Citizen Kane
Screenplay by
Welles
Welles
Welles Movie Reviews
Citizen Kane
Blog Posts That Mention Welles
NYFF 2020: City Hall, Swimming Out till the Sea Turns Blue, Hopper/Welles
Genius Walks: “Orson Welles’s Last Movie: The Making of ‘The Other Side of the Wind’” by Josh Karp
Cannes 2015: “In the Shadow of Women,” “Son of Saul,” the Orson Welles centennial
Orson Welles at 100
Book Excerpt: “Orson Welles: Power, Heart, and Soul” by F.X. Feeney
The film portion of Orson Welles’s “Too Much Johnson” premieres in New York
Orson Welles sells peas
We have heard the chimes at midnight. “Falstaff,” by Orson Welles, free online
The Orson Welles Program
Orson Welles young, old, drunk, sober, and plenty pissed off about frozen peas
This filmmaker ranks with Welles and Tarkovsky
Orson Welles young, old, drunk, sober, and plenty pissed off about frozen peas
Wes Anderson scavenger hunt: Truffaut, Welles, Peanuts…
Welles film is restored to intended glory
Cannes 2026 Video #1: The 79th Cannes Film Festival Begins!
A True American Original: Ted Turner (1938-2026)
How “The Testament of Ann Lee” Subverts Cinema’s Lineage of Cult Leaders
Lightning in a Bottle: Angus MacLachlan on “A Little Prayer”
TIFF 2025: Wasteman, Winter of the Crow, Charlie Harper
Home Entertainment Guide: “Bring Her Back,” “The Phoenician Scheme,” “Vermiglio,” More
One Final Look: Terence Stamp (1938-2025)
Lookin’s Free: Joe Don Baker (1936-2025)
Screen Scholars Assemble in Chicago Despite Culture Warfighters Defunding Universities
From Gena to Annette: Great Actresses with Oscar Nominations but No Wins
Sony’s “Frank Capra at Columbia” 4K Box Set Encapsulates One of America’s Great Filmmakers
Apocalypse Then: Godzilla Minus One Minus Color
A Master of Subtle Function: Cinematographer Dick Pope (1947-2024)
Criterion Adds Val Lewton Double Feature to the Collection
The Gene Siskel Film Center Celebrates the First and Last of Famous Filmmakers with their Entrances & Exits Series
Pat Garrett and Billy the Kid Ride Again with Criterion’s 50th Anniversary Release
Cannes 2024: The Second Act, Abel Gance’s Napoleon
I’ve Never Seen Anything Like It Before: Roger Corman (1926-2024)
Preview of Tributes at the 58th Karlovy Vary International Film Festival
A Plea for Someone to Save Megalopolis
The Perfection of the Human Soul: The Cast of Groundhog Day Celebrates Harold Ramis
Bright Wall/Dark Room October 2023: Killing Time: 3:10 to Yuma & the Lonesome West by Nicholas Russell
Home Entertainment Guide: September 2023
Noir City Returns to the Music Box in Chicago
He Did It All: William Friedkin (1935-2023)
Laugh-In Creator George Schlatter Socks it To Me with New Memoir
Don’t Forget Your Place: On Joseph Losey’s The Servant
Book Excerpt: Scout Tafoya’s But God Made Him a Poet: Watching John Ford in the 21st Century
Ebertfest 2023: Frank Oz and Derek DelGaudio Screen In & Of Itself, Rita Coburn Spotlights Marian Anderson and More!
From the Deep: On the Staying Power of Creature from the Black Lagoon
Create the Legend: Erich von Stroheim’s Foolish Wives
Creative Expression: Theodore Witcher on the Legacy of Love Jones
Women Film Editors: Shedding the Cloak of Invisibility
A Fearless Critic: Michael Wilmington (1946-2022)
The Connection to Old Hollywood: Peter Bogdanovich (1939-2022)
Bright Wall/Dark Room December 2021: I’ve Had a Rough Year, Dad: The Unbearable, Beautiful Messiness of One Line in The Royal Tenenbaums by Matt Chambless
24 Great Performances of 2021
Home Entertainment Guide: December 2021, The Criterion Collection
The Mystery Was the Point: On the Life of Dean Stockwell (1936-2021)
The Black-and-White Films of the 2021 Award Season
Book Excerpt: Hollywood Victory: The Movies, Stars, and Stories of World War II by Christian Blauvelt
Home Entertainment Guide: Horror Edition
Cannes 2021 Video #1: Returning to the Riviera
The End of an Era: Norman Lloyd, 1914-2021
Thumbnails Special Edition: Gregory Nava’s Selena
Book Excerpt: Cinemaphagy: On the Psychedelic Classical Form of Tobe Hooper by Scout Tafoya
The 2020 Frontrunners for Best Picture
Simplicity of Narrative, Complexity of Character: Harry Macqueen on Supernova
The 2020 Frontrunners for Best Director
After Kane, Before Mank: Revisiting RKO 281
Being Human Is Heroic: Melora Walters on Waterlily Jaguar, Drowning, Magnolia and More
The 2020 Frontrunners For Best Actor and Best Supporting Actor
The 2020 Frontrunners For Best Actress and Best Supporting Actress
Book Excerpt: The Press Gang by Godfrey Cheshire, Matt Zoller Seitz, Armond White
Limits Don’t Exist: Michael Almereyda on Tesla
Home Entertainment Guide: April 2, 2020
Epix Presents Slow Dirge to the End of the War of the Worlds
Rob Garver on What She Said: The Art of Pauline Kael
Robert Evans: 1930-2019
Preview of Noir City Chicago 2019
Thumbnails Special Edition: Our Cannes 2019 Coverage
Cannes 2019: Justice Singleton on the Legacy of Her Father, John Singleton
Book Review: Funny Man – Mel Brooks
Jonathan Rosenbaum on His New Book Collection, Cinematic Encounters
A Look Back at Those We Lost in 2018
The Great Performances of 2018
Home Entertainment Consumer Guide: December 13, 2018
The Individual Top Tens of 2018
Sheila O’Malley’s Top Ten Films of 2018
Glenn Kenny’s Top Ten Films of 2018
Peter Sobczynski’s Top Ten Films of 2018
Tomris Laffly’s Top Ten Films of 2018
Nicolas Roeg, 1928-2018
Thumbnails Special Edition: War of the Worlds
Always Leave ‘Em Laughing: Peter Bogdanovich on Buster Keaton, superheroes, television, and the effect of time on movies
45 Movies to see at the 54th Chicago International Film Festival
NYFF 2018: Ray & Liz, Asako I & II, Hotel by the River
NYFF 2018: The Slows, In My Room, Sorry Angel, Too Late to Die Young
The New York Film Festival 2018 Preview
Thumbnails 9/28/18
30 Minutes on: “Searching”
Venice Film Festival 2018: A Star is Born, The Other Side of the Wind
Red Carpet Premiere of Crazy Rich Asians Celebrates a Continuing Asian-American Movement
