
Super Troopers 2
This sequel isn't just more of the same from Broken Lizard—it's a lot more, and for no good reason.
This sequel isn't just more of the same from Broken Lizard—it's a lot more, and for no good reason.
William Friedkin, the director of "The Exorcist," documents what might be a real-life exorcism.
Roger Ebert on James Ivory's "Howards End".
"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…
A closer look at the 13 reviews by Roger Ebert chosen for the front page today to mark the anniversary of Roger's passing and the…
A collection of memories from fans of Roger Ebert.
A new video essay explores the uncanny durability of "Invasion of the Body Snatchers"
Starring Dwayne Johnson and other giant creatures.
Some directors are all about the visual symbolism, but Forman was more of a people-watcher.
After all these years it’s hard for me to say if “Earthquake” is either a guilty pleasure or a movie so bad that it’s good.
A report by Ebert Fellow Niani Scott on Ebertfest's screening of "Belle."
A recap of Day 4 & 5 of Ebertfest 2018.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
The latest on Blu-ray and DVD, including "The House," "Baby Driver," "The Beguiled," "American Gods," "The Good Place," and Orson Welles' "Othello."
An essay about Tim Burton's "Big Fish" from the August 2017 edition of online magazine Bright Wall/Dark Room.
Disney previewed their upcoming live-action features during this year's D23 Expo.
An AFI Fest review of Taylor Hackford's "The Comedian," starring Robert De Niro and Leslie Mann.
An interview with actor/director Danny DeVito about "Curmudgeons" and a presentation of the short film.
Writers at RogerEbert.com pick their favorite cinematic remedies to elevate their moods.
A recap of the 2016 TCM Classic Film Festival.
A review from Sundance of Todd Solondz's "Wiener-Dog."
A preview of our most anticipated titles at the 2016 Sundance Film Festival.
A look at the latest additions to the now-completed Sundance 2016 lineup.
An interview with Cary Elwes about "The Princess Bride."
Gerardo Valero looks in depth at "L.A. Confidential."
Peter Sobczynski ranks 27 films by Brian De Palma.
Marie writes: Much beloved and a never ending source of amusement, Simon's Cat is a popular animated cartoon series by the British animator Simon Tofield featuring a hungry house cat who uses increasingly heavy-handed tactics to get its owner to feed it. Hand-drawn using an A4-size Wacom Intuos 3 pen and tablet, Simon has revealed that his four cats - called Teddy, Hugh, Jess and Maisie - provide inspiration for the series, with Hugh being the primary inspiration. And there's now a new short titled "Suitcase". To view the complete collection to date, visit Simon's Cat at YouTube.
It is a jungle out there in Hollywood, and "Get Shorty" presents the various kinds of animals residing at the lower strata of that jungle through a pungent but cheerful satire about one nutty pre-production process.
Marie writes: Widely regarded as THE quintessential Art House movie, "Last Year at Marienbad" has long since perplexed those who've seen it; resulting in countless Criterion-esque essays speculating as to its meaning whilst knowledge of the film itself, often a measure of one's rank and standing amongst coffee house cinephiles. But the universe has since moved on from artsy farsty French New Wave. It now prefers something braver, bolder, more daring...
August, 2012, marks the 20th anniversary of the debut of "The Larry Sanders Show," episodes of which are available on Netflix Instant, Amazon Instant, iTunes, and DVD. This is the third and final part of Edward Copeland's extensive tribute to the show, including interviews with many of those involved in creating one of the best-loved comedies in television history. Part 1 (Ten Best Episodes) is here and Part 2 (The show behind the show) is here.
A related article about Bob Odenkirk and his characters, Stevie Grant and Saul Goodman (on "Breaking Bad"), is here.
by Edward Copeland
"It was an amazing experience," said Jeffrey Tambor. "I come from the theater and it was very, very much approached like theater. It was rehearsed and Garry took a long, long time in casting and putting that particular unit together." In a phone interview, Tambor talked about how Garry Shandling and his behind-the-scenes team selected the performers to play the characters, regulars and guest stars, on "The Larry Sanders Show" when it debuted 20 years ago. Shandling chose well throughout the series' run and -- from the veteran to the novice, the theater-trained acting teacher and character actor to the comedy troupe star in his most subtle role -- they all tend to feel the way Tambor does: "It changed my career. It changed my life."
August, 2012, marks the 20th anniversary of the debut of "The Larry Sanders Show," episodes of which are available on Netflix Instant, Amazon Instant, iTunes, and DVD. This is Part 2 of Edward Copeland's extensive tribute to the show, including interviews with many of those involved in creating one of the best-loved comedies in television history. Part 1 (Ten Best Episodes) is here.
"Unethical? Jesus, Larry. Don't start pulling at that thread; our whole world will unravel." -- Artie (Rip Torn)
by Edward Copeland
Unravel those threads did -- and often -- in the world of fictional late night talk show host Larry Sanders. On "The Larry Sanders Show," the brilliant and groundbreaking HBO comedy that paid attention to the men and women behind the curtain of Sanders' fictional show, the ethics of showbiz were hilariously skewered.
Marie writes: my art pal Siri Arnet sent me following - and holy cow! "Japanese artist Takanori Aiba has taken bonsai trees, food packaging, and even a tiny statue of the Michelin Man and constructed miniature metropolises around these objects, thus creating real-life Bottled Cities of Kandor. Explains Aiba of his artwork:"My source of creations are my early experience of bonsai making and maze illustration. These works make use of an aerial perspective, which like the diagram for a maze shows the whole from above (the macro view) while including minute details (the micro view). If you explore any small part of my works, you find amazing stories and some unique characters." ( click to enlarge.)
Marie writes: It occurred to me that I've never actually told members about the Old Vic Tunnels. Instead, I've shared news of various exhibits held inside them, like the recent Minotaur. So I'm going to fix that and take you on a tour! (click image to enlarge.)
Marie writes: Behold an extraordinary collection of Steampunk characters, engines and vehicles created by Belgian artist Stephane Halleux. Of all the artists currently working in the genre, I think none surpass the sheer quality and detail to be found in his wonderful, whimsical pieces...
Left to right: Little Flying Civil, Beauty Machine, Le Rouleur de Patin(click images to enlarge)
I've had to defend myself for loving "The War of the Roses" so much. The majority of people I've discussed it with found it too mean-spirited. I realize it deals with an ugly subject but this is a prime example of a movie being great at how it is about its core subject, no matter how touchy. This is one of my all-time favorite films.
I've revealed many personal details here, but the other day I discovered something I didn't much want to share. I am shrinking. During a routine test of my bone density, a nurse backed me up against a wall and used a built-in device to measure me.
"Five feet, five and a half inches," she said. If this was true, I had lost two and a half inches.
It could not be true, I reasoned. I must not have been standing up straight. My shoulders and back were damaged during surgery, and it's harder for me to do the ramrod routine. My head tends to lean forward. And so on and so forth.
Okay, so let's say I only lost two inches.
For four years, Gene Siskel and I produced an annual Video Gift Guide. These taping sessions were endless, chaotic and exhausting. Our poor producer, Larry Dieckhaus, said he would have rather negotiated the Cuban Missile Crisis. Gene and I fought over everything. It was all the more hilarious because of our forced jollity.
I think you can see some cracks in the ho, ho, ho spirit here. We almost drew blood in a disagreement over a toy train. We each made our own film with a toy PixelVision camera. We slugged it out with an early video game.
These precious videos recently surfaced after years of being thought lost. I watched them. I laughed, I cried, and during the video boxing match I kissed my ass goodbye.
A note of thanks to TheAisleSeatCom, the user on You Tube who uploaded all these videos.