Two Much
Written by
Fernando
Fernando
Fernando Movie Reviews
Blog Posts That Mention Fernando
SXSW 2025: Beast Race (Corrida Dos Bichos), Campeón Gabacho, Grind
Who Will Remember You?: “The Secret Agent” and the Humanities as Resistance
Fantasia 2025: I Am Frankelda, The Devil’s Bride, Cielo
Tribeca Film Festival 2025: The Documentaries
Short Films in Focus: David and Sam Cutler-Kreutz on “A Lien”
Book Excerpt: Foreword to The Wes Anderson Collection: Asteroid City by David Bordwell
The 25 Best TV Series of 2024
The Party is Over in City of God: The Fight Rages On
Women in Blue is Good at Suspense, Medium at Feminism
Short Films in Focus: I Have No Tears, and I Must Cry
2024 Sundance Film Festival Announces 91 Projects Selected for the Feature Films, Episodic, and New Frontier Lineup for 40th Edition
Home Entertainment Guide: October 2023
TIFF 2023: Stamped from the Beginning, They Shot the Piano Player, Viva Varda!
He Did It All: William Friedkin (1935-2023)
Magnolia: One Day in the Valley
Short Films in Focus: The Shorts Programs of the 2023 Chicago Critics Film Festival
10th Chicago Critics Film Fest Features Past Lives, Blackberry, Sanctuary, Theater Camp, and Many More
Sundance 2023: Heroic, Scrapper, Sorcery
2023 Sundance Film Festival Announces Competition Films, Premiere Titles, Midnight Selections, and More
58th Chicago International Film Festival Reveals Award Winners
Goodbye to a Chicago Legend: Sergio Mims (1955-2022)
TIFF 2022: El agua, Maya and the Wave, All the Beauty and the Bloodshed
Fantasia 2022: Polaris, The Elderly, All Jacked Up and Full of Worms
A Look Back at Tribeca 2022: The Narrative Features
Of the Same Matter: Gaspar Noé on Vortex and Lux Aeterna
The Films That Could Shake Up the Oscar Race
KVIFF 2021: Award Winners, Highlights, and a Video Diary
MLB The Show 21 Continues Field Dominance
A New Mexican Canon: The Filmmakers Rebalancing the Narrative of Their Country
Home Entertainment Guide: January 2021
John le Carré: 1931-2020
Memory House by Brazilian Director Joao Paulo Miranda Maria Wins the Roger Ebert Award at the 56th Chicago International Film Festival
Immerse Yourself in Martin Scorsese’s World Cinema Project #3
Touring Masterworks: Adam Nayman Discusses His New Book on Paul Thomas Anderson
Women Hold Key Positions in Chapel Hill’s Film Fest 919
Sundance 2020: High Tide, Summer White
Chaz Ebert’s Top 10 Films (And Then Some) of 2019
Video Interview: The Two Popes
Sundance 2020 Announces Competition, Midnight, Premiere Titles and More
CIFF 2019: Preview of the 55th Chicago International Film Festival
55th Chicago International Film Festival Announces Gala and Special Presentation Selections
TIFF 2019: Synchronic, The Two Popes, How to Build a Girl
Sundance 2019 Announces Competition, Premiere, Midnight Titles and More
Return to Terror: Why the Election of Jair Bolsonaro Would be a Disaster for Brazil
Bursting Through Border Walls: The 34th Chicago Latino Film Festival
Winners of 2018 Sundance Film Festival Awards Announced
Thumbnails Special Edition: Sundance 2018
Sundance 2018: Bisbee ‘17
Sundance 2018: Loveling, Pity, The Guilty
Sundance 2018 Announces Competition, Premiere, Midnight Titles and More
Much More than “Star Wars”: The Cinema of ’77 Strikes Back at Film Society of Lincoln Center
BAMcinemaFest 2017: “En el Séptimo Dia,” “Princess Cyd”
“Valley Girl” to Screen February 17th at New Beverly Cinema
Sundance 2017: “Chasing Coral,” “I Dream in Another Language,” “Walking Out”
Sundance 2017: “The Nile Hilton Incident,” “Don’t Swallow My Heart, Alligator Girl!”
Sundance 2017 Announces Competition Titles
A Sneak Peek at Noir City: Chicago 8
Home Entertainment Consumer Guide: July 21, 2016
“We Were Exploited, But They Were Nice About it”: A Whit Stillman Trilogy Arrives on Blu-ray
Thumbnails 3/2/16
“Al and I called him ‘Ziggy’”: Producer Sam Sherman Remembers The Early Days Of Vilmos Zsigmond
The Ragged Charm and Undeniable Greatness of “Chimes At Midnight”
CIFF 2015: “A Perfect Day,” “Cuckold,” “Spotlight”
Home Entertainment Consumer Guide: September 24, 2015
The Young Person’s Guide To Max Von Sydow, Part Two
Who’s Who In Reviews: Christy Lemire
Three-and-a-Half-Star Reviews of 2015
Cannes 2015: “Disorder,” “A Perfect Day,” “Arabian Nights: Volume 1”
Unstoppable: The 2014 Los Cabos Film Festival
Thumbnails 7/28/14
The Current Carries Them: The Personal Beauty of “Elena”
The Santa Barbara International Film Festival 2014: Nice Work If You Can Get It
Meet the Writers: Christy Lemire
Traditions of Quality: Mark Cousins’ “The Story of Film: An Odyssey”
New York Film Festival: “Abuse of Weakness” and “Club Sandwich”
Thumbnails 6/15/2013
We have heard the chimes at midnight. “Falstaff,” by Orson Welles, free online
Travelling with an unknown companion
The Best 10 Movies of 2002
“A character snorts cocaine, and you won’t be able to explain why it’s in there.”
The Best 10 Movies of 1971
More sex, please. We’re American.
LA & NY crix love The Social Network and Carlos
1 Julianne Moore + 1 Mark Ruffalo + 1 movie:Putting them all together
White Dog: Video essay about a trained racist
The Tale of Two Cetis
Faces that bring their own light
Frequently bloody, occasionally disgusting:A Halloween roundup from the fringes of horror
The best films of the decade
Complete list of Academy Award nominations
‘Whale’ of a film wins top prize
Wrong movies? These aren’t
Cannes all winners
Interview with Alejandro Jodorowsky
Interview with Mark Lester
Jodie Foster goes to college
Interview with Sally Kellerman
Dr. Manhattan’s you-know-what: an exercise in quantum mechanics
