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Blog Posts That Mention Siegel
Joel Siegel helps Kevin Smith promote ‘Clerks II’
Joel Siegel’s advice for cancer patients
Joel Siegel: In Memory
Light the Fuse: Lalo Schifrin (1932-2025)
The 20 Best Films of 2025 So Far
Dancing With Death: Mike Flanagan on “The Life of Chuck”
Lookin’s Free: Joe Don Baker (1936-2025)
Wrapping Up My Experiences at the 2024 Telluride Film Festival
An Incorrect Image Of Ourselves: Mike Flanagan on the Tenth Anniversary of Oculus
Colin Farrell Shines In Apple TV+’s Refined and Genre-Bending Sugar
The 25 Best TV Series of 2023
Nathan Fielder, Emma Stone Want You to Suffer Through the Hysterical, Cringe-Inducing The Curse
MOMA Launches Iranian Cinema Before the Revolution, 1925-1979
Hollywood & The March on Washington: When Fame Overcame Fear
Redacting Racism: Some Thoughts on Race-Blind Casting
The Fire is Gone: Kenneth Anger (1927-2023)
Child of Graceland: Lisa Marie Presley (1968-2023)
He Made Everything Better: Fred Ward (1942-2022)
The Time Traveler’s Wife is a Waste in Every Possible Way
Clothes Make the Character: Janie Bryant on the Wardrobe of Mad Men
The Connection to Old Hollywood: Peter Bogdanovich (1939-2022)
TIFF 2021: The Survivor, Montana Story, Lakewood
TIFF 2021 Preview: 20 Films We Can’t Wait to See
Home Entertainment Guide: June 2021
Cannes Flashback: The Beguiled, Good Time, In the Fade and More
Not defending the Marvel Cinematic Universe
Preview of Noir City Chicago 2019
From Blue Velvet to Top Gun: J. Hoberman on Movie Culture in the Reagan Era
A Look Back at the 10th Annual TCM Classic Film Festival
MoMA’s To Save and Project Restoration Festival to Screen Cane River
Sundance 2019 Announces Competition, Premiere, Midnight Titles and More
Oscar-nominated Doc The War at Home Returns to Chicago in 4K Restoration
Netflix’s Terrifying, Moving The Haunting of Hill House is Essential Viewing
You’re Next! Invasion of the Body Snatchers is the horror story that keeps on giving—or taking
On the Representation of Disabled Women in Cinema
The Individual Top Tens of 2017
The Big Knockover: “Noir City: Chicago” Brings Heist Films to the Music Box Theater
A Returning Visitor: Comparing the Two Versions of “The Beguiled”
Video Interview: Sofia Coppola, Kirsten Dunst and Elle Fanning on “The Beguiled”
Cannes 2017 Video #5: “The Beguiled,” “Good Time,” “In the Fade” and More
Cannes 2017: Palme d’Or predictions
Cannes 2017: “The Beguiled,” “A Gentle Creature,” “Closeness”
2017 Summer Movie Preview: 25 Films We’re Excited About
The Return of Warren Beatty
2016 Fall Movie Preview: 50 Movies That’ll Prove Film Isn’t Dead
Islam in Western Cinema, Part 4 – The Journey through American Islam
Kartemquin Celebrates 50 Years of Vital Documentaries at Anniversary Gala
Marx Brothers Holy Grail “I’ll Say She Is” Shines Again
Documentary Buddha: Gordon Quinn on the Legacy of Kartemquin Films
The “Shawshank” Greatness, Part II
Share Your Love: Author Danny Peary on “Cult Movies”
The Unloved, Part 25: Big Fan
Once More Into The Breach: Some Overseas Blu-ray Action
Thumbnails 10/16/15
Playing All the Parts: Peter Bogdanovich on “She’s Funny That Way”
Home Entertainment Consumer Guide: July 9, 2015
Thumbnails 7/2/15
Short Films in Focus: The 2015 Oscar-Nominated Short Films
Chaz Ebert Interviews “Life Itself” Composer Joshua Abrams
Blu-ray: The Year in Review, OR Blu-ray Holiday Gift Guide: A “Choose Your Own Adventure” Deciders Feature
Filmmakers and Film Critics on Roger Ebert
Ebert Club Members Mark a Year Since Roger’s Passing
Frank Darabont’s “Mob City” Takes Classic Noir Out for a Spin
Thumbnails 7/1/2013
“Something to Strive For”: Why We Don’t Need a “Relatable” Superman
Superman times 10: the most amazing incarnations of comics’ most durable superhero
Thumbnails 6/7/2013
Videos of every panel at Ebertfest 2012
Some of the year’s best documentaries
Mr. Smith Goes to the Multiplex
101 102 Movies You Must See Before…
In the Cut, Part III: Bullitt, The Lineup, French Connectionaka I Left My Heart in My Throat in San Francisco
When smart people say stupid things
In the Cut, Part II: A Dash of Salt
Argo: A Hollywood ending
Vegas, baby, yeah!
Name That Director!
Batman vs. the zeitgeist
Termite booster: Manny Farber 1917-2008
The actor as form for the film
Do I feel lucky? Well, do ya, punk?
Toronto #4: And the winner is…
On Clint Eastwood directing “Million Dollar Baby”
On “Million Dollar Baby”: What the critics said
Ebertfest 2008: Party de Champaign
Telluride #1: Premieres & rarities
Toronto #1: Top o’ the world!
Telluride #4: A cleansing rain of films
Toronto #5: A memorable film season
Sundance #7: A bus to the best
Outdoor film festival salutes Mickey Mouse, Brando, Grant
Eminem looks back with anger in new flick
Big bad distributors
Giants return to Cannes
Class of ’94 gets their due at Cannes
The vying game
Of cannibals and Camelot, beauties and Beatty
