Creed II falls victim to the sins of sequelitis—it’s bigger, louder and more grandiose than its predecessor—yet manages to right itself by not losing focus…
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
If all blockbuster-sized entertainments were even half as ambitious and ingenious as these films have been, moviegoers would be infinitely better off.
The latest on Blu-ray and DVD includes "Atomic Blonde," "Wind River," "Your Name," and more.
A dispatch on two high-profile Sundance premieres, starring Jason Segel and Jeremy Renner.
An excerpt from the January 2017 issue of online magazine Bright Wall/Dark Room about Denis Villeneuve's "Arrival."
Premieres, Midnights, Special Events and more have been announced for next month's Sundance Film Festival.
FFC Pablo Villaça explores the themes at the heart of Denis Villeneuve's sci-fi film "Arrival."
Just a glimpse at the massive program for this year's Chicago International Film Festival, running from October 13 - 27.
A recap of the Telluride Film Festival with an emphasis on how it spotlighted stories about women.
An extensive preview of 50 films coming out within the next four months, from "Sully" to "Toni Erdmann."
An updated look at the history of women in film from Carrie Rickey.
Highlights of the live-action portion of 2015's D23, featuring "Star Wars: The Force Awakens," "Captain America: Civil War," and more!
A preview of dozens of films being released this Summer.
A piece on the latest and greatest Netflix, On Demand, and Blu-ray releases including "The Immigrant", "Interstellar", "A Most Violent Year", and more!
A guide to the best new releases on Blu-ray and DVD, including Nightcrawler, John Wick, Dear White People, Force Majeure, and more.
The epic uncool of Philip Seymour Hoffman; How "Selma" got smeared; The fantasy fueling "Sniper"'s popularity; Paradise in Palm Springs; Looking back at "Before Sunrise."
Lists from our critics and contributors on the best of 2014.
The ten best films of 2014, as chosen by the film critics of RogerEbert.com.
Picks for the best of the 2013-14 television season, in the form of a Dream Emmy ballot.
Steve Erickson discusses James Gray's career with the director of the upcoming The Immigrant.
Sheila writes: Those of you attending Ebertfest, a note from Chaz:We will have our annual Ebert Club Meet and Greet at the Roger Ebert Film Festival, Thursday, April 24, 2014 at 8 am - 10 am in the Illini Union, General Lounge. Also invited are the Far Flung Correspondents and writers from Rogerebert.com. I look forward to seeing you there!
An exhaustive list of Top 10s by RogerEbert.com contributors.
Michał Oleszczyk talks with director James Gray about "The Immigrant."
Marie writes: Behold the amazing Art of Greg Brotherton and the sculptures he builds from found and re-purposed objects - while clearly channeling his inner Tim Burton. (Click to enlarge.)
"With a consuming drive to build things that often escalate in complexity as they take shape, Greg's work is compulsive. Working with hammer-formed steel and re-purposed objects, his themes tend to be mythological in nature, revealed through a dystopian view of pop culture." - Official website
Marie writes: Christmas is almost upon us, and with its impending arrival comes the sound of children running free-range through the snow, while grown-ups do battle indoors in the seasonal quest to find the perfect gift...
Ben Affleck's "The Town" (2010) is an impressive effort from a third time director whose acting choices almost derailed his Hollywood career. With the clear exception of "Changing Lanes" (2002), this film is better than everything he ever did before and the reason is simple: instead of choosing to be involved in another blockbuster wannnabe, Affleck wrote, directed and starred in this heartfelt project about a fascinating borough that he seems familiar with. It is also a work of numerous, obvious inspirations, raising the question of whether said fact makes it any less worthy.