
Walsh
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Blog Posts That Mention Walsh


A Portrait of the Outsider Artist: Aisling Walsh on “Maudie”

Art House Sirens American Western Blu-ray Double Feature: “Duel At Diablo” and “Monte Walsh”

Last character role for the busy, brilliant J.T. Walsh

The Great Performances of 2024, Part Two

13 Films Illuminate Locarno Film Festival’s Columbia Pictures Retrospective

The Brat Pack Movies, Ranked

Home Entertainment Guide: May 2024

The Weight of Smoke (and Blue in the Face): The Magic of Paul Auster

The Joy of Watching the Greats Continue to Be Great Well Into Their 80s and 90s

SXSW 2024: Songs from the Hole, The Black Sea, Adrianne & The Castle

The Roaring Twenties Joins the Criterion Collection

Berlin Film Festival 2024: Small Things Like These, Crossing, Cuckoo

10 Films We Can’t Wait to See at Berlin 2024

Home Entertainment Guide: January 2024

Coffee Table Books on The Wicker Man and Halloween Should Satisfy Horror Fans

CIFF 2023: Explanation for Everything, About Dry Grasses, Do Not Expect Too Much from the End of the World

Music in the Movies at Ebertfest 2023

A Documentary That Feels Like an ’80s Movie: Davis Guggenheim on STILL: A Michael J. Fox Movie

Ebertfest 2023: Amber Rubarth and David Heinz Present American Folk, Mickey Shapiro Shares Story of My Name is Sara and More!

Apple TV’s The Big Door Prize is a Hapless Muddle

Sundance 2023 Announces Additional Premiere, Competition, Encore Titles

10 Films We Can’t Wait to See at the 2022 Fantasia Festival

Considering Easy To Get: World War II Army Training Films, Segregation, Black Uplift and VD

High-Spirited Naughtiness: Celebrating Terry Zwigoff’s Bad Santa

Home Entertainment Guide: October 2021

Robert Downey Sr: 1936-2021

A Look Back at Tribeca 2021: The Narrative Features

Sundance 2021: CODA, Summer of Soul

Sundance 2021: 12 Films We Can’t Wait to See

Sundance 2021 Announces Virtual Competition, Premiere, Midnight Titles and More

NYFF 2020: City Hall, Swimming Out till the Sea Turns Blue, Hopper/Welles

FX’s Fargo Returns with an Ambitious But Underdeveloped Interrogation of the American Dream

J.G. Quintel Wants You to Snuggle Up to HBO Max’s Close Enough

Sundance 2020 Announces Competition, Midnight, Premiere Titles and More

The Best Television of the Decade

John Witherspoon: 1942-2019

30 Minutes On: “White Heat”

The Woman Who Fell to Earth Sets Doctor Who in a Promising Direction

Comic-Con 2018: Introducing Jodie Whittaker as the New Doctor Who

The Woman Trapped: The Lens of Ida Lupino

SXSW Film Festival 2018: Support the Girls, Family, All Square

My Favorite Films of 2017

Sundance 2018 Announces Competition, Premiere, Midnight Titles and More

Will 2018 Have More Female Oscar Contenders Than Ever?

Deadline’s The Contenders 2017 Kicks Off Oscar Season

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We Should Be So Lucky: A Tribute to Harry Dean Stanton

Venice Film Festival 2017: Restorations

The Big Knockover: “Noir City: Chicago” Brings Heist Films to the Music Box Theater

Thinking Outside the Box: Kyle Mooney and Dave McCary on “Brigsby Bear”

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Ebertfest 2017: “De-Lovely,” “Pleasantville,” “Varieté,” “July and Half of August”

Ebertfest Announces Final Slate of Films for 2017

Sundance 2017: “Brigsby Bear”

The Ten Best TV Shows of 2016

Sundance 2017 Announces Competition Titles

Home Entertainment Consumer Guide: September 22, 2016

Telluride 2016: A Cinematic High

From Maudie to Una: Female-Driven Stories Dominate Telluride 2016

Home Entertainment Consumer Guide: September 1, 2016

Islam in Western Cinema, Part 1 – The Exotic Muslim, from the Exotic Land

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If I Had an Emmy Ballot 2016

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Straight to the Vein: John Carney on “Sing Street”

“70mm Film Festival: The Ultimate Edition” Arrives at Chicago’s Music Box Theater

Sundance 2016: “Sing Street,” “Complete Unknown,” “Captain Fantastic”

The Best TV of 2015

TIFF 2015: “The Program”

Sex Symbol Without Auteur: The Strange Case of the Gina Lollobrigida Filmography

If I Had an Emmy Ballot 2015

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TV Review: Three New Comedies Remind Viewers of Better Shows

TV Review: ABC’s “How to Get Away with Murder” and “Black-ish”

The Coen Brothers: American Independents, Part 1

Calm in the Storm: John Michael McDonagh, Brendan Gleeson on “Calvary”

If I Had An Emmy Ballot 2014

FX’s “Fargo” Has Creative Spark of Coen Classic

Dragons, Politicians, and Dorks: The New Sunday Nights on HBO

Cohen Media Group Brings Classic and Vintage FIlms to a 21st Century Audience

In Depth: The World 3-D Film Expo celebrates the glorious heyday of old-style 3-D films

True love and self-destruction: Early Fassbinder on DVD

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Fresh blood: Three Great Directors of Direct-to-Video Action

recent Two Thumbs Up® reviews

What was my Aunt Martha trying to ask me?

A considerable contribution

Who the Devil Made It is a feast of memories, history and tall

Stars, Globes & Griffin The GGs still get no respect

In movies begin responsibilities

Blood simpletons

Name That Director!

My Ebertfest 2007 photo blog #1

Words and music

Directed by David Mamet
