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David Strathairn

Reviews

Nightmare Alley (2021)
Nomadland (2021)
Walkaway Joe (2020)
Fast Color (2019)
Louder Than Bombs (2016)
Godzilla (2014)
Maladies (2014)
Lincoln (2012)
Howl (2010)
Cold Souls (2009)
The Uninvited (2009)
Twisted (2004)
Blue Car (2003)
Limbo (1999)
Bad Manners (1998)
Simon Birch (1998)
The River Wild (1994)
Passion Fish (1993)
Sneakers (1992)
City Of Hope (1991)
Eight Men Out (1988)

Blog Posts

Ebert Club

#137 October 10, 2012

Marie writes: I may have been born in Canada, but I grew-up watching Sesame Street and Big Bird, too. Together, they encouraged me to learn new things; and why now I can partly explain string theory.That being the case, I was extremely displeased to hear that were it up Romney, as President he wouldn't continue to support PBS. And because I'm not American and can't vote in their elections, I did the only thing I could: I immediately reached for Photoshop....

(Click image to enlarge.)

Ebert Club

#134 September 19, 2012

Marie writes: Intrepid club member Sandy Kahn came upon the following recipe and wisely showed it to me, so that I might share it in turn with all of you. Behold the morning chocolate cookie - a healthy breakfast treat loaded with good stuff; like fiber and imported French chocolate.

Far Flungers

"Passion Fish:" A struggle of wills

Streaming on Netflix Instant

When I watched "The Intouchables" (2011) at the local movie theater several months ago, I got a nagging dissatisfaction with that crowd-pleaser, which was about the warm friendship between a disabled man and a caregiver hired by him. The movie was surely a pleasant drama with two amiable lead performances, but I found it too mild and superficial; it merely loitered around thin stereotypes and worn-out clichés and it went no further than that.

TV/Streaming

Hemingway & Gellhorn: Corny and canny

"Hemingway & Gellhorn (160 minutes) debuts on HBO May 28th, and will be available on HBO Go and HBO On Demand May 29th.

"If two people love each other, there can be no happy end to it." -- Ernest Hemingway

by Odie Henderson Philip Kaufman's epic HBO movie "Hemingway & Gellhorn" is old-fashioned, corny as hell and not above using cliché. None of these characteristics is necessarily a bad thing, especially if the filmmakers know they are employing them. This film evokes the rainy Sunday afternoon old-movie fare I grew up watching on TV, movies with a tough, macho hero, a smart, brassy dame and the undeniable chemistry between them. Kaufman updates the formula to modern times with belts of profanity and jolts of sex, but "Hemingway and Gellhorn" maintains the feeling of an era long since passed, wherein its leads could have been played by Gable and Harlow or Bogie and Betty Bacall.

The titular characters are Ernest Hemingway and his third wife, Martha Gellhorn. Gellhorn is widely considered one of the greatest war correspondents in journalism history, covering wars well into her 80's. Yet, she was constantly overshadowed by her more famous ex-husband. Theirs was a torrid affair, started while Hemingway was married to his Catholic second wife and continuing through their coverage of several wars. "We were good at wars," Gellhorn said, "and when there was no war, we made our own." The screenplay, by Barbara Turner ("Georgia") and Jerry Stahl ("Permanent Midnight") is filled with prose like this, and I enjoyed devouring every purple morsel of it. "Hemingway and Gellhorn" even opens with the now-elderly Gellhorn telling us what a lousy lay she was.