The Milagro Beanfield War
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Redford Movie Reviews
Blog Posts That Mention Redford
The Golden Boy: 11 of Our Favorite Robert Redford Performances
The River Flows: Robert Redford (1936 – 2025)
Fanning the Flames of Awareness: James Redford on “Resilience”
Cannes review: Robert Redford fights the elements in “All Is Lost”
Redford reflects on indie films, political climate
Redford’s Cast Into Past: A Tale Runs Through It
Interview with Robert Redford
“Get Out” Star Betty Gabriel and “Nuremberg” Director James Vanderbilt to Attend Ebertfest 2026
Full Schedule for Ebertfest 2026 Released and Individual Tickets Now On Sale
At This Year’s Oscars, The Show Must Go On
Skill and Dedication: Nelson Pressley on Fonda on Film: The Political Movies of Jane Fonda
Ebertfest Unveils Initial Slate for Final Festival, “The Last Dance”
Something Lasting and Unforgettable: Robert Duvall (1931-2026)
Sundance 2026: Knife: The Attempted Murder of Salman Rushdie, To Hold a Mountain, Gail Daughtry and the Celebrity Sex Pass
Sundance 2026: The Weight, The Only Living Pickpocket in New York, See You When I See You
Sundance 2026: I Want Your Sex, The Incomer, Paralyzed by Hope: The Maria Bamford Story
Sundance Film Festival Announces 2026 Line-Up
No Good Deed Will Go Unpunished: Kleber Mendonça Filho and Wagner Moura on “The Secret Agent”
Adaptation is About Subtraction: James Vanderbilt on “Nuremberg”
Just Be Sure You’re Right: Watching “All the President’s Men” in 2025
11 Baseball Movies that Hit it Out of the Park from Make Me Commissioner’s Jane Leavy
Introduction to the 59th Karlovy Vary International Film Festival
A Dispatch From the Bentonville Film Festival
Shark Attack: “Jaws” Remains as Entertaining as It Was 50 Years Ago
Female Filmmakers in Focus: Marva Nabili on “The Sealed Soil”
Lookin’s Free: Joe Don Baker (1936-2025)
The 2025 TCM Classic Film Festival
I Think Of Them As The Work: Gene Hackman (1930-2025)
Brenda Robinson, Acting President of Film Independent, Set to Preside Over 40th Spirit Awards; Aidy Bryant Cheerfully Returns as Host
“El Norte” Screening Commemorates Sundance Institute History at Pivotal Moment
I’ve Got A Way With Young People: 25 Years of Dick
Sundance x Chicago Brings Film’s Premier Festival to the Windy City
All 10 of Martin Scorsese’s Directing Oscar Nominations, Ranked
Spirit Awards 2024: A Platform for Essential Independent Films
At The Movies With Matt Zoller Seitz On His Birthday
2024 Sundance Film Festival Announces 91 Projects Selected for the Feature Films, Episodic, and New Frontier Lineup for 40th Edition
The 2024 Sundance Press Inclusion Initiative Application Open Now Through Friday, August 25th
TIFF 2022: Charcoal, Muru, Roost
Eugene Hernandez Joins Sundance Institute as Festival Director and Head of Public Programming
I Wanna Be Free: Bob Rafelson (1933-2022)
We’re Only as Good as Our Generation: Ethan Hawke on The Last Movie Stars
Jason Delane Lee and Yvonne Huff Lee on Race, Adoption and Identity
7 Movies to Watch on the 50th Anniversary of Watergate
Home Entertainment Guide: April 2022
Ivan Reitman: 1946-2022
Brenda Robinson Elected as Chair of Board of Directors at Film Independent
Sundance 2022: Free Chol Soo Lee, The Exiles, The Princess
Highlights of the 2021 Film Fest 919 Include King Richard, Passing, and More
A Look Back at the 2021 Middleburg Film Festival
Thumbnails Special Edition: Happy 40th Anniversary to the Sundance Institute
We Do What We Can to Endure: On Memory and Time in David Lowery’s Films
Bright Wall/Dark Room July 2021: You Were Frameable: American Gigolo and Richard Gere’s Mirrored Sex Appeal by Elizabeth Cantwell
Richard Donner: 1930-2021
The Bonus Situation: Yaphet Kotto, 1939-2021
The Parallax View and the Golden Age of Paranoia
Sundance 2021: The Sparks Brothers, Amy Tan: Unintended Memoir, Rita Moreno: Just A Girl Who Decided to Go For It, Ailey
Hal Holbrook: 1925-2021
You Don’t Think the Future Knows How to Cross A Bridge: Relighting The Bonfire of the Vanities
Sundance 2021 Announces Virtual Competition, Premiere, Midnight Titles and More
Seeing Yourself in Ordinary People
Wilford Brimley: 1934-2020
John Saxon: 1935-2020
Brenda Robinson Named the First Black President of the International Documentary Association
Book Review: Masha Tupitsyn’s Picture Cycle
Cannes Flashback: Quentin Tarantino, Werner Herzog, Ernest White II and More
Celebrating Our Ebert Fellows in Quarantine
Bright Wall/Dark Room April 2020: The Contradictory and Complementary Visions of Wes Anderson and Roald Dahl by Ethan Warren
Max von Sydow: 1929-2020
Sundance 2020: Omniboat: A Fast Boat Fantasia, La Leyenda Negra, Beast Beast, I Carry You With Me
Sundance 2020 Announces Competition, Midnight, Premiere Titles and More
What to Watch for Indigenous Peoples’ Day
We Are a Nation of Immigrants: Gregory Nava on His Masterpiece, El Norte
Tom Skerritt on the 40th Anniversary of Alien, Collaborating with Ridley Scott and More
Cannes 2019 Video #5: Quentin Tarantino, Werner Herzog, Ernest White II and More
Renee Zellweger Holds Court in Netflix’s Soapy Series What/If
The Most Unforgettable Episodes of The Twilight Zone
Not Listening to No: An Interview with Elvis Mitchell
The Best Current Source for Streaming Classic Movies is … Amazon Prime?
Sundance 2019: The Hope of a New Public Square
Bringing Chicago to Park City: Ebert Fellow Niani Scott’s First Impressions of Sundance
Ebert Fellows Confirmed for Sundance 2019
Green Book, Bohemian Rhapsody Win Big at 76th Golden Globe Awards: A Complete List of Winners
Ebert Fellows Announced for Sundance 2019
Vice, A Star is Born Lead 2019 Golden Globe Nominations
Ricky Jay: 1946-2018
30 Minutes on: “A Star is Born” (1976)
Scott Wilson: 1942-2018
How the Fall Festivals Shaped the 2018 Oscar Race
Real-Life Heroes and Star-Driven Films at 2018 Telluride Film Festival
Thumbnails 8/28/18
Leading Legends: Bill Holderman on “Book Club”
Ebertfest 2018 Guests: Part II
Diary of a Sundance Juror
Sundance 2018: A Filmmaker’s Point-of-View
Thumbnails Special Edition: Sundance 2018
Ebert Fellows Announced for Sundance 2018
The Truth Will Out: What Happened to “Rubicon”?
Middleburg Film Festival 2017: Oscar Hopefuls Shine in Heart of Virginia
Venice Film Festival 2017: “The Leisure Seeker,” “Woodshock”
