“Understated” isn’t a word you’d ordinarily use to describe a Jerry Bruckheimer production, but that’s surprisingly what 12 Strong ends up being.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
A report from the 75th annual Golden Globes.
The winners of the 75th annual Golden Globes.
An article about the 2018 nominees of the Golden Globe Awards.
The 2017 nominees for the Chicago Film Critics Association.
A look at "I, Tonya" from the perspective of a skating expert.
An article about this year's nominees for the Film Independent Spirit Awards.
An article about Deadline's The Contenders 2017 event in Hollywood.
A look at the contenders for Best Actress and Best Supporting Actress this year and how many of them play a historically-beloved role for Oscar, the mother.
A report on four Friday premieres from TIFF 2017, including the surprisingly great I, Tonya.
The best of the 2016-17 TV season in Emmy ballot form.
An excerpt from this month's edition of online magazine Bright Wall/Dark Room.
An extensive preview of 50 films coming out within the next four months, from "Sully" to "Toni Erdmann."
Woody Allen on "Cafe Society"; Andrew McCarthy on directing TV; Movies about women impossible to finance; Terry Eagleton on Christianity and communism; Anna Karina on Godard.
Reviews from Sundance 2016 of US Dramatic Main Competition titles "Tallulah," "The Intervention" and "Joshy."
A look at some of the narrative, documentary, and midnight titles set to premiere at Sundance 2016.
A report on the Hollywood Foreign Press Association's upcoming grants banquet on August 13th.
A preview of dozens of films being released this Summer.
A recap of the best of the 2015 SXSW Film Festival.
Picks for the best of the 2013-14 television season, in the form of a Dream Emmy ballot.
Jason Bateman talks about directing, working with kids, and shaking up his nice-guy image for an R-rated comedy.
Ian Grey visits Sherlock Holmes, and deduces why Sir Arthur Conan Doyle's detective is perfectly suited to episode television—and endlessly re-inventable.
For serious cinema fans, romantic comedy have become dirty words in the post-Meg Ryan era. That's what makes the films of Seattle-based indie writer-director Lynn Shelton so refreshing: They're romantic and comedic without ever being formulaic.
The New York Times' David Carr admits that Glenn Greenwald is a journalist; Criterion Collection appreciates Alex Cox's Repo Man; poets go to the movies; James Franco's never-ending navel-gaze; David Edelstein dismantles The Way, Way Back; Kerry Washington on the cover of Vanity Fair; Dennis Hopper documentary.
Marie writes: Widely regarded as THE quintessential Art House movie, "Last Year at Marienbad" has long since perplexed those who've seen it; resulting in countless Criterion-esque essays speculating as to its meaning whilst knowledge of the film itself, often a measure of one's rank and standing amongst coffee house cinephiles. But the universe has since moved on from artsy farsty French New Wave. It now prefers something braver, bolder, more daring...
Marie writes: Welcome to "Good Books", an online bookseller based in New Zealand. Every time you buy a book through them, 100% of the retail profit goes directly to fund projects in partnership with Oxfam; projects which provide clean water, sanitation, develop sustainable agriculture and create access to education for communities in need. To increase awareness of Good Books' efforts to raise money for Oxfam, String Theory (New Zeland based agency) teamed up with collaborative design production comany "Buck" to create the first of three videos in a digital campaign called Good Books Great Writers. Behold the award winning animated Good Books Metamorphosis.