The Kid Who Would Be King
The Kid Who Would Be King is good where it counts most.
Jeremy Renner
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Tag (2018)
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Jerry
Glenn Kenny -
Wind River (2017)
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Cory Lambert
Christy Lemire -
Arrival (2016)
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Ian Donnelly
Brian Tallerico -
Captain America: Civil War (2016)
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Clint Barton / Hawkeye
Matt Zoller Seitz -
Mission: Impossible - Rogue Nation (2015)
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William Brandt
Matt Zoller Seitz -
Avengers: Age of Ultron (2015)
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Clint Barton / Hawkeye
Matt Zoller Seitz -
Kill the Messenger (2014)
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Gary Webb
Glenn Kenny -
The Immigrant (2014)
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Orlando the Magician
Dan Callahan -
American Hustle (2013)
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Carmine Polito
Christy Lemire -
The Bourne Legacy (2012)
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Aaron Cross
Roger Ebert -
The Avengers (2012)
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Clint/Hawkeye
Roger Ebert -
Mission: Impossible -- Ghost Protocol (2011)
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Brandt
Roger Ebert -
The Town (2010)
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Jem
Roger Ebert -
The Hurt Locker (2009)
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Staff Sgt. William James
Roger Ebert -
Take (2008)
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Saul
Roger Ebert -
The Assassination of Jesse James by the Coward Robert Ford (2007)
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Wood Hite
Roger Ebert -
Twelve and Holding (2006)
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Gus Maitland
Roger Ebert -
North Country (2005)
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Bobby Sharp
Roger Ebert -
S.W.A.T. (2003)
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Brian Gamble
Roger Ebert
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
A Lit Fuse: The History of the Mission: Impossible Franchise
If all blockbuster-sized entertainments were even half as ambitious and ingenious as these films have been, moviegoers would be infinitely better off.
Home Entertainment Consumer Guide: November 16, 2017
The latest on Blu-ray and DVD includes "Atomic Blonde," "Wind River," "Your Name," and more.
Sundance 2017: “The Discovery” & “Wind River”
A dispatch on two high-profile Sundance premieres, starring Jason Segel and Jeremy Renner.
Bright Wall/Dark Room: January 2017: "Sticks & Stones" by Andrew Root
An excerpt from the January 2017 issue of online magazine Bright Wall/Dark Room about Denis Villeneuve's "Arrival."
Sundance 2017 Announces Premieres, Midnight Films and More
Premieres, Midnights, Special Events and more have been announced for next month's Sundance Film Festival.
The Nature of Our Existence: On Denis Villeneuve's "Arrival"
May Contain Spoilers
FFC Pablo Villaça explores the themes at the heart of Denis Villeneuve's sci-fi film "Arrival."
CIFF 2016: Preview of the 52nd Chicago International Film Festival
Just a glimpse at the massive program for this year's Chicago International Film Festival, running from October 13 - 27.
From Maudie to Una: Female-Driven Stories Dominate Telluride 2016
A recap of the Telluride Film Festival with an emphasis on how it spotlighted stories about women.
2016 Fall Movie Preview: 50 Movies That'll Prove Film Isn’t Dead
An extensive preview of 50 films coming out within the next four months, from "Sully" to "Toni Erdmann."
Visual Pleasure and Voodoo Demographics: A Reflection on Women and Film (Updated)
An updated look at the history of women in film from Carrie Rickey.
Marvel, Star Wars Highlights and More From D23
Highlights of the live-action portion of 2015's D23, featuring "Star Wars: The Force Awakens," "Captain America: Civil War," and more!
2015 Summer Movie Preview: A Four-Month, Blockbuster Festival
A preview of dozens of films being released this Summer.
Home Entertainment Consumer Guide: April 9, 2015
A piece on the latest and greatest Netflix, On Demand, and Blu-ray releases including "The Immigrant", "Interstellar", "A Most Violent Year", and more!
Home Entertainment Consumer Guide: February 11, 2015
A guide to the best new releases on Blu-ray and DVD, including Nightcrawler, John Wick, Dear White People, Force Majeure, and more.
Thumbnails 1/30/15
The epic uncool of Philip Seymour Hoffman; How "Selma" got smeared; The fantasy fueling "Sniper"'s popularity; Paradise in Palm Springs; Looking back at "Before Sunrise."
The Individual Top Tens of 2014
Lists from our critics and contributors on the best of 2014.
The Ten Best Films of 2014
The ten best films of 2014, as chosen by the film critics of RogerEbert.com.
If I Had An Emmy Ballot 2014
Picks for the best of the 2013-14 television season, in the form of a Dream Emmy ballot.
James Gray on His Personal Vision For "The Immigrant"
Steve Erickson discusses James Gray's career with the director of the upcoming The Immigrant.
#215 April 23, 2014
Sheila writes: Those of you attending Ebertfest, a note from Chaz:We will have our annual Ebert Club Meet and Greet at the Roger Ebert Film Festival, Thursday, April 24, 2014 at 8 am - 10 am in the Illini Union, General Lounge. Also invited are the Far Flung Correspondents and writers from Rogerebert.com. I look forward to seeing you there!
Top Ten Lists of 2013 From Our Contributors
An exhaustive list of Top 10s by RogerEbert.com contributors.
Coming to America: A Conversation with James Gray
Michał Oleszczyk talks with director James Gray about "The Immigrant."
#150 January 9, 2013
Marie writes: Behold the amazing Art of Greg Brotherton and the sculptures he builds from found and re-purposed objects - while clearly channeling his inner Tim Burton. (Click to enlarge.)
"With a consuming drive to build things that often escalate in complexity as they take shape, Greg's work is compulsive. Working with hammer-formed steel and re-purposed objects, his themes tend to be mythological in nature, revealed through a dystopian view of pop culture." - Official website
#147 December 19, 2012
Marie writes: Christmas is almost upon us, and with its impending arrival comes the sound of children running free-range through the snow, while grown-ups do battle indoors in the seasonal quest to find the perfect gift...
Everybody knows one another in the Town
Ben Affleck's "The Town" (2010) is an impressive effort from a third time director whose acting choices almost derailed his Hollywood career. With the clear exception of "Changing Lanes" (2002), this film is better than everything he ever did before and the reason is simple: instead of choosing to be involved in another blockbuster wannnabe, Affleck wrote, directed and starred in this heartfelt project about a fascinating borough that he seems familiar with. It is also a work of numerous, obvious inspirations, raising the question of whether said fact makes it any less worthy.
