Darkest Hour stands apart from more routine historical dramas.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
An article about this year's nominees for the Film Independent Spirit Awards.
The latest on Blu-ray and DVD includes Personal Shopper, War for the Planet of the Apes, Spider-man: Homecoming, and Annabelle: Creation.
An interview with director duo Benny and Joshua Safdie about their latest gritty New York story, "Good Time."
A report on the Hollywood Foreign Press Association's upcoming grants banquet on August 2nd.
Chaz Ebert reports on "The Beguiled," "Good Time," "In the Fade" and more in her fifth video dispatch from Cannes 2017.
Ben Kenigsberg makes his predictions for the 2017 Cannes awards.
Three reviews from Cannes, including the latest from Francois Ozon and the Safdie brothers, along with a special out of competition screening.
A look at what's coming to theaters this January through April.
A piece from NYFF on the latest from James Gray, starring Charlie Hunnam, Sienna Miller and Robert Pattinson.
An updated look at the history of women in film from Carrie Rickey.
A review of Werner Herzog's "The Queen of the Desert" from the 2015 Berlin Film Festival.
Lists from our critics and contributors on the best of 2014.
Ebertfest receives a 2014 grant from the Hollywood Foreign Press.
A conversation with Guy Pearce & Robert Pattinson, stars of "The Rover."
A report from the 61st Annual Sydney Film Festival, including The Rover, Life Itself, Ruin, and many more.
A counterpoint opinion on David Cronenberg's "Map to the Stars."
Barbara Scharres Reports on the World Premiere of David Cronenberg's Map to the Stars.
Michael Oleszczyk reports on the Cannes premiere of David Michod's The Rover.
Sheila writes: Those of you attending Ebertfest, a note from Chaz:We will have our annual Ebert Club Meet and Greet at the Roger Ebert Film Festival, Thursday, April 24, 2014 at 8 am - 10 am in the Illini Union, General Lounge. Also invited are the Far Flung Correspondents and writers from Rogerebert.com. I look forward to seeing you there!
Susan Wloszczyna wonders if women at the helm might be just the thing to revitalize the foundering, repetitive comic-book movie genre.
Marie writes: Intrepid club member Sandy Kahn came upon the following recipe and wisely showed it to me, so that I might share it in turn with all of you. Behold the morning chocolate cookie - a healthy breakfast treat loaded with good stuff; like fiber and imported French chocolate.
Marie writes: It was my birthday June 25th. Unlike Roger however, I'm a Crab not a Gemini. So to celebrate and with my brother's help (he has a car), I took my inner sea crustacean to Barnet Marine Park on the other side of Burnaby Mountain... and where our adventure begins....
Marie writes: Next door, across a long narrow drive and beyond the row of cedar hedges which run parallel to it, there resides an elementary school dating back to 1965, along with an assortment of newer playground equipment rendered in bright, solid primary colors...I'm sure you know the sort I mean...
by Barbara Scharres
Cannes has become hot and uncomfortably muggy in a way that has me thinking longingly of the blankets and socks of earlier in the week. As the festival closes in on the final days, I'm hoping for some big excitement on the screen.
When the stiff, futuristic Brandon Cronenberg film "Antiviral" played a few days ago, it gave me cause to look forward even more to today's premiere of "Cosmopolis" by his father David Cronenberg, anticipating that the contrast between generations would also point up the difference between a wannabe and a seasoned master. Boy, was I wrong. I'm sorry to say that they're both among the worst films I've seen here this year. I've never been this disappointed in a David Cronenberg film.
"Cosmopolis" opens with a shot of a row of white stretch limos parked on a city street. The interior of one of them will become a primary location in this film, functioning as the office away from the office for mega-millionaire money manager Eric Packer (Robert Pattinson), an arrogant and powerful 28-year-old. Seemingly inspired by the Occupy movement in the U. S., the story is set in New York in the near future (although what we see of the urban landscape never looks like anything but Toronto; even the CN Tower is seen in the background). The president of the United States is due at any moment, a situation tying up the streets with blockades and large-scale protests.
In just a week the French Riviera will come alive with the hoopla of the 65th Cannes International Film Festival, running this year from May 16 through 27. Despite the international proliferation of film festivals, like it or not, Cannes remains the biggest, most hyped, glitziest and most diverse event the world of film has to offer, the envy of every other festival.
As if the world at large also trembled at the import of the approaching festivities, previous Cannes festivals have been prefaced by volcanic eruptions, hurricane-force storms, national strikes, and bomb threats. What can we expect this year, when the festival officially becomes a senior citizen? Don't look for any rocking chairs along the Croisette, for one thing. Judging by the lineup of major directors represented in the Competition and other official sections, it's more likely that major revelations will be rocking the Palais. And if it's like other years, we can expect the festival will manage to rock a headline-grabbing major controversy or two as well.
For the fourth year in a row, Cannes will open with an American production, Wes Anderson's "Moonrise Kingdom," guaranteeing that name stars including Bruce Willis, Bill Murray, Edward Norton, Frances McDormand, and Tilda Swinton will be gracing the red carpet on Wednesday, May 16 for a glamorous kick-off. Judging by the trailer available online, the real stars may be the large cast of kids in a comedy/drama that looks to be strong on surreal wackiness.
Even a quick glance at the list of films in competition yields an eye-popping number of famous names, including David Cronenberg (Canada), Michael Haneke (Austria), Abbas Kiarostami (Iran), Ken Loach (UK), Cristian Mungiu (Romania), Alain Resnais France), Carlos Reygadas (Mexico), Walter Salles (Brazil), and many more. This competition could be a veritable Olympics of the cinema gods...or not, as sometimes happen, because even world-class filmmakers and certified masters can disappoint.