Apocalypse Now: Final Cut
Photojournalist
Dennis Hopper
Dennis Hopper
Dennis Hopper Movie Reviews
They’ll Love Me When I’m Dead
Himself (archive footage)
Elegy
George
Hell Ride
Eddie Zero
Swing Vote
Donald Greenleaf
Land of the Dead
Kaufman
Knockaround Guys
Benny Chains
Apocalypse Now /Redux
Photographer
Meet the Deedles
Frank Slater
Basquiat
Bruno Bischofberger
Carried Away
Joseph Svenden
Waterworld
Deacon
Speed
Howard Payne
Red Rock West
Lyle
True Romance
Clifford Worley
The Indian Runner
Caesar
Chattahoochee
Walker Benson
Flashback
Huey Walker
The Pick-Up Artist
Flash
River’s Edge
Feck
Blog Posts That Mention Dennis Hopper
Dennis Hopper: In memory
NYFF 2020: City Hall, Swimming Out till the Sea Turns Blue, Hopper/Welles
Hopper elicits cool era with his ‘Hot Spot’
Thumbnails 6/26/2014
Thumbnails 7/6/2013
László Kovács: In Memory
Courtney Grace, “Disclosure Day,” and the One-Scene Wonder
The Mysteries of Dorothy Vallens: On Isabella Rossellini in “Blue Velvet”
Season 2 of Peacock’s “Poker Face” Deals Natasha Lyonne Another Hand of Devilishly Delightful Mysteries
April 2025 Blu-Ray Guide: “Anora,” “The Brutalist,” “Heart Eyes,” “One of Them Days,” More
Have a Great Day: David Lynch (1946-2025)
December 2024 Blu-Ray Guide: “The Wild Robot,” “Conclave,” “Alien: Romulus,” More
Bird on a Wire: Kris Kristofferson (1936-2024)
The Hard Road: Alex Cox on Crowdfunding, Success, and a Life in Independent Filmmaking
Roger Corman’s Greatest Legacy Was Giving So Many People Their Big Break
The Bikeriders, a Motorcycle Club Film, Highlights a Positive Woman’s Role
Colors of Film Deconstructs Visual Palettes of Cinema History
Home Entertainment Guide: June 2022
The Mystery Was the Point: On the Life of Dean Stockwell (1936-2021)
Shouting in Parking Lots: Jim Cummings and P.J. McCabe on The Beta Test
Home Entertainment Guide: May 2021
Book Excerpt: Cinemaphagy: On the Psychedelic Classical Form of Tobe Hooper by Scout Tafoya
Larry Flynt: 1942-2021
The Joke’s On Him: Tom Cruise and Eyes Wide Shut
Stuart Gordon: 1947-2020
HBO’s Strange, Sexy The New Pope is Never Dull
Venice 2019: Restored Classics
Son of the father: Peter Fonda, 1940-2019
Home Entertainment Consumer Guide: June 13, 2019
From Don’t Look Back to Rolling Thunder Revue: The Cinema of Bob Dylan
Thumbnails Special Edition: Our Cannes 2019 Coverage
Cannes 2019: Justice Singleton on the Legacy of Her Father, John Singleton
Bruno Ganz: 1941-2019
25 Underrated Horror Films For Halloween
Eighth Grade and the Political Currency of Being a Teenage Girl
If We Picked the Winners 2018: Best Supporting Actor
A Tale of Two Chainsaws: Humor and Horror in the Films of Tobe Hooper
Tobe Hooper: 1943-2017
Much More than “Star Wars”: The Cinema of ’77 Strikes Back at Film Society of Lincoln Center
George Romero: 1940-2017
Francis Ford Coppola’s “Rumble Fish” Reigns on Criterion Blu-ray
Mysterious Beauty: A David Lynch Retrospective Comes to IFC Center
Home Entertainment Consumer Guide: March 9, 2017
The Consummate Everyman: Goodbye to Bill Paxton
Thumbnails 11/9/2016
Badass Intensity and Holy Cool: A Warren Oates Retrospective
A Gamer Defends “Warcraft”
Home Entertainment Consumer Guide: May 12, 2016
Home Entertainment Consumer Guide: April 21, 2016
Timeless Horror: The 25th Anniversary of “The Silence of the Lambs”
Film Noir For the Baby Boomer Generation: Wim Wenders’ “The American Friend”
It’s Real: A Few Words with Haskell Wexler
RogerEbert.com Writers & Filmmakers Remember Haskell Wexler
The Original Primal Storyteller: Sir Ben Kingsley on “Learning to Drive”
Beyond Narrative: The Future of the Feature Film
Wes Anderson and Owen Wilson remember L.M. “Kit” Carson
A free man: L.M. “Kit” Carson, 1941-2014
Interview: Peter Biskind Revisits “Easy Riders, Raging Bulls”
Bright Wall/Dark Room July 2014: “American Idols” by Kara VanderBijl
The “Texas Chain Saw Massacre” editing table massacre
Advice to young critics
“Art is an act of violence.” An interview with Nicolas Winding Refn
The Coens are Seriously wrong
The most emblematic rooms in movies
101 102 Movies You Must See Before…
A teacher wins the Cannes film festival
An American Carol: Anybody seen it?
No Country For Old Men: Out in all that dark
Movie culture: The Dead, the Deader and the Deadest
Looper: Dig that crazy cloud
For Your Consideration: Anton Chigurh, Supporting Actor
Opening Shots: The American Friend
Corman’s World: Monsters, mayhem & breast nudity!
The quest for frisson
Loves of the living dead
New cut slows flow of `Apocalypse’
Telluride earns trust of film fans
Bold and beautiful show their Cannes-do spirit
Class of ’94 gets their due at Cannes
David Lynch gives filmgoers all they can handle
Cannes 1980: Speculation season
Kevin Costner: “I’ll never make a sequel.”
Sweet roles come easily to Travolta
Sean Penn moves around to other side of the camera
My problem with “Blue Velvet”
Interview with Jack Nicholson
Interview with Matt Dillon
Interview with David Hemmings
David Hemmings, ready for his “Blow-Up”
By the time we get to Phoenix, he’ll be laughing
Gods and monsters
Movie Answer Man (10/05/1997)
Movie Answer Man (08/06/1995)
Movie Answer Man (02/05/1995)
