A tribute to the late Penny Marshall, TV star and trailblazing director of Big, A League of Their Own and more.
A sneak peek from AFI FEST 2018 of Chuck Lorre's new Netflix series about Hollywood has-beens and wannabes, starring Alan Arkin and Michael Douglas.
A tribute to the late Oscar-winning filmmaker, Milos Forman.
The latest on Blu-ray and DVD, including "The House," "Baby Driver," "The Beguiled," "American Gods," "The Good Place," and Orson Welles' "Othello."
An AFI Fest review of Taylor Hackford's "The Comedian," starring Robert De Niro and Leslie Mann.
An interview with actor/director Danny DeVito about "Curmudgeons" and a presentation of the short film.
Writers at RogerEbert.com pick their favorite cinematic remedies to elevate their moods.
Film critic Odie Henderson picks one of his favorite reviews by Roger Ebert.
A review from Sundance of Todd Solondz's "Wiener-Dog."
A preview of our most anticipated titles at the 2016 Sundance Film Festival.
Gerardo Valero looks in depth at "L.A. Confidential."
Peter Sobczynski ranks 27 films by Brian De Palma.
Marie writes: Much beloved and a never ending source of amusement, Simon's Cat is a popular animated cartoon series by the British animator Simon Tofield featuring a hungry house cat who uses increasingly heavy-handed tactics to get its owner to feed it. Hand-drawn using an A4-size Wacom Intuos 3 pen and tablet, Simon has revealed that his four cats - called Teddy, Hugh, Jess and Maisie - provide inspiration for the series, with Hugh being the primary inspiration. And there's now a new short titled "Suitcase". To view the complete collection to date, visit Simon's Cat at YouTube.
It is a jungle out there in Hollywood, and "Get Shorty" presents the various kinds of animals residing at the lower strata of that jungle through a pungent but cheerful satire about one nutty pre-production process.
Marie writes: Widely regarded as THE quintessential Art House movie, "Last Year at Marienbad" has long since perplexed those who've seen it; resulting in countless Criterion-esque essays speculating as to its meaning whilst knowledge of the film itself, often a measure of one's rank and standing amongst coffee house cinephiles. But the universe has since moved on from artsy farsty French New Wave. It now prefers something braver, bolder, more daring...
Great Movies
