Orion and the Dark
Writer
Charlie Kaufman
Charlie Kaufman Movie Reviews
Blog Posts That Mention Charlie Kaufman
Roger’s Favorites: Terrence Malick and Charlie Kaufman
Charlie Kaufman Retrospective Coming to NY, LA, Chicago, San Francisco
Exploring Things: Charlie Kaufman & Duke Johnson on “Anomalisa”
Charlie Kaufman & Spike Jonze: Twin pleasures
Now revealed for you: Charlie Kaufman’s writing process
Realizing You’re Just a Fantasy in I’m Thinking Of Ending Things
The RogerEbert.com Interviews of 2015
Venice Film Festival: “Anomalisa,” “Blood of My Blood,” “Heart of a Dog,” “11 Minutes”
WALL-E scrunches Love Guru inVillage Voice/LA Weekly crix poll
Ain’t-It-Cool-Times
Bergman and Antonioni: Commercial moviemakers
Ebertfest photoblog: Day 3
The best films of the decade
Jimmy O. Yang Shines in Excellent “Interior Chinatown”
Why Eternal Sunshine of the Spotless Mind Remains Unforgettable
Celebrating the Tenth Anniversary of Our Managing Editor Brian Tallerico at RogerEbert.com
Japanese Horror Comes to the Film Forum
The Enduring Laughs—and Life—of Harold Ramis
Sundance 2024: Handling the Undead, Desire Lines, A Different Man
Chaz Ebert Celebrates 25 Years of Ebertfest While Honored at University of Illinois Alumni Awards Gala
TIFF 2023: The Teachers’ Lounge, The Dead Don’t Hurt, Dream Scenario
Fantasia 2023: Lovely, Dark, and Deep, Where the Devil Roams, With Love and a Major Organ
Short Films in Focus: The Oscar-Nominated Short Films of 2023
The 25 Best TV Series of 2022
Ebertfest Film Festival 2023 Passes On Sale December 12th
Home Entertainment Guide: August 2022
SXSW 2022: Linoleum, Spin Me Round, I Love My Dad
Adam Scott Leads Brilliantly Original Workplace Drama Severance
Joy: My Memories of Ebertfest
The Great Performances of 2020
Nomadland Leads 2020 Chicago Film Critics Nominations
The Individual Top Tens of 2020
I Can’t Remember Anything Without You: Watching Eternal Sunshine of the Spotless Mind through Grief
The Best Films of the 2010s
Ebertfest Film Festival 2020 Passes On Sale November 1st
Netflix’s Living with Yourself Offers Double the Rudd
Serious Oscar Contenders Unveiled at 2019 Indy Shorts International Film Festival
My Favorite Roger: Brian Tallerico
Jonah Hill, Emma Stone Star in Netflix’s Daring, Brilliant Maniac
TIFF 2018: Donnybrook, 22 July
An Addictive Quality: Evan Rachel Wood and Julia Sarah Stone on Allure
Ebertfest 2018 Passes On Sale Now
TIFF 2017: “Downsizing,” “Beast,” “Who We Are Now”
Thinking Outside the Box: Kyle Mooney and Dave McCary on “Brigsby Bear”
Ebertfest 2017 Passes Now On Sale
Exclusive: Roger Ebert’s “The Great Movies IV” In Print For the First Time
Thumbnails 7/22/16
Thumbnails 7/8/16
Home Entertainment Consumer Guide: June 10, 2016
Roger’s Favorites: A Table of Contents
“The Little Prince: The Art of the Movie” Offers Glimpse at Cinematic Satisfaction Delayed
RogerEbert.com’s Coverage of 2015 Oscar-Nominated Films: Table of Contents
Surprises and Snubs: An Expert Responds to the Oscar Nominations
Alliance of Women Film Journalists Announce 2015 EDA Winners
The Best Performances of 2015
The Individual Top Tens of 2015
The Ten Best Films of 2015
Sundance 2016 Completes Lineup with New Films from Werner Herzog, Kelly Reichardt and More
10 Films to See at the Chicago International Film Festival
CIFF 2015: “A Very Ordinary Citizen,” “Stinking Heaven,” “Looking for Grace”
Ebertfest 2016 Passes On Sale November 2nd
TIFF 2015 Recap: “45 Years,” “Son of Saul,” “Room,” “Spotlight,” and more
TIFF 2015: “Anomalisa,” “Phantom Boy,” “25 April”
Venice Film Festival 2015: The Golden Lion and Biennale College Films
Telluride 2015: “He Named Me Malala,” “Carol,” “Only the Dead See the End of War,” “Anomalisa”
Telluride 2015: A Preview, Believe It or Not
Who’s Who In Reviews: Brian Tallerico
Three-and-a-Half-Star Reviews of 2015
Cannes 2015: Jacques Audiard’s “Dheepan” wins Palme d’Or
Cannes 2015: Palme predictions
Roger Ebert is Everywhere: The Writers Remember His Legacy
A Celebration of His Work: 13 of Roger Ebert’s Most Essential Reviews
Ebertfest 2015: Roger, You Would Approve!
Ebertfest 2015 Passes On Sale November 1st
In the Sweet By and By
Stay, little Valentine: Philip Seymour Hoffman, 1967-2014
Philip Seymour Hoffman, 1967–2014
Sundance: All the Films I Saw, Ranked
Sundance Report: “Skeleton Twins” and “The One I Love”
RogerEbert.com Supercut: Actors Playing Themselves in Movies
A haunted vet, a garbage robot and a happy-go-lucky charmer
Mickey Rourke lets his Indie Spirit fly
“Million Dollar” critics’ group picks its 2004 baby
The Best 10 Movies of 2002
‘Election,’ ‘Boys Don’t Cry’ take Spirit
The Best 10 Movies of 1999
Best of 2008: East coast vs. West coast crix
Notes on Ebertfest: Day 1 & 2
Ebertfest photoblog: Day 4
A top top 10: 10 critics, 10 best(s) — and why
National Society of Film Critics: Waltzing and Happy
A letter from Cairo on February 11, 2011
The greatest films of all time
Cannes #6: Of emotion and its absence
O, Synecdoche, my Synecdoche!
A personal vision with international scope
Ebertfest: Synecdoche, Champaign-Urbana
Oscar, Oscar: Who will win?
