Green Street Hooligans
Written by
Alexander
Alexander
Alexander Movie Reviews
Blog Posts That Mention Alexander
Female Filmmakers in Focus: Mika Gustafson and Alexander Öhrstrand
25 Years Later, Alexander Payne’s Election Remains as Relevant as Ever
Pushing You Into Traffic: A Discussion with Lexi Alexander
A Reappraisal of Oliver Stone’s “Alexander: The Ultimate Cut”
Jason Alexander for the Netflix Relief Fund
Tribeca 2026: The Narratives
Tribeca 2026: The Documentaries
The 20 Best Films of 2026 So Far
Cannes 2026: Maverick: The Epic Adventures of David Lean, Dernsie: The Amazing Life of Bruce Dern
Home Entertainment Guide March 2026: Anaconda, The Housemaid, Killers of the Flower Moon, More
In Taylor Sheridan’s “The Madison,” Michelle Pfeiffer and Kurt Russell Weather an Urban-Rural Romance
Milestones of 1956: Looking Back at Hollywood 70 Years Ago
The Play’s the Thing with MGM+’s Charming Ode to the Theater, “American Classic”
Laughs Come Consistently in NBC’s Clever “The Fall and Rise of Reggie Dinkins”
Book Excerpt: The World of Black Film: A Journey Through Cinematic Blackness in 100 Films by Ashley Clark
Willing Participants: Harry Lighton and Harry Melling on “Pillion”
It All Starts With the Meditation App: Bart Layton on “Crime 101”
Book Excerpt: STEVE JOBS MONOGRAPH, Edited by B.C. Wallin
Sundance 2026: Once Upon a Time in Harlem, Wicker, The Gallerist
Ryan Murphy’s “The Beauty” Gives Excess Sex, Violence, & Half-Baked Ideas
2026 Sundance Preview: 20 Films We Can’t Wait to See
Remote-Droppers and Jeff Bridges: Nick Digilio on His Book About 40 Years Reviewing Movies
The 10 Best Horror Films of 2025
Sundance Film Festival Announces 2026 Line-Up
Flying with Her Angels: Diane Ladd (1935-2025)
“Devil in Disguise: John Wayne Gacy” is a Tough but Important Watch
Robert Daniels & Odie Henderson Talk “Highest 2 Lowest”
Locarno Film Festival 2025 Wrap-up
Fantasia 2025: I Am Frankelda, The Devil’s Bride, Cielo
Music to Make A Man Fly: The Power of John Williams’ Theme to “Superman”
The Best TV of 2025 (So Far)
Netflix’s “The Sandman” Finally Shoots For The Stars With Volume 1 of Final Season
Cannes 2025: Sentimental Value, Romería, The History of Sound
The Red Carpets of the 2025 Chicago Critics Film Festival
Cannes 2025: Die My Love, Pillion, Miroirs No. 3
Apple TV+’s “Murderbot” Functions Along Mission Parameters, But Needs To Work Out Some Bugs
Restored and Rediscovered Festival Spotlights Organizations at the Forefront of Film Restoration
Cannes 2025: Two Prosecutors, Adam’s Sake, Promised Sky
Chicago Critics Film Festival 2025 Preview
He Communicated with Forces that Were Not in the Norm: Oliver Stone on Directing Val Kilmer
Revisiting the Bunker: Michael Shannon on “Eric LaRue”
Prime Video’s “The Wheel of Time” Finally Comes Into Its Own With Season Three
SXSW Film Festival 2025: It Ends, The Threesome, Caper
From Gena to Annette: Great Actresses with Oscar Nominations but No Wins
Chicago’s Own Filmspotting Podcast Celebrates 20 Years With Inaugural Festival
NBC’s “Grosse Pointe Garden Society” Fails to Grow Much of Interest
January 2025 Blu-Ray Guide: “Hundreds of Beavers,” “Smile 2,” “Venom: The Last Dance,” and More
Sundance 2025: Come See Me In The Good Light, Move Ya Body, Deaf President Now!
Happy New Year from Chaz Ebert and All of Us at RogerEbert.com
The Great Performances of 2024, Part One
Black Harvest Film Festival 2024 Preview
CIFF 2024: On the Legacy and Importance of The Spook Who Sat by the Door
Iowa City Celebrates with Enriching Pair of Festivals
The Steady, Inevitable Decline: Sideways at 20
Pull the String: Larry Karaszewski Remembers “Ed Wood” at 30
13 Films Illuminate Locarno Film Festival’s Columbia Pictures Retrospective
A Woman Without Peers: Gena Rowlands (1930-2024)
Fantasia 2024: The Chapel, The Beast Within, FAQ
Hulu’s “UnPrisoned” Takes Bigger Swings In Its Self-Assured Second Season
Female Filmmakers In Focus: Agnieszka Holland
The 10 Best Fourth of July Releases of the 21st Century
The Hard Way, Or My Way? RIP Bill Cobbs (1934-2024)
Home Entertainment Guide: June 2024
Have An Original Screenplay? Write it as a Novel!
No Therapy: The Primordial Commitment of The Northman
San Francisco Silent Film Festival Highlights Unearthed Treasures of Film History
Man on the Moon Is Still the Cure for the Biopic Blues
A New Skin: Losing Control of Your Body in the 2020s
Ebertfest 2024 Announces Full Lineup, With Guests Including Eric Roberts, Mariel Hemingway, Larry Karaszewski, and More
Netflix Launches Ambitious, Engaging Adaptation of 3 Body Problem
Berlin Film Festival 2024: Honoree Martin Scorsese Honors Powell and Pressburger
Our Opinion of Crossroads Hasn’t Changed, Our Feelings About Britney Spears Have
Prime Video’s Update of Mr. and Mrs. Smith Crackles with Wit and Creative Energy
Spirit Awards 2024: A Platform for Essential Independent Films
Sundance 2024: Sue Bird: In the Clutch, Luther: Never Too Much, Super/Man: The Christopher Reeve Story
2023: The Year of the Teacher
Oscar Predictions 2024: What Will Be Nominated This Year
The 29th Critics Choice Awards Honor a Wide Variety of Film and TV
The Return of 70MM
The Great Craft of 2023
2024 Awards Season Kickoff: Palm Springs, Variety Honorees, Golden Globes, Governors Awards
The Great Performances of 2023
Trailers for Chaz Ebert’s Top 10(-ish) Films of 2023
The Critics Choice Association’s Celebration of Cinema and Television Honoring Black, Latino, and AAPI Achievements in 2023
The Best Horror Films of 2023
The Year of Black Men in Cinema: Chaz Ebert’s Top Ten(-ish) Films of 2023
2024 Sundance Film Festival Announces 91 Projects Selected for the Feature Films, Episodic, and New Frontier Lineup for 40th Edition
2024 Film Independent Spirit Award Nominees Led by American Fiction, May December and Past Lives
I Made This Movie to Be Enjoyed by Everybody: Cord Jefferson on American Fiction
TIFF 2023: A Canadian Looks Back at a Tumultuous Fest
The State of the 2024 Oscar Race: The Fall Festivals Leave Burning Questions
59th Chicago International Film Festival Announces Exciting Full Line-up of Features and Shorts
TIFF 2023: Backspot, Nyad, Lee
TIFF 2023: American Fiction, Wicked Little Letters, The Critic
Telluride Film Festival 2023 Highlights
TIFF 2023: 20 World Premieres We Can’t Wait to See
R.I.P. Clarence Avant, Godfather of Black Entertainment (1931-2023)
Ten Must-See Films at the 2023 Toronto International Film Festival
The Best Films of 2023 … So Far
