Dragged Across Concrete
It’s difficult to ignore the craftsmanship and performances in Dragged Across Concrete simply because you don’t like some of its darker themes or feel like…
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
Chaz Ebert reveals her list of movies from 2018 to see before awards season 2019.
An interview with Joel Edgerton and Garrard Conley, writer/director/star and subject, respectively, of "Boy Erased."
An in-depth look at what's playing this month at the Chicago International Film Festival.
An article commemorating Project Involve's 25th anniversary, featuring reflections from Fellow-turned-acclaimed producer Effie T. Brown.
A review of two VERY different films starring the wonderful Nicole Kidman, Boy Erased and Destroyer.
A recap of the films that played at this year’s Telluride Film Festival, including First Man, Can You Ever Forgive Me?, Boy Erased and more.
An interview with Jamie Bell, star of "Film Stars Don't Die in Liverpool."
The latest on Blu-ray and DVD, including "The House," "Baby Driver," "The Beguiled," "American Gods," "The Good Place," and Orson Welles' "Othello."
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The RogerEbert.com staff's Oscar pick for Best Supporting Actress.
A look at the latest and greatest on streaming services and Blu-ray, including Orson Welles on Criterion, "The Nice Guys," "The Jungle Book," "Me Before You" and more!
An excerpt from the August 2016 issue of Bright Wall/Dark Room about Darren Aronofsky's "Noah."
The year to date in cinema as seen by our contributors.
An interview with director Rebecca Miller about her film "Maggie's Plan."
A preview of dozens of films coming out this summer.
The cinematographer of Babe, The Lord of the Rings, The Hobbit, and Rise of the Planet of the Apes has passed away.
An interview with Richard LaGravenese, director of "The Last 5 Years."
An appreciation of Michael Mann's "The Insider" on its 15th anniversary that connects Michael Mann's film with the westerns of Howard Hawks.
Gerardo Valero looks in depth at "L.A. Confidential."
Susan Wloszczyna wonders if women at the helm might be just the thing to revitalize the foundering, repetitive comic-book movie genre.
Marie writes: Behold a truly rare sight. London in 1924 in color. "The Open Road" was shot by an early British pioneer of film named Claude Friese-Greene and who made a series of travelogues using the colour process his father William (a noted cinematographer) had been experimenting with. The travelogues were taken between 1924 and 1926 on a motor journey between Land's End and John O'Groats. You can find more footage from The Open Road at The British Film Institute's YouTube channel for the film. You can also explore their Archives collection over here.
Marie writes: Now this is something you don't see every day. Behold The Paragliding Circus! Acrobatic paragliding pilot Gill Schneider teamed up with his father’s circus class (he operates a school that trains circus performers) to mix and combine circus arts with paragliding - including taking a trapezist (Roxane Giliand) up for ride and without a net. Best original film in the 2012 Icare Cup. Video by Director/Filmmaker Shams Prod. To see more, visit Shams Prod.
Another brawl in the square Another stink in the air! Was there a witness to this? Well, let him speak to Javert! -- Javert, a character in the musical "Les Misérables"
I was an eyewitness to "Les Misérables."
After repeated exposure to that dreadful theatrical trailer-cum-featurette about how the singing is all done live on camera! -- It's live! It's Live! IT'S LIVE! -- I had no intention of seeing Tom "The King's Speech" Hooper's film version of the 1980s stage musical. But when it finally came out, some of the reviews were so bad that part of me wanted to see what the stink was all about. Still, I'm not a masochist; I don't enjoy going to movies I know I'm probably predisposed to dislike just so I can dump on them. On the other hand, there's nothing better than having your low expectations upended. I did enjoy that Susan Boyle YouTube video back in 2009, but that was all I knew about the musical. I remained curious but skeptical. And then ...
After watching Tim Burton's remake of "Planet of the Apes" (2001), I concluded there was no need for another "Ape" movie to ever be made. Thirty-three years of progress in makeup technology didn't help the latter version become any better than the one that inspired it. That's why, hearing there would be a "Rise of the Planet of the Apes" a decade later, I had no expectations and feared the worst, but the results were pleasantly surprising. We often associate the word "remake" with a lack of creativity so when an exception turns out, it's important to look back and try to understand the reasons behind this.
Marie writes: Behold the amazing Art of Greg Brotherton and the sculptures he builds from found and re-purposed objects - while clearly channeling his inner Tim Burton. (Click to enlarge.)
"With a consuming drive to build things that often escalate in complexity as they take shape, Greg's work is compulsive. Working with hammer-formed steel and re-purposed objects, his themes tend to be mythological in nature, revealed through a dystopian view of pop culture." - Official website