God knows how many millions of dollars and hours of manpower went into making and remaking Geostorm but it turns out to have been all…
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
Matt writes: This year's film festivals in Venice, Telluride and Toronto offered plenty of enticing titles set to open over the next few months, and RogerEbert.com publisher Chaz Ebert decided to highlight some of her favorites. In an essay entitled "Cupid Pierced My Tender Heart at the Movies," Ebert provides numerous recommendations, including captivating romances by Guillermo del Toro ("The Shape of Water"), Wim Wenders ("Submergence"), Paul McGuigan ("Film Stars Don't Die in Liverpool") and Luca Guadagnino ("Call Me by Your Name").
An interview with director Stephen Frears about his new period piece, "Victoria and Abdul."
An interview with the stars of Warren Beatty's Rules Don't Apply, Alden Ehrenreich and Lily Collins.
An extensive preview of 50 films coming out within the next four months, from "Sully" to "Toni Erdmann."
An interview with the star of "I Saw the Light," Tom Hiddleston.
FFC Gerardo Valero considers the flaws within "Star Wars: Episode VII - The Force Awakens."
A review of Stephen Frears' "The Program" with Ben Foster.
The movie questionnaire and 2015 reviews of RogerEbert.com film critic Susan Wloszczyna.
Chaz writes to Roger about attending the Oscars without him.
What were the surprises, snubs and twists of today's Oscar nominations?
An exhaustive list of Top 10s by RogerEbert.com contributors.
Missing Roger's Oscars prognostications and his top ten lists. And making a list of my own.
The Oscars race has hit a holiday lull. It's a good time to pause and take stock of nominations.
Critics groups from around the country are giving awards. What impact do these awards have on the Oscar race, and how useful are they as predictors?
For the last three weeks, two films with female protagonists ("The Hunger Games: Catching Fire" and "Frozen") have been at the top of the box office. Carrie Rickey does some numbers on the history of box office numbers and films with women as protagonists.
A sensational look at Stephen Sondheim's career through the lens of six songs.
Comedian Steve Coogan talks about going serious for "Philomena."
The class gap caused by lack of Internet access; Andy Kaufman may be alive; Weinstein Co. wins MPAA appeal; "Carlito's Way" appreciation; Dunham and Kaling's brass tacks.
Writer Susan Wloszczyna responds to our Movie Love Questionnaire.
Rumors suggest the next Bond film will put Moneypenny in the field with James. Bond expert Jeffrey Westhoff has some thoughts on that.
The male bonding/rivalry and cars-go-vrooom of "Rush" leaves Susan Wloszczyna bored, but the Sandra Bullock and Dame Judi Dench save the day with great work in "Gravity" and "Philomena" respectively.
Here are links to all our coverage from the 2013 Toronto International Film Festival.
Marie writes: Much beloved and a never ending source of amusement, Simon's Cat is a popular animated cartoon series by the British animator Simon Tofield featuring a hungry house cat who uses increasingly heavy-handed tactics to get its owner to feed it. Hand-drawn using an A4-size Wacom Intuos 3 pen and tablet, Simon has revealed that his four cats - called Teddy, Hugh, Jess and Maisie - provide inspiration for the series, with Hugh being the primary inspiration. And there's now a new short titled "Suitcase". To view the complete collection to date, visit Simon's Cat at YouTube.
Sam Mendes' "Skyfall" (2012) provides us with one of the best of all the twenty-something James Bond films. It is full of toys, though a different set of toys than we might expect, placing far more focus on the heroes' stories than the villain's plotting. Is there even a real Bond-girl in this movie? And, what about the Bond car? It seems strangely familiar. Rather, whatever traditional Bond characters and trinkets this film skips or skimps on, it replaces with gigabytes of substance. Like you, I have seen all the Bond films - most of them multiple times - even though some of them are just not that good. But, they are James Bond movies, so it becomes almost a duty to the Queen keep up with them as times continue to change. This one, thankfully, is fantastic.
"Skyfall" is a theatrical film in the same way that its director, Sam Mendes, is a theatrical filmmaker. That is, its approach to organizing space for an audience (the camera lens) is noticeably stagey. I mean that in a "value-neutral" way. I just mean the frame is frequently used as a proscenium and the images are action-tableaux deployed for a crowd -- whether it's the designated audience surrogates in the movie (bystanders or designated dramatis personae), or the viewers in the seats with the cup-holders. That's not to say it's uncinematic (it's photographed by the great Roger Deakins!), but many of the set-pieces in "Skyfall" are conceived and presented as staged performance pieces.