In The Cut
Based On The Novel by
Moore
Moore Movie Reviews
Blog Posts That Mention Moore
Tina Mabry and Edward Kelsey Moore on the Joy and Uplift of The Supremes at Earl’s All-You-Can-Eat
The Pitfalls of Suburban Ennui: In Praise of Todd Haynes and Julianne Moore’s Collaborations
Cannes 2023: DePaul University/CHA Youth Resident Filmmakers Isis Gullette, Unique Moore and Christal Westmoreland Arrive in the Riviera
Every Character Has All These Layers: Graham Moore on The Outfit
They Found Their Herd: Julianne Moore, Jake Gyllenhaal, Elaine Bogan and More on Making Spirit Untamed
Moving Forward Together: Julianne Moore and Bette Midler on The Glorias
The Academy and IndieCollect’s Restored Version of Cane River to Screen in LA Friday, November 1st, in Honor of Late Editor Debra Moore
Happiness and Artifice: The Performances of Julianne Moore
Phil Johnston and Rich Moore on Ralph Breaks the Internet and Reuniting the Disney Princesses
Video Interview: Julianne Moore, Oakes Fegley, Jaden Michael and Millicent Simmonds on “Wonderstruck”
Roger Moore: 1927-2017
Mary Tyler Moore 1936-2017
Rudy Ray Moore Blaxploitation Classic “Dolemite” comes to Blu-ray
Look Away, Dixie Land: Reflections on Life in the South, Racist Iconography, and Alan Moore’s Swamp Thing
Video Interview: Julianne Moore on “Maps to the Stars”
Roger Moore’s Best: “The Spy Who Loved Me”
You’re gonna make it after all: Mary Tyler Moore and the women of “Mad Men”
Peter Cook and Dudley Moore in Richard Lester’s “The Bed-Sitting Room”
FahrenHYPE 9/11: Morris vs. Moore
Alan Moore on American comic books & graphic novels: Why so serious?
1 Julianne Moore + 1 Mark Ruffalo + 1 movie:Putting them all together
Almodovar’s passionate celebration of cinema: Omar Moore on “Broken Embraces”
“The Messenger” discussed by Omar Moore of London and San Francisco
Moore takes top award for ‘Fahrenheit 9/11’
Jury defends award to Moore
Ovation for Moore’s ‘Fahrenheit’ lasts longer than Bush dawdled
Less is Moore in subdued, effective ‘9/11’
Moore hits corporate target in ‘Columbine’
Foreclosed? Advice you can use from the helpful Michael Moore
Demi Moore interview
Ossie Davis and Ruby Dee
Rescuing a Movie About Angels From the Devil Himself: Kevin Smith on “Dogma”
Dancing With Death: Mike Flanagan on “The Life of Chuck”
Short Films in Focus: Margie Soudek’s Salt and Pepper Shakers
“Cookie’s Fortune”: A Little Southern Comedy
What to Watch on Netflix: May 2025
Robert Daniels & Odie Henderson Talk Sinners
Prime Video’s “#1 Happy Family USA” Gives Ramy Youssef the Freedom to Laugh at Post-9/11 Paranoia
Paramount+ True Crime Series “Happy Face” Entertains Even as It Loses Direction
Age Has No Expiration When It Comes to Talent
He Never Made the Same Choice Twice: 10 of Our Favorite Gene Hackman Performances
From Gena to Annette: Great Actresses with Oscar Nominations but No Wins
If We Picked the Winners: The 97th Academy Awards
Brenda Robinson, Acting President of Film Independent, Set to Preside Over 40th Spirit Awards; Aidy Bryant Cheerfully Returns as Host
“Anora,” “Shōgun” Win Big with Critics Choice Awards
Navigating Sundance as a First Timer
Oscar Nominations Predictions 2025
What’s gone can never be replaced: thoughts on Los Angeles, disasters, and the present moment
“The Brutalist,” “Emilia Pérez” Win Big at 2025 Golden Globe Awards
Beachside Mingling at a Poignant Spirit Awards Nominee Brunch
The Great Craft of 2024
The 10 Best Horror Films of 2024
“The Brutalist” Leads Chicago Film Critics Association Nominees
Breakfast Is Served—Again: Alan Rudolph on the reissue of “Breakfast of Champions”
His Own Way: John Amos (1940-2024)
Female Filmmakers in Focus: Coralie Fargeat on “The Substance”
New York Film Festival 2024: Preview and Thoughts on “The Brutalist,” “The Seed of the Sacred Fig”
The State of the 2024 Oscar Race
TIFF 2024: The Room Next Door, Hard Truths
Venice Film Festival 2024: The Biennale College
Venice Film Festival 2024: Prepping for the Biennale
The 10 Most Intriguing Titles at the 2024 Venice Film Festival
What About Bob? On the Legacy of One of the Best-Loved Comedians, Bob Newhart (1929-2024)
Donald Sutherland: The Consummate Character Actor
Catching a Blackfamous White Whale on Broadway: Purlie Victorious Comes Home
The Brat Pack Movies, Ranked
Chi Film Fest’s 60th Anniversary Cinema Soirée
Saved! at 20: Religious Satire and the Millennial Generation
A Larger Kind of Career: Morgan Spurlock (1970-2024)
Cannes 2024 Video #8: Award Winners
Cannes 2024: Sean Baker’s Anora wins Palme d’Or
Cannes 2024: The Substance, Visiting Hours
A Preview of the 2024 Cannes Film Festival
Ebertfest 2024 Announces Full Lineup, With Guests Including Eric Roberts, Mariel Hemingway, Larry Karaszewski, and More
Which Cannes Film Will Win the Palme d’Or? Let’s Rank Their Chances
The People’s Joker and Six Other Films That Were Stuck in Legal Limbo
A (Not So) Brief History of Silent Film Influences on Pop Music
The Best Legal and Courtroom Dramas
The 25th Anniversary of Ebertfest to Open with Star 80, With The Best Man As Its Centerpiece
America’s Greatest Threat? A New Documentary Argues It’s Christian Nationalism
Nine Major Omissions from the 2024 Oscar Nominations
Oscar Predictions 2024: What Will Be Nominated This Year
Criminal Record is Apple TV’s Latest Exercise in Mediocrity
At The Movies With Matt Zoller Seitz On His Birthday
The Return of Santa Claus: The Movie — The Box Office Bomb Beloved By Brits
The Ten Best Films of 2023
Am I Just Anybody?: Ryan O’Neal (1941-2023)
Killers of the Flower Moon, Oppenheimer, Poor Things Lead CFCA Nominations
2024 Sundance Film Festival Announces 91 Projects Selected for the Feature Films, Episodic, and New Frontier Lineup for 40th Edition
Short Films in Focus: Big Touch
The Drama and Discomfort: Charles Melton on May December
NYFF 2023: May December, Kidnapped, Close Your Eyes
NYFF 2023: Highlights of the First Week of the Fest Include New Todd Haynes, Nuri Bilge Ceylan
