My Sister’s Keeper
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Cassavetes
Cassavetes
Cassavetes Movie Reviews
Blog Posts That Mention Cassavetes
Cinematic Jazz: The Myth of John Cassavetes
Mini festival of Cassavetes films explores emotional core of works
Fight of the Century: John Cassavetes vs. Eleanor of Aquitaine
Home Entertainment Guide February 2026: “Predator: Badlands,” “Song Song Blue,” “A Little Prayer,” More
“Train Dreams” Wins Big at the 2026 Independent Spirit Awards
The Golden Boy: 11 of Our Favorite Robert Redford Performances
The Best TV of 2025 (So Far)
Light the Fuse: Lalo Schifrin (1932-2025)
Ossie Davis and Ruby Dee
Humanizing the Sharks: Sean Byrne on “Dangerous Animals”
From Gena to Annette: Great Actresses with Oscar Nominations but No Wins
Sundance 2025: Mad Bills to Pay, Rains Over Babel, Serious People
This is Just the Beginning: Pamela Anderson on “The Last Showgirl”
The Steady, Inevitable Decline: Sideways at 20
The Most Vital Actress of Her Generation: A Goodbye to Gena Rowlands
A Woman Without Peers: Gena Rowlands (1930-2024)
Saving Film History One Frame at a Time: A Preview of Restored & Rediscovered Series at the Jacob Burns Film Center
He’s Got Something Going On: David Proval on Mean Streets, and Acting for Martin Scorsese
A Man Goes to the Movies: An Appreciation of Roger Ebert’s Top 10 Lists
The 10 Best Movies Made for Under $50,000
Along for the Ride with Sofia Coppola
Female Filmmakers in Focus: Erige Sehiri on Under the Fig Trees
Streetcorner Symphony: The Music of Mean Streets
Empathy Comes With Maturity: Ira Sachs on Passages
Print the Legend: On the Legacy of William Friedkin
He Did It All: William Friedkin (1935-2023)
KVIFF 2023: Wrap-Up and Awards
Book Excerpt: In the Time of Kiarostami: Writings on Iranian Cinema by Godfrey Cheshire
The Force of Hope: Mathieu Amalric on Hold Me Tight
Cannes 2022: One Fine Morning, Brother and Sister, Mariupolis 2
Jesus, I Love to Shoot Film: The Siskel Film Center Pays Tribute to Haskell Wexler
It Feels Like a Horror Movie: On Trey Edward Shults’ Krisha
Death Game: A Grindhouse Classic Returns to Theaters
The 2022 Film Independent Spirit Awards Honored Acclaimed Films Overlooked by the Academy
The Damned: The Films of Elaine May
Dignified Defiance: Sidney Poitier (1927-2022)
An American Carol: Sean Baker on Red Rocket
Janus-Faced: The Two Tony Sopranos
Criterion’s Melvin Van Peebles: Essential Films is the Story of a Cinematic Legend
Ahead of His Time: Melvin Van Peebles (1932-2021)
FACETS Reopening on September 17th with Anne at 13,000 Ft.
Something Bigger Than Myself: Billie Piper on Rare Beasts
Nomadland, I May Destroy You Take Top Honors at 2021 Film Independent Spirit Awards
In Memory of Roger Ebert: Films About Connection
Sundance 2021: Mayday, Prisoners of the Ghostland
Sundance 2021: 12 Films We Can’t Wait to See
19 Dazzling Favorite Movies and Reviews from 2020
Sundance 2021 Announces Virtual Competition, Premiere, Midnight Titles and More
Being Human Is Heroic: Melora Walters on Waterlily Jaguar, Drowning, Magnolia and More
The Illusionary Quality of a Dream: Stella Hopkins on Her Directorial Debut, Elyse
Home Entertainment Guide: November 2020
The Unloved, Part 83: Resident Evil: Retribution
Book Excerpt: The Press Gang by Godfrey Cheshire, Matt Zoller Seitz, Armond White
Owning Your Faults: Kris Rey and Gillian Jacobs on I Used to Go Here
Love Has No Gender: Kantemir Balagov on Beanpole
The Whole of Ourselves: Tim Blake Nelson and Karan Kendrick on Just Mercy
Short Films in Focus: All These Creatures
Music Box Memories: A Legendary Theatre Celebrates 90 Years
Son of the father: Peter Fonda, 1940-2019
An Ode to Pedro Almodovar’s All About My Mother on Its 20th Anniversary
A Look Back at the 10th Annual TCM Classic Film Festival
Seymour Cassel: 1935-2019
Home Entertainment Consumer Guide: March 28, 2019
Thumbnails 2/8/19
Elaine May’s Mikey & Nicky Ready for Rediscovery on Criterion Blu-ray
Matt Fagerholm’s Top Ten Films of 2018
Home Entertainment Consumer Guide: August 30, 2018
KVIFF 2018: Caleb Landry Jones and Peter Brunner on To the Night
Get Out, Three Billboards Win Big at 2018 Film Independent Spirit Awards
Berlin 2018: Tower. A Bright Day.
The Individual Top Tens of 2017
“Call Me by Your Name,” “Get Out” and “Good Time” Lead Spirit Award Nominees
Much More than “Star Wars”: The Cinema of ’77 Strikes Back at Film Society of Lincoln Center
Martin Landau: 1928-2017
Emphatic and Abundant Love: The Work of Jonathan Demme
A musical soul: Jonathan Demme, 1944-2017
SXSW 2017: Janicza Bravo on “Lemon”
A Supreme Artist: Pascal Mérigeau on “Jean Renoir: A Biography”
60 Minutes on: “The Dirty Dozen”
It’s Over the Ocean to Scranton, Pennsylvania: An Appreciation of “The In-Laws”
True to Life: An Interview with Gena Rowlands
BAMCinemaFest 2016: “A Woman, A Part”
“Spotlight” Sweeps 2016 Film Independent Spirit Awards
A Living Cinematic Organism: Stephen Cone on “Henry Gamble’s Birthday Party”
It’s Real: A Few Words with Haskell Wexler
RogerEbert.com Writers & Filmmakers Remember Haskell Wexler
FFC: “Another Woman”
Gena Rowlands: A Life on Film
Thumbnails 10/26/15
TIFF 2015 Interview: Martin Zandvliet on “Land of Mine”
In Praise of Film Critics: Why They Matter More Than Ever
“The Connection” and “In the Land of the Head Hunters”
The Roger Ebert Award to Honor Filmmaker at Indie Spirit Awards
Berlin 2015: “Eisenstein in Guanajuato,” “Aferim!,” “Queen of Earth”
Holiday Gift Guide 2014: Boxed Sets and Stellar Releases
Witness to a Legend: The Career of Gena Rowlands
Telluride 2014 Comes to a Close with Breathtaking “Birdman”
Home Entertainment Consumer Guide: August 28, 2014
Life Imitating Art: Ira Sachs on “Love Is Strange”
