A high tech thriller with plenty of tech and not enough thrills.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
A tribute to the late actor and director, Bill Paxton.
A review of USA's new series, "Shooter," which premieres on November 15.
A look at what films like "Sully" and "Deepwater Horizon" say about the modern disaster movie.
An extensive preview of 50 films coming out within the next four months, from "Sully" to "Toni Erdmann."
A preview of the 2016 Toronto International Film Festival.
The first films announced for the 2016 Toronto International Film Festival.
An overview of the films that will be theatrically released in the 2015 fall season.
An interview with Thomas Haden Church, star of "Max."
Lena Dunham and Amy Schumer; Why "Entourage" is bound to fail; Some corporations deserve capital punishment; Women in "Mad Max" and "Transformers"; "Grace of Monaco" writer tweets all.
A preview of dozens of films being released this Summer.
The epic uncool of Philip Seymour Hoffman; How "Selma" got smeared; The fantasy fueling "Sniper"'s popularity; Paradise in Palm Springs; Looking back at "Before Sunrise."
An interview with Rupert Wyatt, director of "The Gambler."
An oral history of "Boogie Nights"; Douglas Trumbull's latest project; Reassessing "Zero Dark Thirty"; Five great foreign titles from 2014; Paul Thomas Anderson on "Inherent Vice."
An interview with "The Good Life" stars Emmanuel Jal and Ger Duany, and producer Molly Smith.
Remembrances of Philip Seymour Hoffman.
The nominations from the Producers Guild, Screen Actors Guild and the Writers Guild have announced their nominations, and the Oscars race is starting to come into focus.
Marie writes: The Ebert Club Newsletter is now three years old! And the occasion calls for some cake - but not just any old cake, as it's also now officially Spring! And that means flowers, butterflies and ladybugs too. Smile.
This is a free sample of the Newsletter members receive each week. It contains content gathered from recent past issues and reflects the growing diversity of what's inside the club. To join and become a member, visit Roger's Invitation From the Ebert Club.
Marie writes: Not too long ago, Monaco's Oceanographic Museum held an exhibition combining contemporary art and science, in the shape of a huge installation by renowned Franco-Chinese artist Huang Yong Ping, in addition to a selection of films, interviews and a ballet of Aurelia jellyfish.The sculpture was inspired by the sea, and reflects upon maritime catastrophes caused by Man. Huang Yong Ping chose the name "Wu Zei"because it represents far more than just a giant octopus. By naming his installation "Wu Zei," Huang added ambiguity to the work. 'Wu Zei' is Chinese for cuttlefish, but the ideogram 'Wu' is also the color black - while 'Zei' conveys the idea of spoiling, corrupting or betraying. Huang Yong Ping was playing with the double meaning of marine ink and black tide, and also on corruption and renewal. By drawing attention to the dangers facing the Mediterranean, the exhibition aimed to amaze the public, while raising their awareness and encouraging them to take action to protect the sea.
Marie writes: Kudos to fellow art buddy Siri Arnet for sharing the following; a truly unique hotel just outside Nairobi, Kenya: welcome to Giraffe Manor.
The Grand Poobah writes: "No man has a better wife than Chaz."
The key strength of David O. Russell's "Silver Linings Playbook" (2012) is that the acting is so strong that we forget we are watching the movie. In those moments that the plot guides us, it takes us in some directions familiar, some directions frightening, and some directions fun. In a year that has given us a compassionate story about addiction in "Flight," we also have this equally tender film about mental illness. I want to see this movie again, if at least because it is so happy, even though it did not have to be.
Marie writes: Intrepid club member Sandy Kahn has found another Hollywood auction and it's packed with stuff! From early publicity stills (some nudes) to famous movie props, costumes, signed scripts, storyboards, posters and memorabilia...
Marie writes: I may have been born in Canada, but I grew-up watching Sesame Street and Big Bird, too. Together, they encouraged me to learn new things; and why now I can partly explain string theory.That being the case, I was extremely displeased to hear that were it up Romney, as President he wouldn't continue to support PBS. And because I'm not American and can't vote in their elections, I did the only thing I could: I immediately reached for Photoshop....
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I apologize for the lack of postings the last few weeks. A recent flare-up of heart problems left me with little energy to write. But as the emaciated old man in "Monty Python and the Holy Grail" says: "I'm feeling much better!"
At one point well into Paul Thomas Anderson's "The Master" I thought that the movie was going to reveal itself as a story about the meaninglessness of human existence. But that notion was based on a single piece of aphoristic, potential-thesis-statement dialog that, like much else, wasn't developed in the rest of the movie. Which is not to say that "The Master" isn't about the meaninglessness of human life. The line, spoken by Lancaster Dodd (Philip Seymour Hoffman), the cult guru known to his acolytes as Master, is addressed to the younger man he considers his "protégé," a dissolute mentally ill drifter named Freddie Quell (Joaquin Phoenix), and the gist of it is that the itinerant Freddie has as much to show for his life as somebody who has worked a regular 9-to-5 job for many years. The point being, I suppose, that for all Freddie's adventures, peculiarities and failures, he isn't all that much different from anybody else. Except, maybe, he's more effed-up.