Chances Are
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Perry
Perry Movie Reviews
Blog Posts That Mention Perry
Black Harvest Film Festival 2023 Highlights: John Singleton, Tyler Perry, and A Vibrant Artistic Community
Staying Connected: Gelila Bekele and Armani Ortiz on Maxine’s Baby: The Tyler Perry Story
Time to Rest: Matthew Perry (1969-2023)
Stellar Acting Keeps Season Two of Perry Mason Afloat
You Get Hurt or You Get Injured: J.J. Perry on Day Shift
Tyler Perry Loves Black Women
Tyler Perry to Receive the Jean Hersholt Humanitarian Award at the 2021 Oscars
Great Cast Holds Together Thin HBO Version of Perry Mason
Tyler Perry, Crystal Fox, Bresha Webb, and Phylicia Rashad on Making Netflix’s Tyler Perry’s A Fall From Grace
John McNaughton on 1993’s Mad Dog & Glory, Directing Robert De Niro, the Loss of Luke Perry and More
Looking for Truth: Tyler Perry on “Tyler Perry’s Boo! A Madea Halloween”
Alex Ross Perry: Cynicism & Cinema
Black humor: Stepin Fetchit to Richard Pryorto Tyler Perry (Part II)
Interview with Frank Perry
Home Entertainment Guide June 2026: Hoppers, Crime 101, The Mastermind, More
Tribeca 2026: The Documentaries
Robert Daniels & Odie Henderson Talk “Baby Boy” at 25
The 20 Best Films of 2026 So Far
Male Directors Can’t Stop Making Movies About Female Pop Stars
HBO’s “Rooster” is Almost an Endearing Comedy
A New Cup of Tea: The Best Murder Mysteries You Haven’t Seen
What I Know is What I Am: Jimmy Cliff (1944-2025)
Season Two of “Palm Royale” Succeeds by Embracing its Funny Side
Hulu’s “Chad Powers” Wastes Talents of Glen Powell
Fantasia 2025: A Grand Mockery, Every Heavy Thing, Anything That Moves
Our Minds Have Been Colonized: Ari Aster on “Eddington”
You Do Not Encourage a Dodo to Fly: Harris Yulin (1937-2025)
Highlights from the 2025 MUBI Fest Chicago
My Night at the Critics Choice Celebration of Black Cinema and Television
2025 Sundance Film Festival Announces Ambitious Program
Prime Video’s “Cross” Adaptation is Killer
VOTE for KAMALA HARRIS/TIM WALZ (Character Counts)
New York Film Festival 2024: Preview and Thoughts on “The Brutalist,” “The Seed of the Sacred Fig”
Venice Film Festival 2024: Happyend, Pavements, Familiar Touch
Venice Film Festival 2024: Prepping for the Biennale
The 10 Most Intriguing Titles at the 2024 Venice Film Festival
Furiosa Doesn’t Feel Like Any Other Mad Max Film, and That’s What’s Wonderful About It
Prime Video’s Outer Range Opens Up in a Hole New Way in Season 2
Retrospective: Oscar Micheaux and the Birth of Black Independent Cinema
How The Phantom Menace Predicted Hollywood’s Prequel Future
The People’s Joker and Six Other Films That Were Stuck in Legal Limbo
Colin Farrell Shines In Apple TV+’s Refined and Genre-Bending Sugar
BET+’s Diarra from Detroit Successfully Blends Comedy & Mystery
The Bait and Switch of Amazon Prime Video Pretending Its Movies Are Free
Sundance 2024: Frida, Lolla: The Story of Lollapalooza, Luther: Never Too Much
Sundance 2024: Tendaberry, Kneecap, Seeking Mavis Beacon
A Final Goodbye: Tributes to Some of the People We Lost in 2023
Seasons Greetings from Chaz Ebert and All of Us at RogerEbert.com
Am I Just Anybody?: Ryan O’Neal (1941-2023)
A Farewell and Tribute to Our Senior Editor, Nick Allen
Max’s Rap Sh!t Returns for a Moody Second Season
Fantastic Fest 2023 Highlights: The Devil You Know
Second Sight Releases Stellar 4K Versions of Crimes of the Future, It Follows
TIFF 2023: Alice & Jack, Expats, Sly
TIFF 2023: Stamped from the Beginning, They Shot the Piano Player, Viva Varda!
Home Entertainment Guide: August 2023
XL Film Festival & Summit 2023: Highlights of an Ambitious New Event
Female Filmmakers in Focus: Fran Rubel Kuzui on Tokyo Pop
XL Film Festival Runs August 18-20
Sam Hargrave on the Making of Extracton 2, That 21-Minute Oner, Advice from the Russo Brothers, and More
Highlights of the 2023 TCM Film Festival
A Road Paved with Bloodshed: High Plains Drifter Turns 50
SBIFF 2023: Miranda’s Victim, American Outlaws: Faces of True Crime
The Whole Gag is Excess: Chad Stahelski on John Wick: Chapter 4
Women Writers Week 2023: Table of Contents
Sundance 2023: Theater Camp, Kim’s Video
The 25 Best TV Series of 2022
The Legacy of Gen-X Black Filmmakers
Meet the Writers of Black Writers Week 2022
Black Writers Week 2022: Table of Contents
An Introduction to Black Writers Week 2022
FX on Hulu’s The Old Man is a Bold, Wise Vehicle for Jeff Bridges
Ozark Pushes Off the Pier For Its Last Boat Ride
Vanessa Bayer Smiles Through the Pain in I Love That For You
Outer Range Challenges Expectations While it Entertains
Previewing and Predicting the 94th Academy Awards
The Unloved, Part 97: Play It as It Lays
The Films That Could Shake Up the Oscar Race
Telluride Film Festival Announces Full 2021 Program Lineup
Richard Donner: 1930-2021
The Tanning of Hollywood: Reimagining Equity and Inclusion as a Pinnacle Measure of Cinematic and Theatrical Excellence
Mr. Soul!: A Case Study in Indie Film Distribution
The Tanning of Hollywood Panel to be Broadcast at 3pm CT Tomorrow
Ring the Alarm: The State of Black Kid Joy and What’s at Stake
Meet the Writers of Black Writers Week 2021
Better Luck Tomorrow Has Lost None of Its Power
Friends: The Reunion is There for Fans of the Series
Troy Pryor’s Creative Cypher On Way to Being Black Entertainment Giant
Shining a Light: Aubrey Plaza on Her Directorial Debut
Oscars 2021: Nomadland is the Big Winner at an Unusual Academy Awards
Oscar-Nominee Gary Sinise Receives 14th Lincoln Leadership Prize
Cicely Tyson: 1924-2021
Being Human Is Heroic: Melora Walters on Waterlily Jaguar, Drowning, Magnolia and More
60 Minutes on: Christopher Reeve as Superman
A Way of Giving Back: Julie Andrews and Emma Walton Hamilton on Home Work: A Memoir of My Hollywood Years, Julie’s Library and More
Jane Levy Leads Charming Zoey’s Extraordinary Playlist
The Great Performances of 2019
Thumbnails 11/8/19
Ebert Symposium 2019 Preview: Keynote Speech, Diversity in Film Panel, VR Experiences
