This is a smart, beautiful, fun family film. In other words, exactly what we want from Pixar.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
Part I of our round-up featuring filmmaker guests scheduled to attend Ebertfest 2018. We will include the film critics in a separate round-up.
A look back at the 1988 Best Picture-nominated comedy, "Working Girl."
A review of the new Netflix series, "Marvel's The Defenders."
A look at the entire "Alien" franchise, and a reappraisal of its unloved installments.
A tribute to the late actor and director, Bill Paxton.
Chaz Ebert spotlights Part II of her list featuring must-see movies of 2016.
A TIFF dispatch on new films from Ewan McGregor, J.A. Bayona and Terrence Malick.
A preview of the 2016 Toronto International Film Festival.
A review of "Aliens: The Set Photography," released by Titan Books.
The first films announced for the 2016 Toronto International Film Festival.
This movie is trying to kill these women, but they endure.
A compilation of reviews defending the new "Ghostbusters" film.
Writers at RogerEbert.com pick their favorite movies featuring aliens and UFOs.
Roger Ebert reports from the AmFAR charity auction at Cannes.
Meryl Streep's tragic romance; Algorithm killed Relativity Media; David Milch stays in the game; Appreciation of "Nine Lives"; Veronica Cartwright on "Alien."
A chat between our three female film critics about the lasting power of "Thelma and Louise" on its 25th anniversary.
Forum on "White Men Can't Jump"; Orson Welles' "War of the Worlds"; Eight essential Charlize Theron performances; Why "Undisputed" is a masterpiece; Disney's recycled animation.
Jana Monji responds to our Movie Love Questionnaire.
Weird Al hits Number 1; The banality of the celebrity profile; A guy walks into a bar; "Galaxy Quest": The Oral History; Wallace Shawn on Ibsen.
Sandra Bullock's character in "Gravity" defies the norms of female characters in Hollywood films.
The first in a monthly series of video essays about unloved films, Scout Tafoya's video essay is an appreciation of "Alien 3," the debut feature by David Fincher.
Science fiction films of the 1950s gave women surprisingly prominent roles as scientists.
Marie writes: the ever intrepid Sandy Khan recently sent me a link to ArtDaily where I discovered "Hollywood Unseen" - a new book of photographs featuring some of Hollywood's biggest stars, to published November 16, 2012."Gathered together for the first time, Hollywood Unseen presents photographs that seemingly show the 'ordinary lives' of tinseltown's biggest stars, including Rita Hayworth, Gary Cooper, Humphrey Bogart and Marilyn Monroe. In reality, these "candid' images were as carefully constructed and prepared as any classic portrait or scene-still. The actors and actresses were portrayed exactly as the studios wanted them to be seen, whether in swim suits or on the golf course, as golden youth or magic stars of Hollywood."You can freely view a large selection of images from the book by visiting Getty Images Gallery: Hollywood Unseen which is exhibiting them online.
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Marie writes: According to the calendar, summer is now officially over (GASP!) and with its demise comes the first day of school. Not all embrace the occasion, however. Some wrap themselves proudly in capes of defiance and make a break for it - rightly believing that summer isn't over until the last Himalayan Blackberry has been picked and turned into freezer jam!
The visceral impact that Ridley Scott's "Alien" had in 1979 can never quite be recaptured, partly because so many movies have adapted elements of its premise, design and effects over the last three decades -- from John Carpenter's remake of "The Thing" (1982) to David Cronenberg's remake of "The Fly" (1986) to "Species" (1998) and "Splice" (2009). No movie had ever looked like this. And it still works tremendously -- but let me tell you, in 1979 a major studio science-fiction/horror film that hinted darkly of interspecies rape and impregnation was unspeakably disturbing. (It got under my skin and has stayed there. We have a symbiotic relationship, this burrowing movie parasite and I. We nourish each other. I don't think Ridley Scott has even come close to birthing as subversive and compelling a creation since.)
The thing is, the filmmakers actually took out the grisly details involving just what that H.R. Giger " xenomorph" did to and with human bodies (the sequels got more graphic), but in some ways that made the horror all the more unsettling. You knew, but you didn't know. It wasn't explicitly articulated. Dallas (Tom Skerrit) just disappears from the movie. The deleted "cocoon" scene (with the haunting moan, "Kill me...") appeared later on a LaserDisc version of the film, and then was incorporated into the 2003 theatrical re-release for the first time. The deleted footage: