While Oasis: Supersonic is never boring, especially for fans, it’s also not quite deep enough to justify its narrow focus, especially at its overlong running…
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
An extensive preview of 50 films coming out within the next four months, from "Sully" to "Toni Erdmann."
A tribute to the late comic genius, Gene Wilder.
A tribute to the late Arthur Hiller, director of classics that include "The Americanization of Emily," "Love Story," "The In-Laws."
A report on the Hollywood Foreign Press Association's 2016 Grants Banquet.
Matt writes: Garry Marshall, the comedy mastermind behind several iconic TV shows and hit films, died last Tuesday at age 81. He leaves behind a rich legacy that did not go unnoticed by Roger Ebert. The critic greatly admired Marshall's 1984 film, "The Flamingo Kid," hailing its star, Matt Dillon, as a revelation. Ebert also loved Marshall's phenomenally successful 1990 romantic comedy, "Pretty Women," which launched the career of Julia Roberts. "[Marshall's] films betray an instinctive good nature," wrote Ebert in his three-and-a-half-star review, "and [this film] is about as warmhearted as a movie about two cold realists can possibly be." For heartfelt eulogies, check out the obituary penned by Susan Wloszcyzyna at RogerEbert.com, as well as Hadley Freeman’s remembrance at The Guardian. For guaranteed laughs, check out the clip embedded below of Marshall in an unforgettable excerpt from Albert Brooks' 1985 classic, "Lost in America," a scene that Ebert claimed was the best in the movie. It's hard not to agree with him.
A packed version of our Blu-ray guide with thoughts on "Knight of Cups," "Midnight Special," "10 Cloverfield Lane," "45 Years" and many more!
Highlights from CUFF 2016; The first 50 lashes; Believe in romance; Pico Iyer on Terrence Malick; Female cinematographers not content hiding behind the camera.
A celebration of Disney's "The Rocketeer" on the occasion of its 25th anniversary.
Roger's Favorites: actress Faye Dunaway.
Monica Castillo responds to our Movie Love Questionnaire.
A report from SXSW 2016 on the latest from Ti West, Keegan-Michael Key & Jordan Peele, John Michael McDonagh and more.
The Oscar for Best Actor could come down to a battle between actors considered overdue for their first Oscar.
The movie questionnaire and 2015 reviews of RogerEbert.com film critic Peter Sobczynski.
Roger Ebert's essay on film in the 1978 edition of the Britannica publication, "The Great Ideas Today."
An interview with Alfonso Gomez-Rejon, director of the Grand Jury Prize-winning "Me and Earl and the Dying Girl."
The talent of Edward Herrman, appreciate by studying one moment from his small role in "Reds."
An excerpt from the book "Eat, Drink & Remarry" by Margo Howard.
An FFC shares memories of the Los Angeles Theater scene.
Scout Tafoya's video series on underrated films continues with "Ishtar".
Odie Henderson launches our coverage of Oscar Memories from some of our most notable contributors.
Director John Lee Hancock on the challenges of making a film about Walt Disney for Disney.
Writer Peter Sobczynski responds to our Movie Love Questionnaire.
If we said there was a clear throughline from "Bonnie and Clyde" and Richard Donner's "Superman: The Movie," you'd say we were crazy, right? Get ready to eat your words as we prove once again that showbiz works in mysterious ways.
Marie writes: Holy crap! THE KRAKEN IS REAL!" Humankind has been looking for the giant squid (Architeuthis) since we first started taking pictures underwater. But the elusive deep-sea predator could never be caught on film. Oceanographer and inventor Edith Widder shares the key insight - and the teamwork - that helped to capture the squid on camera for the first time, in the following clip taken from her recent TED talk." And to read more about the story, visit Researchers have captured the first-ever video footage of a live giant squid at i09.com
"American Masters: Inventing David Geffen" premieres Tuesday, Nov. 20th at 8:00pm on PBS. (Check local listings.) It can also be viewed, where available, via PBS On Demand.
by Jeff Shannon
It was my good fortune to be working at Microsoft when the big announcement was made in March of 1995: Microsoft was entering into a joint venture with DreamWorks SKG, the new film studio and entertainment company founded the previous year by mega-moguls Steven Spielberg, Jeffrey Katzenberg and David Geffen (the "SKG" in the company's original moniker). At the time, Microsoft dominated the booming business of multimedia publishing, and the group I was working in, nicknamed "MMPUB," was producing a dazzling variety of CD-ROM games and reference guides. As an independent contractor I was the assistant editor of Cinemania, a content-rich, interactive movie encyclopedia (later enhanced with a website presence) that was an elegant and in some ways superior precursor to the Internet Movie Database.