury Comics and Amoeba.

Continue reading →

Russian drama wins top prize at Chicago fest

Primary eb20101017filmfestivals04101019982ar

Two men are in conflict in a stunning sub-Arctic landscape in "How I Ended This Summer," the Russian drama by Aleksei Popogrebsky that won the Gold Hugo, the top prize in the 46th Chicago International Film Festival.

Continue reading →