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The Hitman's Bodyguard

While no one is going to mistake The Hitman’s Bodyguard for high art, it will please those in the mood for late-summer fun.

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Patti Cake$

The sense of place and uniformly superb performances make it worth seeing, and maybe ultimately singing along with.

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

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* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.

#295 February 7, 2017

Matt writes: You don't have to be a sports fan to enjoy the spectacle and exhilaration of the Super Bowl, and the same is true of sports films. There are endless uplifting pictures charting the triumph of underdogs in various sports, with football being one of the most crowd-pleasing. Roger Ebert gave favorable reviews to several of them, including Warren Beatty and Buck Henry's very funny 1978 comedy, "Heaven Can Wait," Gurinder Chadha's delightful 2002 dramedy, "Bend It Like Beckham" and Peter Berg's 2004 drama, "Friday Night Lights."

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#290 November 29, 2016

Matt writes: Living legend Warren Beatty has a new film in theaters—his first in 18 years—and it has received quite a bit of coverage at RogerEbert.com. Matt Zoller Seitz awarded the film three stars, while Brian Tallerico interviewed Beatty along with the film's two young stars, Alden Ehrenreich (the future Han Solo) and Lily Collins. Yet in addition to these new articles, our site contains a wealth of archival interviews with Beatty conducted by Roger Ebert, including this essential conversation from 1967, in which Beatty discusses the controversial violence in "Bonnie and Clyde" famously panned by The New York Times critic Bosley Crowther.

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#281 July 26, 2016

Matt writes: Garry Marshall, the comedy mastermind behind several iconic TV shows and hit films, died last Tuesday at age 81. He leaves behind a rich legacy that did not go unnoticed by Roger Ebert. The critic greatly admired Marshall's 1984 film, "The Flamingo Kid," hailing its star, Matt Dillon, as a revelation. Ebert also loved Marshall's phenomenally successful 1990 romantic comedy, "Pretty Women," which launched the career of Julia Roberts. "[Marshall's] films betray an instinctive good nature," wrote Ebert in his three-and-a-half-star review, "and [this film] is about as warmhearted as a movie about two cold realists can possibly be." For heartfelt eulogies, check out the obituary penned by Susan Wloszcyzyna at RogerEbert.com, as well as Hadley Freeman’s remembrance at The Guardian. For guaranteed laughs, check out the clip embedded below of Marshall in an unforgettable excerpt from Albert Brooks' 1985 classic, "Lost in America," a scene that Ebert claimed was the best in the movie. It's hard not to agree with him.

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