The Big Sick
Finds that laughter-through-tears sweet spot, often in the unlikeliest of places.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
25 films we can't wait to check out during the summer movie season.
Stephen Cone on "Personal Shopper"; Jack C. Newell on "Open Tables"; Not-so-secret life of Terrence Malick; Studio Ghibli's girl power; Éric Rohmer's battle of the sexes.
Some of our favorite performances of 2016.
An extensive preview of 50 films coming out within the next four months, from "Sully" to "Toni Erdmann."
A tribute to the late Arthur Hiller, director of classics that include "The Americanization of Emily," "Love Story," "The In-Laws."
Before this summer's "The BFG," Spielberg made another personal, enchanting and overlooked film: 1989's "Always."
A packed version of our Blu-ray guide with thoughts on "Knight of Cups," "Midnight Special," "10 Cloverfield Lane," "45 Years" and many more!
The year to date in cinema as seen by our contributors.
A guide to the latest on Blu-ray, including "The Texas Chainsaw Massacre 2" and "Only Angels Have Wings" (the first time those two movies have ever been in a sentence together).
An interview with the star and director of "Trumbo".
A review of Jay Roach's "Trumbo" from TIFF 2015.
An overview of the films that will be theatrically released in the 2015 fall season.
Donald Liebenson chats with actor/comedian/writer Patton Oswalt about his new book "Silver Screen Fiend: Learning About Life From an Addiction to Film."
An interview with Rupert Wyatt, director of "The Gambler."
A two-part feature on the films of Joel and Ethan Coen.
An exhaustive list of Top 10s by RogerEbert.com contributors.
Part two of our countdown of twelve great scenes set around Christmas: #8–#5.
Emmy nominations and reactions; 10 best shows never nominated for a best series Emmy; the screenwriting book that's made every movie feel the same; sexual harassment at ComicCon; remembering The Golden Child, if only to prove that one can; Netflix responds to charges that it crops its movies; Roger and Gene on letterboxing.
At Cannes, the Coen brothers discuss their inspirations for "Inside Llewyn Davis."
After duds "Jimmy P." and "Grand Central," the Coen brothers' "Inside Llewyn Davis" saves the day for Barbara Scharres.
Barbara Scharres sets the stage the 66th annual Cannes Film Festival.
Marie writes: the great Ray Harryhausen, the monster innovator and Visual Effects legend, passed away Tuesday May 7, 2013 in London at the age of 92. As accolades come pouring in from fans young and old, and obituaries honor his achievements, I thought club members would enjoy remembering what Harry did best.
Marie writes: As some of you may have heard, a fireball lit up the skies over Russia on February 15, 2013 when a meteoroid entered Earth's atmosphere. Around the same time, I was outside with my spiffy new digital camera - the Canon PowerShot SX260 HS. And albeit small, it's got a built-in 20x zoom lens. I was actually able to photograph the surface of the moon!
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This year's Outguess Ebert contest seems a little like shooting fish in a barrel. For the first time in many a year, maybe ever, I think I've guessed every one correctly.A few years ago, I came across an article about the newly identified psychological concept of Elevation. Scientists claim it is as real as love or fear. It describes a state in which we feel unreasonable joy; you know, like when you sit quiet and still and tingles run up and down your back, and you think things can never get any better.
I tried applying it to that year's Oscar nominees. Did it work any better than any other approach? You need Elevating nominees. An example of Elevation would be when the bone morphs into a space station in "2001." Did I feel Elevation in making any of my Guesses this year. That doesn't mean it was a bad year at the movies. Harvey Weinstein, accepting his achievement award from the Producers' Guild, said he thought 2012 was the best in 90 years. Maybe he felt Elevation when he gazed upon the Weinstein Company's box office figures.
This is a free sample of the Newsletter members receive each week. It contains content gathered from recent past issues and reflects the growing diversity of what's inside the club. To join and become a member, visit Roger's Invitation From the Ebert Club.
Marie writes: Not too long ago, Monaco's Oceanographic Museum held an exhibition combining contemporary art and science, in the shape of a huge installation by renowned Franco-Chinese artist Huang Yong Ping, in addition to a selection of films, interviews and a ballet of Aurelia jellyfish.The sculpture was inspired by the sea, and reflects upon maritime catastrophes caused by Man. Huang Yong Ping chose the name "Wu Zei"because it represents far more than just a giant octopus. By naming his installation "Wu Zei," Huang added ambiguity to the work. 'Wu Zei' is Chinese for cuttlefish, but the ideogram 'Wu' is also the color black - while 'Zei' conveys the idea of spoiling, corrupting or betraying. Huang Yong Ping was playing with the double meaning of marine ink and black tide, and also on corruption and renewal. By drawing attention to the dangers facing the Mediterranean, the exhibition aimed to amaze the public, while raising their awareness and encouraging them to take action to protect the sea.