Star Wars: The Mandalorian and Grogu
Colonel Ward
Sigourney Weaver
Sigourney Weaver
Sigourney Weaver Movie Reviews
Avatar: Fire and Ash
Kiri
Dust Bunny (2025)
Laverne
The Gorge
Bartholomew
The Lost Flowers of Alice Hart
June Hart
Master Gardener
Norma Haverhill
Avatar: The Way of Water
Kiri
Call Jane
Virginia
The Good House
Hildy Good
Ghostbusters: Afterlife
Dana Barrett
My Salinger Year
Margaret
The Assignment
Dr. Rachel Kay
A Monster Calls
Grandma
Chappie
Exodus: Gods and Kings
Tuya
Red Lights
Margaret Matheson
Rampart
Joan Confrey
Paul
The Big Guy
Cedar Rapids
Macy
You Again
Aunt Ramona
Blog Posts That Mention Sigourney Weaver
Sigourney Weaver: A woman of action and drama and comedy
Racial Purity, Part II
At This Year’s Oscars, The Show Must Go On
You Play Well: Diane Keaton (1946-2025)
Your Life Matters: Jane Goodall (1934-2025)
TIFF 2025: Dust Bunny, The Furious, Normal
He Never Made the Same Choice Twice: 10 of Our Favorite Gene Hackman Performances
From Gena to Annette: Great Actresses with Oscar Nominations but No Wins
I Think Of Them As The Work: Gene Hackman (1930-2025)
Scott Derrickson Dives Deep into “The Gorge”
The Imperiled Women of Alex Garland’s Films
Home Entertainment Guide: June 2023
10th Chicago Critics Film Fest Features Past Lives, Blackberry, Sanctuary, Theater Camp, and Many More
Not Beholden to Certain Invisible Rules: Anna Bogutskaya on Unlikeable Female Characters
This Must Not Be the Place: The Films of Peter Weir
Female Filmmakers in Focus: Phyllis Nagy on Call Jane
Venice Film Festival 2022: A Couple, Bones and All, Master Gardener
William Hurt: 1950-2022
Sundance 2022: When You Finish Saving the World, Living, Call Jane
TIFF 2021 Preview: 20 Films We Can’t Wait to See
My Mother’s Stories: Michael Koresky on Films of Endearment
The Bonus Situation: Yaphet Kotto, 1939-2021
Life in the Frame: Michael Apted: 1941-2021
Bright Wall/Dark Room October 2020: I’m Happy To Disappoint You: A Gen X Girl’s Undying Love for Ellen Ripley by Kali White VanBaale
SDCC 2020: Do Not Call Charlize Theron a Warrior
Big and Small: Ian Holm, 1931-2020
Smile When You Say That: Joker’s Last Laugh
The Best Films of the 2010s: Mad Max: Fury Road
30 Minutes on: “Alien”
Preview of Film at Lincoln Center’s Horror Festival, Scary Movies XII
Tom Skerritt on the 40th Anniversary of Alien, Collaborating with Ridley Scott and More
Happy Birthday, Ripley: Alien at 40
30 Minutes On: “A Private War”
The Legendary Tom Savini on a Career of Special Effects Wizardy and Unforgettable Horror
Bright Wall/Dark Room August 2018: Women, Aliens, and Dangerous Things: Female Bodies in Alien 3 by Sarah Welch
KVIFF 2018: Terry Gilliam Dreams the Impossible Dream
There Are No Real Heroes: Brad Anderson on Beirut
Ebertfest 2018 Guests: Part I
Let the River Run: On the 30th Anniversary of Working Girl
“Marvel’s The Defenders” Does Bare Minimum For Netflix Fans
Things Have Changed a Great Deal Since Your Time: A Reappraisal of the “Alien” Sequels
Bill Paxton: 1955-2017
A Baker’s Dozen: 13 More Must-See Films of 2016
TIFF 2016: “American Pastoral,” “A Monster Calls,” “Voyage of Time”
TIFF 2016 Preview: 20 World Premieres We Can’t Wait to See
Book Review: “Aliens: The Set Photography”
TIFF Announces First Wave of Galas and Special Presentations
Women’s work: the new “Ghostbusters”
I Ain’t Afraid of No Ghosts (Unless They’re Women)
World UFO Day: Favorite Alien Movies
Thumbnails 4/29/16
Fade to White: “Thelma and Louise” Turns 25
Thumbnails 6/4/15
Meet the Writers: Jana Monji
Thumbnails 7/25/14
Dr. Ryan Stone: Everything a Typical Female Movie Character Is Not
The Unloved, Part 1: ALIEN 3
Atom Age Feminists: The Women of ’50s Sci-Fi
Public Edition #4
A biologist is moved by “Avatar”
The Best 10 Movies of 2000
The Best 10 Movies of 1997
Hope Springs From ‘Sirens’
Avatar and Oscar again raise thequestion: What is cinematography? (Part 2)
Prometheus: Alien origins:The skeleton beneath the exoskeleton
Gary Winick: A valediction forbidding mourning
Ebertfest ’07: “It’s his happening and it freaks him out!”
Some sure bets and wild cards for awards
9/11, through eyes of ‘The Guys’
Sundance ends with grand prizes
Cable goes where studios fear to tread
Robin Williams prepares new punch lines
Best films stand out at festival
Chicago Film Fest lines up eye- popping array of films
Bold and beautiful show their Cannes-do spirit
“It’s not the men in my life — it’s the life in my men”
Movie Answer Man (02/13/2000)
