Val
Self (archive footage)
Marlon Brando
Marlon Brando Movie Reviews
Apocalypse Now: Final Cut
Colonel Walter E. Kurtz
Listen to Me Marlon
Himself (voice) (archive footage)
Apocalypse Now /Redux
Kurtz
Don Juan DeMarco
Jack Mickler
A Streetcar Named Desire
Stanley Kowalski
Christopher Columbus: The Discovery
Torquemada
The Freshman
Carmine Sabatini
A Dry White Season
McKenzie
The Formula
Adam Steifel
Apocalypse Now
Colonel Kurtz
Last Tango in Paris
Paul
The Godfather
Don Vito Corleone
The Night of the Following Day
Chauffeur
Candy
Grindl
Reflections in a Golden Eye
Maj. Penderton
Blog Posts That Mention Marlon Brando
My Marlon Brando obsession
Bravo for Champ Clark’s Play, Wild Son: The Testimony of Christian Brando
Outdoor film festival salutes Mickey Mouse, Brando, Grant
Brando was a rebel in the movies, a character in life
Pontecorvo: ‘We Trust the Face of Brando’
Brando letter makes the grade
100 Great Moments in the Movies
Maria Schneider comes to America
The 2013 Santa Barbara International Film Festival (by way of Oklahoma)
Imagine: Film criticism on TV?
TIFF 2007: Robert Zimmerman Bob Dylan Revisited
Biggest Acting, Best and Worst: Over the top, Ma!
Best and Worst Oscar Actors
Smash his camera, but not immediately
59th Karlovy Vary Film Festival Announces Official Selection and Juries
The Most Unsung Leading Man of His Generation: Val Kilmer (1959-2025)
Female Filmmakers in Focus: The Films of Euzhan Palcy
A Preview of the 2025 Rendez-Vous with French Cinema
The Atlas of Cinema: In Praise of Adam Driver
The Tarantino Dozen
Bright Wall/Dark Room July 2024: No, Captain, My Captain: Crimson Tide and the Perils of Mutiny by Bryan Miller
Beautiful and Haunted: Jeff Nichols on The Bikeriders
With Analyze This, Robert De Niro Finally Decided to Become the King of Comedy
Hollywood & The March on Washington: When Fame Overcame Fear
Cannes 2023: Asteroid City, The Settlers
A Piece of His Fire: Harry Belafonte (1927-2023)
The Underrated Sayles: An Appreciation of Baby It’s You on Its 40th Anniversary
James Caan: 1940-2022
Paramount+’s The Offer Can’t Sell Godfather Making-Of
Trying to Find Your Way Out of It With Whatever Means You Have: Kenneth Branagh on Belfast
Cannes 2021: Val, Jane par Charlotte, Cow
Richard Donner: 1930-2021
The Whole Parade: On the Incomparable Career of Nicolas Cage
The Cruelest Month, Part 4: A Leave of Presence
The Bonus Situation: Yaphet Kotto, 1939-2021
The Joke’s On Him: Tom Cruise and Eyes Wide Shut
The Great Performances of 2020
John Saxon: 1935-2020
Home Entertainment Guide: January 23, 2020
Robert Forster: 1941-2019
The Lost Souls of Joaquin Phoenix
Fly Me to the Moon: 50th Anniversary of Apollo 11 and Man’s Walk on the Moon
The Hustler
Not Listening to No: An Interview with Elvis Mitchell
Bernardo Bertolucci: 1941-2018
NYFF 2018: The Times of Bill Cunningham, Cold War, Detour
The Most Stressful Time in Our Lives: Ike Barinholtz on The Oath
The Natural-Born Movie Star: Burt Reynolds, 1936-2018
Fantasia 2018: Relaxer, Mega Time Squad, Room Laundering
Bright Wall/Dark Room: Stigma & Myth in Belle Rive by Paul Fischer
Thumbnails 10/2/17
Hitting the Mother Lode: The Oscar Race Embraces Its Maternal Side
Harry Dean Stanton: 1926-2017
On Her Own Terms: The Work of Debra Winger
The Present and Future: Ethan Hawke on “The Before Trilogy”
The Great Performances of 2016
Home Entertainment Consumer Guide: December 1, 2016
Home Entertainment Consumer Guide: November 3, 2016
It’s Over the Ocean to Scranton, Pennsylvania: An Appreciation of “The In-Laws”
“La Lupa”: A Celebration of Anna Magnani
The Feminine Grotesque: On The Warped Legacy of Joan Crawford
Visual Pleasure and Voodoo Demographics: A Reflection on Women and Film (Updated)
Bright Wall/Dark Room February 2016: “The Grace of Keanu Reeves” by Angelica Jade Bastién
30 Minutes on: “Cool Hand Luke”
The Individual Top Tens of 2015
Book Excerpt: “Richard Pryor: American Id” by Jason Bailey
Best Actor: The Battle of the Overdue
Thumbnails 7/30/15
Meet the Writers: Matt Zoller Seitz
Who’s Who In Reviews: Sheila O’Malley
Who’s Who In Reviews: Matt Zoller Seitz
Thumbnails 6/1/15
8 things about Albert Maysles
From the archives: “Cameras Keep Rolling at Maysles Films”
“Evil Against Evil”: The Fascinating Incoherence of American Sniper
Sundance 2015: The Best Films
Sundance 2015: “Mistress America,” “Z For Zachariah,” “The Forbidden Room”
Beyond Narrative: The Future of the Feature Film
2015 Sundance Film Festival Preview
Holiday Gift Guide 2014: Boxed Sets and Stellar Releases
Existential Westerns: Criterion Editions of “The Shooting,” “Ride in the Whirlwind”
AFI Fest Honors Sophia Loren
Musings on Sophia Loren
Nicholson on Nicholson
Thumbnails 7/31/14
Simply Do it: Talking with Woody Allen About Directorial Style
The Greatest Living Actress: Author Dan Callahan on the Legacy of Vanessa Redgrave
Able-Bodied Actors and Disability Drag: Why Disabled Roles are Only for Disabled Performers
Thumbnails 2/25/14
Stay, little Valentine: Philip Seymour Hoffman, 1967-2014
Goodnight, my excellent good master: Maximilian Schell, 1930-2014
“Man of Steel”, Feet of Clay
An uncommon man: Peter O’Toole, 1932-2013
Meet the Writers: Dan Callahan
Thumbnails 10/08/2013
Visual Pleasure and Voodoo Demographics: A Reflection on Women and Film
Meet the Writers: Sheila O’Malley
Emperor
