Knives Out
Directing a wildly charismatic cast who are all-in on what he’s doing, Johnson confidently stays a step or two ahead of his audience, leaving them…
Directing a wildly charismatic cast who are all-in on what he’s doing, Johnson confidently stays a step or two ahead of his audience, leaving them…
A typically beguiling and heartfelt guide to the films of the late Agnès Varda, by the director herself.
Roger Ebert on James Ivory's "Howards End".
"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…
An article about today's noon premiere of a new movie about architect Benjamin Marshall at the Gene Siskel Film Center.
An article about the screening of Horace Jenkins' "Cane River" on Friday, November 1st, at the Academy Film Archive in Los Angeles.
An article about today's noon premiere of a new movie about architect Benjamin Marshall at the Gene Siskel Film Center.
A video essay celebrating Antonia Bird's maligned masterpiece, Ravenous.
A celebration of Yasujiro Ozu, as written by a Far Flung Correspondent from Egypt.
A Far Flung Correspondent weighs in on the MCU controversy.
The top 50 shows of the 2010s.
An interview with writer/director Rian Johnson and actor Michael Shannon about Knives Out.
Nobody's Fool (2018)
—
Lola
Big Stone Gap (2015)
—
Fleeta Mullins
Top Five (2014)
—
Teenage Mutant Ninja Turtles (2014)
—
Bernadette Thompson
For Colored Girls (2010)
—
Alice/White
Racing Stripes (2005)
—
Franny
Monkeybone (2000)
—
Death
The Deep End Of The Ocean (1999)
—
Candy
How Stella Got Her Groove Back (1998)
—
Delilah
Ghosts of Mississippi (1996)
—
Myrlie Evers
The Associate (1996)
—
Laurel
Bogus (1996)
—
Harriet Franklin
Eddie (1996)
—
Eddie
The Celluloid Closet (1996)
—
Moonlight And Valentino (1995)
—
Sylvie Morrow
Boys On The Side (1995)
—
Jane Deluca
The Pagemaster (1994)
—
Fantasy
Corrina, Corrina (1994)
—
Corrina Washington
The Lion King (1994)
—
Shenzi
Sister Act 2: Back In The Habit (1993)
—
Deloris
Made in America (1993)
—
Sarah Mathews
Sarafina! (1992)
—
Mary Masembuko
Sister Act (1992)
—
Deloris
The Player (1992)
—
Detective Avery
Soapdish (1991)
—
Rose Schwartz
The Long Walk Home (1991)
—
Odessa Cotter
Ghost (1990)
—
Oda Mae Brown
Clara's Heart (1988)
—
Clara Mayfield
Fatal Beauty (1987)
—
Rita Rizzoli
Burglar (1987)
—
Bernice Rhodenbarr
Jumpin' Jack Flash (1986)
—
Terry Doolittle
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
Why are black women so central in post-apocalyptic fiction? A writer looks at the trend.
An assessment of the image of the black woman on the big screen since Halle Berry's Oscar win.
A tribute to the late Penny Marshall, TV star and trailblazing director of Big, A League of Their Own and more.
An article about the 2017 Governors Awards ceremony.
Stop watching movies made by assholes. It'll be OK.
Disney Legends were celebrated and animation films were previewed at this past D23 Expo.
A report from SDCC on the award-winning "Floyd Norman: An Animated Life."
Roger's Favorites: actress Whoopi Goldberg.
Roger's Favorites: actor Denzel Washington.
An interview with Melissa Rauch, co-writer and star of "The Bronze."
A piece on extending the conversation about diversity at the Oscars to include all minorities.
A recap of the 88th Annual Academy Awards.
An overview of the films that will be theatrically released in the 2015 fall season.
Sheila writes: Quentin Tarantino's films are often tributes to other films, to other genres, to actors who have made their marks in the past. He loves it all, he has enthusiasm for all. Here, in this really fun Press Play video, Tarantino's visual references to other films are made explicit, shot for shot.
Brando's A-list acting school; Sex, death and Kubrick; Five Wallace essays you must read; Gendering of martyrdom; Hackers can disable a sniper rifle.
Chaz Ebert reports on James Marsh's "The Theory of Everything" and Chris Rock's "Top Five."
The Abraham Lincoln Presidential Library Foundation honored award-winning filmmaker Steven Spielberg with the prestigious Lincoln Leadership Prize at a dinner ceremony Wednesday at the Hilton Chicago.
The Grand Poobah writes: Here's a behind the scenes lookinside our control room! This is where the magic happens.
"Beware of artists - they mix with all classes of societyand are therefore most dangerous." ~ Queen Victoriastencil by Banksy, British graffiti artistAnd who inspired a recent film about art...
It was the opening day of the Disney-MGM studios in Orlando. The stars were there with their children. There was an official luncheon at the Brown Derby, modeled after the legendary Hollywood eatery. I was beside myself. I was in a booth sitting next to Jack Brickhouse, the voice of the Chicago Cubs. A man walked over and introduced himself. "Bob Elliott." Oh. My. God. Bob, of Bob and Ray.
For me he was the biggest star in the room. Who, after all, compared to even one half of Bob and Ray, was Tom Hanks? Whoopi Goldberg? Art Linkletter? "Gosh all whillikers, Mr. Science!" I said, "What's that long brown object???" Bob didn't miss a beat: "That's known as a board, Roger."
Another man was steaming toward us through the throng. A middle-aged man, well-dressed, tanned, with a pleasant smile. "Hi, Jack!" he said. "Say, I hear Ernie Banks is invited. Yeah, I was just talking to Michael and that's what he said." Jack turned to me and said, "Roger, this is a man I want you to meet. You're going to be seeing him again many times over the years. Say hello Jerry Berliant."
The slumdog didn’t stop at winning a million, but zoomed straight on up to Oscar gold Sunday night: “Slumdog Millionaire,” perhaps the most literal rags-to-riches story ever told, swept the night, winning the Academy Award as the best picture of 2008, and seven more Oscars.
View image Looming large.
I believe it was Gordon Gecko who proclaimed: "Ham is good!"
The "Wall Street" supervillain (superhero?) was not advocating violation of any dietary laws, of course, but simply stating a fact: Sometimes Big Acting can be quite enjoyable. Other times, of course, it can be cringe-worthy, irritating, risible, embarrassing. Only you can decide which is which. For you.
Take for example the story of Faye Dunaway as Joan Crawford in "Mommie Dearest" -- she of "No wire hangers!" and "Eat your meat!" (both precursors of "I drink your milkshake!"). Pre-release publicity reports claimed that Dunaway was giving a serious dramatic performance. But from the very first screenings it was painfully (yet fasciatingly) clear that somebody was going off her rocker -- but which actress was it: Crawford or Dunaway?
Performances pitched at the balcony, or the moon, always take the risk of falling somewhere between "tour-de-force" and "trying way too hard," virtuosity and showboating. And opinions may very about where they come down. (See "A Journey to the End of Taste," below.) You may wince at the Method nakedness displayed by Marlon Brando or James Dean in some of their most intense emotional moments ("You're tearing me apart!"). Or you may rejoice at even the most outré dramatic and/or comedic efforts of Daniel Day-Lewis, Sean Penn, Johnny Depp, Bette Davis, Jack Nicholson, Klaus Kinski, Will Ferrell, Robert De Niro, Christopher Walken, Kevin Spacey, Whoopi Goldberg, Al Pacino, Robin Williams, Dustin Hoffman, Barbra Streisand, Nicolas Cage, Ben Stiller, Tyler Perry, Owen Wilson, Gene Wilder... while others find them excruciating, overwrought or unintentionally campy.
The bigger the performance, the bigger the risks. Or maybe not. Just look over the history of Oscar nominations for acting.
LOS ANGELES -- Sunday night's Oscarcast may be the first in recent history where the presenters and performers outdraw the nominees. This year's field of films and actors is of an unusually high standard, which translates to a smaller audience, given the general rule that the better something is on TV, the fewer people watch it. Consider that "Dancing With the Stars" outdrew the Olympics.
(Note from Roger Ebert: Cynthia, who now lives and works in Tucson, was a features writer at the Sun-Times in the 1970s, where our desks faced each other and we shared everything from coffee to the mysteries of the new computers. She sent me this after the death of Richard Pryor.)
HOLLYWOOD - "Million Dollar Baby" scored a late-round rally Sunday night at the 77th annual Academy Awards as Clint Eastwood's movie about a determined female boxer won for best picture and took Oscars for actress (Hilary Swank), supporting actor (Morgan Freeman) and director (Eastwood).