Tucker and Dale vs. Evil
Written by
Craig
Craig Movie Reviews
Blog Posts That Mention Craig
Quietly Revolutionary: Abby Ryder Fortson and Kelly Fremon Craig on Are You There God? It’s Me, Margaret.
Bright Wall/Dark Room March 2023: Something Wild: The Other Half of You by Christian Craig
Video Interview: Danny Boyle, Craig Pearce, and the Stars of FX on Hulu’s Pistol
S. Craig Zahler on Dragged Across Concrete, Casting Mel Gibson, His Writing Process and More
Outsider Perspectives: Craig Robinson & Chad Hartigan on “Morris from America”
Daniel Craig: Real man as superhero
Historic Franchise Finds New Life in Wildly Entertaining “007 First Light”
If We Picked the Winners: The 98th Academy Awards
Home Entertainment Guide February 2026: “Predator: Badlands,” “Song Song Blue,” “A Little Prayer,” More
Laughs Come Consistently in NBC’s Clever “The Fall and Rise of Reggie Dinkins”
Short Films in Focus: The 2026 Oscar-Nominated Shorts
Season 2 of Prime Video’s “Cross” Fails to Reach New Heights
Home Entertainment Guide January 2026: “One Battle After Another,” “Tron: Ares,” “Wicked: For Good,” More
Jonathan Glazer’s “Birth” is Resurrected in a Haunting Criterion 4K Release
Remote-Droppers and Jeff Bridges: Nick Digilio on His Book About 40 Years Reviewing Movies
“Sinners,” “Bel-Air” Lead NAACP Image Award Nominees
40 Movies We Can’t Wait to See in 2026
Happy New Year 2026 from Chaz Ebert and Everyone at RogerEbert.com
Chaz Ebert’s 30 Best Movies of 2025 (and One Guilty Pleasure)
A Multifaceted Conversation About Faith: Rian Johnson on “Wake Up Dead Man”
Two Thumbs Up! The Individual Top Tens of 2025
Cinema Is My Church: Rian Johnson on “Wake Up Dead Man: A Knives Out Mystery”
Swan Song: Udo Kier (1944-2025)
Felt More than Heard: Nathan Johnson on Composing his Third “Knives Out” Movie, “Wake Up Dead Man”
Right Now, It’s Important: An Ode to S.E. Hinton’s Teenagers
Short Films in Focus: 24 Hours After Reading Tuesdays With Morrie (with Scott Tinkham)
The 11 Best Body-Swap Movies, Ranked
Home Entertainment Guide: “28 Years Later,” “Materialists,” “Superman,” “Jurassic World Rebirth,” More
TIFF 2025: Wake Up Dead Man, Rental Family
TIFF 2025: 20 World Premieres We Can’t Wait to See
Time for Kick-Off: The 11 Best Football Movies (and Where to Watch Them)
SDCC 2025: Celebrating ALL the Popular Arts
Fantasia 2025: Terrestrial, Hold the Fort, Good Boy
The Best TV of 2025 (So Far)
June 2025 Blu-Ray/Streaming Guide: “Drop,” “The Nice Guys,” “Dark City,” More
Intro to Our Juneteenth Edition of Black Writers Week 2025
We Relate: Andrew DeYoung on “Friendship”
Movies That Deal with the Peculiarities of Being a Teenager: Bruce Handy on His New Book about Teen Movies
The 2025 TCM Classic Film Festival
Chicago Critics Film Festival 2025 Preview
April 2025 Blu-Ray Guide: “Anora,” “The Brutalist,” “Heart Eyes,” “One of Them Days,” More
The Day James Bond Movies Died
Chicago Critics Film Festival Announces Full Schedule, Special Guests
“The Last of Us” Returns with a Devastating, Riveting Second Season
SXSW Film Festival 2025: One More Shot, Mermaid, Sweetness
Sundance: Dead Lover, Touch Me
“Your Friendly Neighborhood Spider-Man” Brings Marvel’s Web-Slinger Down to Street Level
Morris Chestnut is Wasted on Inferior “Watson”
Ten Shocking Omissions from the 2025 Oscar Nominations
Oscar Nominations Predictions 2025
Dream of Death: Robert Eggers on “Nosferatu”
Happy New Year from Chaz Ebert and All of Us at RogerEbert.com
The Wicked Witch Is Dead: The Double-Bind of the Villainess’s Backstory
Two Thumbs Up! The Individual Top Tens of 2024
Home Entertainment Guide: November 2024
Prime Video’s “Cross” Adaptation is Killer
Hammy Acting and Stilted Pacing Dampen Peacock’s “Hysteria!”
Panic! At the Disco: Body Double at 40
New York Film Festival 2024: Preview and Thoughts on “The Brutalist,” “The Seed of the Sacred Fig”
The State of the 2024 Oscar Race
TIFF 2024: The Shadow Strays, Friendship, The Shrouds
TIFF 2024: Babygirl, All We Imagine as Light, Queer
Peacock’s “Fight Night” Largely Entertains But Pulls A Few Punches
Venice Film Festival 2024: The Biennale College
TIFF 2024: 20 World Premieres We Can’t Wait to See
Venice Film Festival 2024: Prepping for the Biennale
The 10 Most Intriguing Titles at the 2024 Venice Film Festival
Some Material May Be Inappropriate: The PG-13 Rating at 40
The Growing Exploration of Masculinity and Vulnerability in Media
Black Writers Week 2024: Table of Contents
Introduction to Black Writers Week 2024
The Legacy of David Bordwell; or, The Memorial Service as Network Narrative
Fated for All: Romanclusivity Captures Our Hearts in Bridgerton and Beyond
SXSW 2024: Dandelion, A Nice Indian Boy, I Don’t Understand You, I Love You Forever
Apple TV+ Gets A Bit Too Silly With The Completely Made-Up Adventures of Dick Turpin
In Memoriam: The 10 Great Movies That Were Forgotten This Oscar Season
A Farewell from Our Literary Editor, Matt Fagerholm
2023: The Year of the Teacher
The 29th Critics Choice Awards Honor a Wide Variety of Film and TV
Home Entertainment Guide: December 2023
The Great Performances of 2023
Seasons Greetings from Chaz Ebert and All of Us at RogerEbert.com
The 25 Best TV Series of 2023
Trailers for Chaz Ebert’s Top 10(-ish) Films of 2023
The Ten Best Films of 2023
Killers of the Flower Moon, Oppenheimer, Poor Things Lead CFCA Nominations
The Year of Black Men in Cinema: Chaz Ebert’s Top Ten(-ish) Films of 2023
The Walking Dead Finds Religion In the Compelling, Odd Spinoff Daryl Dixon
TIFF 2023: 20 World Premieres We Can’t Wait to See
No Moment was Wasted: Highlights at the 2023 Indy Shorts International Film Festival
The Best Films of 2023 … So Far
Home Entertainment Guide: June 2023
Black Animation and Me: Where We Came From and Where We’re Going
Meet the Writers of Black Writers Week 2023
Don’t Forget Your Place: On Joseph Losey’s The Servant
