My Sister’s Keeper
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Cassavetes
Cassavetes Movie Reviews
Blog Posts That Mention Cassavetes
Cinematic Jazz: The Myth of John Cassavetes
Mini festival of Cassavetes films explores emotional core of works
Fight of the Century: John Cassavetes vs. Eleanor of Aquitaine
From Gena to Annette: Great Actresses with Oscar Nominations but No Wins
Sundance 2025: Mad Bills to Pay, Rains Over Babel, Serious People
This is Just the Beginning: Pamela Anderson on “The Last Showgirl”
The Steady, Inevitable Decline: Sideways at 20
The Most Vital Actress of Her Generation: A Goodbye to Gena Rowlands
A Woman Without Peers: Gena Rowlands (1930-2024)
Saving Film History One Frame at a Time: A Preview of Restored & Rediscovered Series at the Jacob Burns Film Center
He’s Got Something Going On: David Proval on Mean Streets, and Acting for Martin Scorsese
A Man Goes to the Movies: An Appreciation of Roger Ebert’s Top 10 Lists
The 10 Best Movies Made for Under $50,000
Along for the Ride with Sofia Coppola
Female Filmmakers in Focus: Erige Sehiri on Under the Fig Trees
Streetcorner Symphony: The Music of Mean Streets
Empathy Comes With Maturity: Ira Sachs on Passages
Print the Legend: On the Legacy of William Friedkin
He Did It All: William Friedkin (1935-2023)
KVIFF 2023: Wrap-Up and Awards
Book Excerpt: In the Time of Kiarostami: Writings on Iranian Cinema by Godfrey Cheshire
The Force of Hope: Mathieu Amalric on Hold Me Tight
Cannes 2022: One Fine Morning, Brother and Sister, Mariupolis 2
Jesus, I Love to Shoot Film: The Siskel Film Center Pays Tribute to Haskell Wexler
It Feels Like a Horror Movie: On Trey Edward Shults’ Krisha
Death Game: A Grindhouse Classic Returns to Theaters
The 2022 Film Independent Spirit Awards Honored Acclaimed Films Overlooked by the Academy
The Damned: The Films of Elaine May
Dignified Defiance: Sidney Poitier (1927-2022)
An American Carol: Sean Baker on Red Rocket
Janus-Faced: The Two Tony Sopranos
Criterion’s Melvin Van Peebles: Essential Films is the Story of a Cinematic Legend
Ahead of His Time: Melvin Van Peebles (1932-2021)
FACETS Reopening on September 17th with Anne at 13,000 Ft.
Something Bigger Than Myself: Billie Piper on Rare Beasts
Nomadland, I May Destroy You Take Top Honors at 2021 Film Independent Spirit Awards
In Memory of Roger Ebert: Films About Connection
Sundance 2021: Mayday, Prisoners of the Ghostland
Sundance 2021: 12 Films We Can’t Wait to See
19 Dazzling Favorite Movies and Reviews from 2020
Sundance 2021 Announces Virtual Competition, Premiere, Midnight Titles and More
Being Human Is Heroic: Melora Walters on Waterlily Jaguar, Drowning, Magnolia and More
The Illusionary Quality of a Dream: Stella Hopkins on Her Directorial Debut, Elyse
Home Entertainment Guide: November 2020
The Unloved, Part 83: Resident Evil: Retribution
Book Excerpt: The Press Gang by Godfrey Cheshire, Matt Zoller Seitz, Armond White
Owning Your Faults: Kris Rey and Gillian Jacobs on I Used to Go Here
Love Has No Gender: Kantemir Balagov on Beanpole
The Whole of Ourselves: Tim Blake Nelson and Karan Kendrick on Just Mercy
Short Films in Focus: All These Creatures
Music Box Memories: A Legendary Theatre Celebrates 90 Years
Son of the father: Peter Fonda, 1940-2019
An Ode to Pedro Almodovar’s All About My Mother on Its 20th Anniversary
A Look Back at the 10th Annual TCM Classic Film Festival
Seymour Cassel: 1935-2019
Home Entertainment Consumer Guide: March 28, 2019
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Elaine May’s Mikey & Nicky Ready for Rediscovery on Criterion Blu-ray
Matt Fagerholm’s Top Ten Films of 2018
Home Entertainment Consumer Guide: August 30, 2018
KVIFF 2018: Caleb Landry Jones and Peter Brunner on To the Night
Get Out, Three Billboards Win Big at 2018 Film Independent Spirit Awards
Berlin 2018: Tower. A Bright Day.
The Individual Top Tens of 2017
“Call Me by Your Name,” “Get Out” and “Good Time” Lead Spirit Award Nominees
Much More than “Star Wars”: The Cinema of ’77 Strikes Back at Film Society of Lincoln Center
Martin Landau: 1928-2017
Emphatic and Abundant Love: The Work of Jonathan Demme
A musical soul: Jonathan Demme, 1944-2017
SXSW 2017: Janicza Bravo on “Lemon”
A Supreme Artist: Pascal Mérigeau on “Jean Renoir: A Biography”
60 Minutes on: “The Dirty Dozen”
It’s Over the Ocean to Scranton, Pennsylvania: An Appreciation of “The In-Laws”
True to Life: An Interview with Gena Rowlands
BAMCinemaFest 2016: “A Woman, A Part”
“Spotlight” Sweeps 2016 Film Independent Spirit Awards
A Living Cinematic Organism: Stephen Cone on “Henry Gamble’s Birthday Party”
It’s Real: A Few Words with Haskell Wexler
RogerEbert.com Writers & Filmmakers Remember Haskell Wexler
FFC: “Another Woman”
Gena Rowlands: A Life on Film
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TIFF 2015 Interview: Martin Zandvliet on “Land of Mine”
In Praise of Film Critics: Why They Matter More Than Ever
“The Connection” and “In the Land of the Head Hunters”
The Roger Ebert Award to Honor Filmmaker at Indie Spirit Awards
Berlin 2015: “Eisenstein in Guanajuato,” “Aferim!,” “Queen of Earth”
Holiday Gift Guide 2014: Boxed Sets and Stellar Releases
Witness to a Legend: The Career of Gena Rowlands
Telluride 2014 Comes to a Close with Breathtaking “Birdman”
Home Entertainment Consumer Guide: August 28, 2014
Life Imitating Art: Ira Sachs on “Love Is Strange”
Menahem Golan: 1929-2014
Book Excerpt: Psycho-Sexual: Male Desire in Hitchcock, De Palma, Scorsese, and Friedkin by David Greven
“Rosemary’s Baby” Never Justifies Its Existence, “Penny Dreadful” Delivers
Top Ten Lists of 2013 From Our Contributors
Book Excerpt: Roman Polanski: A Retrospective
Brian De Palma’s Films, Ranked
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