Leave the World Behind
Clay
Ethan Hawke
Ethan Hawke Movie Reviews
Strange Way of Life
Jake
Turn Every Page – The Adventures of Robert Caro and Robert Gottlieb
Self
Raymond & Ray
Ray
The Black Phone
The Grabber
The Northman
King Aurvandil War-Raven
Zeros and Ones
JJ
The Guilty
(voice)
Cut Throat City
Tesla
Nikola Tesla
The Truth
Hank
Adopt a Highway
Russell Millings
Stockholm
Kaj Hansson / Lars Nystrom
The Kid
Pat Garrett
Juliet, Naked
Tucker Crowe
The King
Himself
First Reformed
Toller
Valerian and the City of a Thousand Planets
Jolly the Pimp
Maudie
Everett Lewis
In a Valley of Violence
Paul
Blog Posts That Mention Ethan Hawke
Living Through Words: Ethan Hawke on His Career, Poetry, and Wildcat
We’re Only as Good as Our Generation: Ethan Hawke on The Last Movie Stars
KVIFF 2021: A Conversation with Ethan Hawke
Ethan Hawke Soars in Showtime’s The Good Lord Bird
The Present and Future: Ethan Hawke on “The Before Trilogy”
Video Interview: Ethan Hawke on “Born to Be Blue”
Video Interview: Ethan Hawke on “Good Kill”
Moon Knight Shines with Fantastic Oscar Isaac Performances
SXSW 2019: Adopt a Highway, The Art of Self-Defense
Sundance 2018: Blaze
TIFF 2015: “Born to Be Blue”
Thumbnails 3/13/15
Sundance 2015: “Nasty Baby,” “Slow West,” “Strangerland,” “Ten Thousand Saints”
Thumbnails 12/4/14
Before Midnight Interviews
Will I Ever Take My Kids to the Movies?
Meet the Writers: Zachary Lee
The State of the 2024 Oscar Race
Home Entertainment Guide: August 2024
Always a Rebel: Alessandro Nivola on The Big Cigar
No Therapy: The Primordial Commitment of The Northman
Celebrating the Tenth Anniversary of Our Managing Editor Brian Tallerico at RogerEbert.com
Nine Major Omissions from the 2024 Oscar Nominations
Saltburn and Subverting the Passing Narrative
TIFF 2023: A Canadian Looks Back at a Tumultuous Fest
TIFF 2023: Wildcat, Gonzo Girl, Orlando My Political Biography
Telluride Film Festival 2023 Highlights
The 25 Best TV Series of 2022
Book Excerpt: The Northman: A Call to the Gods by Simon Abrams
I Won’t Know If I’m Coming or Going: Rodrigo García on Nine Lives and His Latest Film, Raymond & Ray
58th Chicago International Film Festival Announces Full Line-Up, Premieres, Special Guests and More
20 Films We Can’t Wait to See in Toronto
Home Entertainment Guide: August 2022
A Preview of the 2021 Karlovy Vary International Film Festival
Home Entertainment Guide: April 2021
The Best Television of 2020
The Art Takes You Out of This: RZA on Cut Throat City
Limits Don’t Exist: Michael Almereyda on Tesla
Poetry is Necessary in Film: Hirokazu Kore-eda on The Truth
A Preview of the 2020 Rendez-Vous With French Cinema
Sundance 2020: The Last Shift, Dream Horse, Tesla
Sundance 2020 Announces Competition, Midnight, Premiere Titles and More
The Best Films of the 2010s
CIFF 2019: Preview of the 55th Chicago International Film Festival
Thumbnails Special Edition: National Hispanic Heritage Month
Revisiting Andrew Niccol’s Gattaca in the Age of CRISPR
Roger Ebert’s Celebration of Hispanic FIlmmakers
55th Chicago International Film Festival Announces Gala and Special Presentation Selections
Twelve Thumbs-Up Films from the Venice Film Festival
Home Entertainment Consumer Guide: May 9, 2019
Dark Manipulations: On The Silence of the Lambs and Sicario
Oscar Predictions 2019: Who Will Win, Who Should Win, and Who Should Have Been Nominated
Final Predictions For the 2019 Oscar Nominations
Roma, Vice, Black Panther Win Big at 24th Critics’ Choice Awards
The State of the 2019 Oscar Race After the Golden Globes
The Great Performances of 2018
The Individual Top Tens of 2018
Sheila O’Malley’s Top Ten Films of 2018
Peter Sobczynski’s Top Ten Films of 2018
Christy Lemire’s Top Ten Films of 2018
Matt Fagerholm’s Top Ten Films of 2018
The Ten Best Films of 2018
Roma Wins Big with Chicago Film Critics
Roma, The Favourite, A Star is Born Lead Chicago Film Critics Nominees
The 4-Star Reviews of 2018
My List of Movies to See Before the End of 2018
RIFF 2018: Welcome to Sodom, Over the Limit, Daughter’s Table
How the Fall Festivals Shaped the 2018 Oscar Race
The Purge Empire Expands to Cable TV with Mediocre Series
Home Entertainment Consumer Guide: August 30, 2018
The Silence: Paul Schrader on First Reformed
2018 Chicago Critics Film Festival Preview
Ebertfest 2018 Guests: Part I
The Best Films of the 2018 Sundance Film Festival
The Best Performances of the 2018 Sundance Film Festival
Winners of 2018 Sundance Film Festival Awards Announced
Sundance 2018: An Evening with Beverly Luff Linn, Juliet, Naked, Holiday
20 Films We Can’t Wait to See at Sundance 2018
Oscar Contenders Have Voters Seeing Triple
The RogerEbert.com Interviews of 2017
Sundance 2018 Announces Competition, Premiere, Midnight Titles and More
“Get Out,” “Call Me by Your Name” Win Big at 2017 Gotham Awards
NYFF 2017: “Wonder Wheel”
TIFF 2017: “The Shape of Water,” “First Reformed,” “Darkest Hour”
The Greatest Show on Earth: Recap of the 2017 Telluride Film Festival
A Box of Chocolates: Preview of the 2017 Telluride Film Festival
A Portrait of the Outsider Artist: Aisling Walsh on “Maudie”
2017 Summer Movie Preview: 25 Films We’re Excited About
Home Entertainment Consumer Guide: January 5, 2017
Shot Across the Bow: Paul Schrader on “Dog Eat Dog”
Home Entertainment Consumer Guide: October 21, 2016
Mitchelling on the Regular: On Elvis Mitchell and KCRW’s “The Treatment”
TIFF 2016: “Their Finest,” “Maudie,” “Colossal,” “Catfight”
From Maudie to Una: Female-Driven Stories Dominate Telluride 2016
2016 Fall Movie Preview: 50 Movies That’ll Prove Film Isn’t Dead
Home Entertainment Consumer Guide: September 1, 2016
Fantasia Fest 2016: “Beware the Slenderman,” “The Unseen,” “The Master Cleanse”
Violent Worship: The Hypocrisy of the Purge Films
