Hooper
Hooper Movie Reviews
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Blog Posts That Mention Hooper
A Tale of Two Chainsaws: Humor and Horror in the Films of Tobe Hooper
Tobe Hooper: 1943-2017
Shark Attack: “Jaws” Remains as Entertaining as It Was 50 Years Ago
Book Excerpt: An Anthony Mann Reader by Scout Tafoya
The Future Was Now Warps Through the Seminal Sci-Fi Summer of 1982
Eye on the Screen: David Bordwell (1947-2024)
The Internet Will Never Let Russell Crowe Forget Les Miserables
Texas Chain Saw Massacre Game is a Promising Tribute to the Bloody Original
Sam Hargrave on the Making of Extracton 2, That 21-Minute Oner, Advice from the Russo Brothers, and More
The Unloved, Part 94: The Phantom of the Opera
Meet the Writers of Black Writers Week 2021
Home Entertainment Guide: March 2021
Master Storyteller T. Shawn Taylor to Host Workshop on March 6th as Part of No Malice Film Contest
Abraham Lincoln Presidential Library and the Ebert Foundation Sponsor the No Malice Film Contest for Children and Young Adults Across Illinois to Promote Racial Healing
A Seat at the Table: The State of International Horror in 2020
How the Drive-In Saved Me in 2020
True Believers: How Abel Ferrara’s Recent Work Reflects His Debut, The Driller Killer
Revisiting John Williams’ Score for Jaws, 45 Years Later
Fred Willard: 1933-2020
Chaz Ebert’s Top 10 Films (And Then Some) of 2019
HBO’s His Dark Materials Adaptation Offers a World Worth Exploring
Home Entertainment Consumer Guide: April 11, 2019
The Most Unforgettable Episodes of The Twilight Zone
MOMA’s To Save and Project Festival: Cane River, Crime Wave, Pharos of Chaos, The Shipwrecker
Richard Dreyfuss and Deborah Kolar, Daughter of Robert Shaw, on Jaws
30 Minutes on: “The Meg”
The Natural-Born Movie Star: Burt Reynolds, 1936-2018
30 Minutes on: “The Greatest Showman”
The Unloved, Part 47: The Assignment
The Unloved, Part 46: The Mangler
Comic-Con 2017: Interview with Stephen Lane, Founder of Prop Store
Adam West: 1928-2017
Meet the Writers: Jessica Ritchey
What Nightmares May Come: How the “Resident Evil” Films and Games Work Together
Home Entertainment Consumer Guide: October 6, 2016
Home Entertainment Consumer Guide: April 21, 2016
Young at Heart: Sally Field on “Hello, My Name is Doris”
Home Entertainment Consumer Guide: March 4, 2016
Sundance 2016: “Under the Shadow,” “31,” “The Blackout Experiments,” “Antibirth”
Thumbnails 1/20/16
“The Danish Girl,” “The New Girlfriend” and Why Tone Matters More than Empathy
Video Interview: Eddie Redmayne and Alicia Viklander on “The Danish Girl”
TIFF 2015: “The Danish Girl” & “About Ray”
TIFF 2015: Preview of the 40th Toronto International Film Festival
Venice Film Festival 2015: “The Danish Girl”
2015 Fall Movie Preview
“I’m Just Here For The Gasoline”: An Overview Of The “Mad Max” Saga
2015 Summer Movie Preview: A Four-Month, Blockbuster Festival
Eddie Redmayne on Playing Stephen Hawking in “The Theory of Everything”
Thumbnails 10/24/14
The Safe Dark: “Halloween: The Complete Collection” and “The Texas Chainsaw Massacre: 40th Anniversary Edition”
NYFF 2014: Help Us Out New York!
Menahem Golan: 1929-2014
Thumbnails 6/23/14
The “Texas Chain Saw Massacre” editing table massacre
You Like This Face: Jumping Into the Void With the 40th Anniversary of “The Texas Chainsaw Massacre”
The Unloved, Part 7: At Long Last Love
H.R. Giger, 1940-2014: the Xenomorph’s father
Blu-ray Consumer Guide: March 4, 2014
It Truly Is an Honor Just To Be Nominated
Thumbnails 9/16/2013
Moi, misérable: Fermer le trou à tarte
2315 Words On “Lifeforce.” Yes. “Lifeforce.”
The Best Films of 2010
Torture porn: Want popcorn with that?
Truth in movie advertising
Movie culture: The Dead, the Deader and the Deadest
TIFF 2007: The Eastern Inbred Class
Gans: Seven Best Modern Horror Movies
“You’re going to need a bigger boat”
Santa Barbara 2: Of hippos and red carpets
The best feature films of 2010
And the nominees are…
Who’ll be nominated?
“King’s” takes the crown in Toronto
Complete 83rd Academy Awards nominations
Oscars: “King” wins, show loses
Oscars: The king vs. the nerds vs. the Rooster
Outguess Ebert: It’s not over till the king speaks
A continent speaks for itself
