White Chicks
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Marlon
Marlon Movie Reviews
Blog Posts That Mention Marlon
My Marlon Brando obsession
59th Karlovy Vary Film Festival Announces Official Selection and Juries
The Most Unsung Leading Man of His Generation: Val Kilmer (1959-2025)
Female Filmmakers in Focus: The Films of Euzhan Palcy
A Preview of the 2025 Rendez-Vous with French Cinema
Solid Acting Saves the Familiar Premise of “Get Millie Black”
The Atlas of Cinema: In Praise of Adam Driver
The Tarantino Dozen
Bright Wall/Dark Room July 2024: No, Captain, My Captain: Crimson Tide and the Perils of Mutiny by Bryan Miller
The Gene Siskel Film Center Celebrates the First and Last of Famous Filmmakers with their Entrances & Exits Series
Beautiful and Haunted: Jeff Nichols on The Bikeriders
Eleanor Coppola Was the Guardian Angel of Apocalypse Now
With Analyze This, Robert De Niro Finally Decided to Become the King of Comedy
How Dungeons & Dragons: Honor Among Thieves Adapts the Un-Adaptable
Hollywood & The March on Washington: When Fame Overcame Fear
Cannes 2023: Asteroid City, The Settlers
A Piece of His Fire: Harry Belafonte (1927-2023)
The Movie AIR Celebrates Michael Jordan’s Mother
The Underrated Sayles: An Appreciation of Baby It’s You on Its 40th Anniversary
2023 Sundance Film Festival Announces Competition Films, Premiere Titles, Midnight Selections, and More
James Caan: 1940-2022
Paramount+’s The Offer Can’t Sell Godfather Making-Of
Trying to Find Your Way Out of It With Whatever Means You Have: Kenneth Branagh on Belfast
Cannes 2021: Val, Jane par Charlotte, Cow
Richard Donner: 1930-2021
The Whole Parade: On the Incomparable Career of Nicolas Cage
We Can Sing Again: Nine Movie Musicals Coming Out in 2021
The Cruelest Month, Part 4: A Leave of Presence
The Bonus Situation: Yaphet Kotto, 1939-2021
The Joke’s On Him: Tom Cruise and Eyes Wide Shut
The Great Performances of 2020
Haunted From All Sides: On the History Behind This Week’s Lovecraft Country
John Saxon: 1935-2020
Home Entertainment Guide: January 23, 2020
John Witherspoon: 1942-2019
Robert Forster: 1941-2019
The Lost Souls of Joaquin Phoenix
TIFF 2019: The Audition, Pelican Blood, The Whistlers
Fly Me to the Moon: 50th Anniversary of Apollo 11 and Man’s Walk on the Moon
Cannes 2019: A Hidden Life, The Whistlers
Bravo for Champ Clark’s Play, Wild Son: The Testimony of Christian Brando
The Hustler
Not Listening to No: An Interview with Elvis Mitchell
Bernardo Bertolucci: 1941-2018
NYFF 2018: The Times of Bill Cunningham, Cold War, Detour
The Most Stressful Time in Our Lives: Ike Barinholtz on The Oath
The Natural-Born Movie Star: Burt Reynolds, 1936-2018
Fantasia 2018: Relaxer, Mega Time Squad, Room Laundering
The History of Hollywood’s Difficult Women
Bright Wall/Dark Room: Stigma & Myth in Belle Rive by Paul Fischer
Living Out Her Dream: Brett Morgen & Jane Goodall on “Jane”
Thumbnails 10/2/17
Hitting the Mother Lode: The Oscar Race Embraces Its Maternal Side
Harry Dean Stanton: 1926-2017
On Her Own Terms: The Work of Debra Winger
Miami Film Festival 2017 Preview
The Present and Future: Ethan Hawke on “The Before Trilogy”
Michael Phillips, Anthony Hemingway, Vanessa Morrison and Floyd Norman Honored with AAFCA Awards
The Great Performances of 2016
Home Entertainment Consumer Guide: December 1, 2016
Home Entertainment Consumer Guide: November 3, 2016
It’s Over the Ocean to Scranton, Pennsylvania: An Appreciation of “The In-Laws”
“La Lupa”: A Celebration of Anna Magnani
The Feminine Grotesque: On The Warped Legacy of Joan Crawford
Visual Pleasure and Voodoo Demographics: A Reflection on Women and Film (Updated)
Bright Wall/Dark Room February 2016: “The Grace of Keanu Reeves” by Angelica Jade Bastién
Sundance 2016: “Jim,” “Newtown,” “Trapped”
Home Entertainment Consumer Guide: January 7, 2016
30 Minutes on: “Cool Hand Luke”
The Individual Top Tens of 2015
Book Excerpt: “Richard Pryor: American Id” by Jason Bailey
Best Actor: The Battle of the Overdue
The Young Person’s Guide To Max Von Sydow, Part Two
Thumbnails 7/30/15
Meet the Writers: Matt Zoller Seitz
Who’s Who In Reviews: Sheila O’Malley
Who’s Who In Reviews: Matt Zoller Seitz
Three-and-a-Half-Star Reviews of 2015
Thumbnails 6/1/15
Everyone’s A Hero In Their Own Way: Tracing the Superheroic Roots of Joss Whedon
Godfrey Cheshire’s “Death of Film/Decay of Cinema” Essay
8 things about Albert Maysles
From the archives: “Cameras Keep Rolling at Maysles Films”
“Evil Against Evil”: The Fascinating Incoherence of American Sniper
A Conversation About Sundance 2015
Sundance 2015: The Best Films
Sundance 2015: “Mistress America,” “Z For Zachariah,” “The Forbidden Room”
Sundance 2015: Film by Film
Beyond Narrative: The Future of the Feature Film
2015 Sundance Film Festival Preview
Holiday Gift Guide 2014: Boxed Sets and Stellar Releases
Existential Westerns: Criterion Editions of “The Shooting,” “Ride in the Whirlwind”
AFI Fest Honors Sophia Loren
Musings on Sophia Loren
Nicholson on Nicholson
Death of Film/Decay of Cinema at 15: A Conversation with Godfrey Cheshire
Thumbnails 7/31/14
Simply Do it: Talking with Woody Allen About Directorial Style
The Greatest Living Actress: Author Dan Callahan on the Legacy of Vanessa Redgrave
