Looking For Richard
Written by
Pacino
Pacino Movie Reviews
Blog Posts That Mention Pacino
Video Interview: Martin Scorsese and Al Pacino on The Irishman
Pacino, Lennon and “Danny Collins”: A Chat with Dan Fogelman
TIFF 2014 Interview: Al Pacino & David Gordon Green on “Manglehorn”
Pacino Screams
Pacino, Walken and Arkin: Three stand up guys in a one-act play in an empty noir city at night
Pacino gives good PR
Al Pacino, Among Lost of ‘Glengarry’
Lookin’s Free: Joe Don Baker (1936-2025)
The 2025 TCM Classic Film Festival
The Most Unsung Leading Man of His Generation: Val Kilmer (1959-2025)
I Think Of Them As The Work: Gene Hackman (1930-2025)
Home Entertainment Guide: November 2024
You Ready To Be the King?: Fresh Turns 30
Book Excerpt: The World is Yours: The Story of Scarface by Glenn Kenny
The Scene That Clint Eastwood Cut to Make Unforgiven a Classic
The Joy of Watching the Greats Continue to Be Great Well Into Their 80s and 90s
I Need Your Magic: M. Emmett Walsh (1935-2024)
War Was Not Over at the 2024 Oscars
Oscars 2024: The View from the Room
All 10 of Martin Scorsese’s Directing Oscar Nominations, Ranked
Carlito’s Way Gets Excellent 4K Arrow Release with Commentary by Matt Zoller Seitz
TIFF 2023: Hit Man, Knox Goes Away, Next Goal Wins
Dan Callahan on His New Book, Bing and Billie and Frank and Ella and Judy and Barbra
He Did It All: William Friedkin (1935-2023)
Roger Ebert on the Films of Christopher Nolan
Acting Magic: Alan Arkin (1934-2023)
Prince of the Cinema: Treat Williams (1951-2023)
Martin Scorsese was Roger Ebert’s Favorite Director
You’ve Got to Work to Get to the Front Row: Sebastian Maniscalco on About My Father
The Real Deal: Tom Sizemore (1961-2023)
Hunters Finishes the Chase With a Scattered Final Season
Home Entertainment Guide: August 2022
Heat 2 Offers Thrilling Sequel to Classic Michael Mann Film
The American Dream, Period: Philip Baker Hall (1931-2022)
Paramount+’s The Offer Can’t Sell Godfather Making-Of
It’s Time to Appreciate the Age of Cage
Home Entertainment Guide: February 2022
Home Entertainment Guide: December 2021, The Criterion Collection
Defying Gravity: Dante Basco, Caroline Goodall, James V. Hart, Charlie Korsmo and More on the Thirtieth Anniversary of Hook
The Films That Could Shake Up the Oscar Race
Bright Wall/Dark Room July 2021: You Were Frameable: American Gigolo and Richard Gere’s Mirrored Sex Appeal by Elizabeth Cantwell
Breaking In: On the 40th Anniversary of Tangerine Dream’s Thief Score
The Bonus Situation: Yaphet Kotto, 1939-2021
The Joke’s On Him: Tom Cruise and Eyes Wide Shut
Home Entertainment Guide: December 2020
Why Heat is the Greatest Heist Movie Ever Made
Goodbye to a King: On the Death of Chadwick Boseman
A Look Back at Martin Scorsese’s The Irishman
Happy 6th Anniversary to Brian Tallerico from RogerEbert.com
Amazon Prime’s Hunters Embraces Grindhouse Style
Bright Wall/Dark Room February 2020: Trash, Art, and Book Club: A Toast to Our Aging Icons by Carrie Courogen
Watch the Academy Awards and the Film Independent Spirit Awards This Weekend
Joker Leads Oscar Nominations
Thumbnails Special Edition: In Praise of Our Writers at RogerEbert.com
Chaz Ebert’s Top 10 Films (And Then Some) of 2019
The Uncanny Valleys of Martin Scorsese’s The Irishman
Once Upon a Time … in Hollywood Leads Chicago Critics Nominations
The Ten Best Films of 2019
Netflix and Marriage Story Lead 2019 Golden Globe Nominations
Martin Scorsese’s Dangerous Men: On the Actors of The Irishman
Bright Wall/Dark Room November 2019: I Don’t Know How to Do Anything Else by Kellie Herson
Thumbnails 11/8/19
CIFF 2019: Preview of the 55th Chicago International Film Festival
NYFF 2019: A Year of Milestones
The Legendary Edward James Olmos on Stand and Deliver, American Me, Battlestar Galactica and More
NYFF 2019: Oh Mercy!, Sibyl, Saturday Fiction, The Irishman
Cannes 2019: Once Upon a Time … in Hollywood
Cannes 2019: Quentin Tarantino Brings Hollywood to Cannes
2019 Summer Movie Preview: 10 Films We’re Excited About
30 Minutes On: “I Knew it Was You: Rediscovering John Cazale”
John McNaughton on 1993’s Mad Dog & Glory, Directing Robert De Niro, the Loss of Luke Perry and More
How Phoebe Waller-Bridge’s Killing Eve Invites Us to Live Out our True-Crime Fantasies
Christian Petzold on Transit, Kafka, His Love for Den of Thieves and More
Oscar Predictions 2019: Who Will Win, Who Should Win, and Who Should Have Been Nominated
William Goldman: 1931-2018
CIFF 2018: Friedkin Uncut, The Great Buster
Celebrating Michael Kutza: Founder of Chicago International Film Festival to be Honored at July 14th Gala
KVIFF 2018: Closing Night, Barry Levinson and Four More Highlights
If I Had an Emmy Ballot 2018
Michael Kutza, Retiring Founder of Cinema/Chicago, to be Honored at July 14th Gala
Home Entertainment Consumer Guide: November 30, 2017
Cinepocalypse Comes to the Music Box in Chicago
Home Entertainment Consumer Guide: May 12, 2017
Hot Docs 2017 Interview: Gilbert Gottfried on “Gilbert”
Tribeca 2017: “Dabka,” “Take Me,” “Chuck”
Ebertfest 2017, Day 5: Every Time We Say Goodbye
Oliver Stone, Poet of the Id: “The Hand” revisited
Home Entertainment Consumer Guide: October 21, 2016
Arthur Hiller: 1923 – 2016
Comic-Con 2016: Oliver Stone and “Snowden”
Home Entertainment Consumer Guide: July 7, 2016
A Movie is a Work of Art: An Interview with Brian De Palma
Thumbnails 5/18/16
Thumbnails 4/29/16
Roger’s Favorites: Denzel Washington
Visual Pleasure and Voodoo Demographics: A Reflection on Women and Film (Updated)
Patty Duke: 1946-2016
Ebert Interruptus Feels the “Heat” at Conference on World Affairs
Bright Wall/Dark Room February 2016: “The Grace of Keanu Reeves” by Angelica Jade Bastién
