The Hitman's Bodyguard
While no one is going to mistake The Hitman’s Bodyguard for high art, it will please those in the mood for late-summer fun.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
Ben Kenigsberg makes his predictions for the 2017 Cannes awards.
An interview with Alexandre O. Philippe, director of "78/52," at Hot Docs 2017.
A review of the new mini-series "When We Rise," which starts tonight on ABC.
A look at the artists of two documentaries about women who took other identities.
A preview of the upcoming 2016 Chicago French Film Festival, which runs July 22 - 28 at the Music Box Theater.
A preview of the 2016 version of the Chicago film lovers' event, including more than two dozen Chicago premieres.
A review of the latest from Jeff Nichols from Berlinale 2016.
A review of Tim Sutton's "Dark Night" from Sundance.
A preview of the 33rd Reeling: Chicago LGBTQ+ International Film Festival.
A table of contents of Cannes 2015 coverage by Barbara Scharres.
A review of Nanni Moretti's latest from Cannes.
Barbara Scharres reports from Cannes 2015 on a disastrous screening of Gus Van Sant's "The Sea of Trees."
Ben Kenigsberg plans to look beyond the mainstream at this year's festival.
A curtain raiser for the 2015 iteration of the Cannes Film Festival.
A look at Kimberly Pierce's 2013 version of "Carrie."
A recap of the new releases on Netflix, On Demand, and Blu-ray/DVD, including "Snowpiercer," "Maleficent," "Nightbreed," "F For Fake" and "La Dolce Vita."
A review of FOX's disappointing "Gracepoint" and CBS's horrendous "Stalker."
A dispatch from the 2014 NYFF, including "Hill of Freedom," "The Princess of France," "Life of Riley" and "Two Shots Fired."
May 2014 Blu-rays of note.
Highlights and schedule for the 2014 Chicago Critics Film Festival.
Author Joyce Maynard talks about teaching Jason Reitman to bake a pie, writing a romance about a mother, and seeing the stories she writes as a film in her imagination.
"Rainer on Film: Thirty Years of Film Writing in a Turbulent and Transformative Era" is a remarkable collection of reviews and essays from critic Peter Rainer. This essay on film noir and neo-noir is excerpted from the book.
Marie writes: Last week, in response to a club member comment re: whatever happened to Ebert Club merchandize (turned out to be too costly to set up) I had promised to share a free toy instead - an amusement, really, offered to MailChimp clients; the mail service used to send out notices. Allow me to introduce you to their mascot...
Marie writes: For those unaware, it seems our intrepid leader, the Grand Poobah, has been struck by some dirty rotten luck..."This will be boring. I'll make it short. I have a slight and nearly invisible hairline fracture involving my left femur. I didn't fall. I didn't break it. It just sort of...happened to itself." - Roger
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