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Blog Posts That Mention Donovan
Tom Hardy Carries Promising Double-Episode Premiere of Paramount+’s “MobLand”
SXSW Film Festival 2025: Forge, Slanted, The True Beauty of Being Bitten by a Tick
2025 Sundance Film Festival Announces Ambitious Program
Cannes 2024: The Apprentice, The Shrouds
How The Ladykillers Kicked Off Tom Hanks’ Weirdest Year Two Decades Ago
Home Entertainment Guide: January 2024
Sundance 2024: It’s What’s Inside, Realm of Satan, Your Monster
2024 Sundance Film Festival Announces 91 Projects Selected for the Feature Films, Episodic, and New Frontier Lineup for 40th Edition
The Foundation for the Augmentation of African Americans in Film Hosts The LightReel Film Festival June 8-10 in Washington, D.C.
Netflix’s That ’90s Show is a Lackluster Throwback
Creepy Archive 81 Wants to be Your Winter TV Obsession
All the Voices in the Conversation: Uzo Aduba on National Champions
Sundance 2021 Announces Virtual Competition, Premiere, Midnight Titles and More
The American Actor: Kevin Costner on Let Him Go
Change How the Game is Played: On the Power of Labor and the Timeliness of High Flying Bird
The CW’s Coroner Lacks Edge of Something New
By George: The Hollywood Stories of George Anthony
Revisiting John Williams’ Score for Jaws, 45 Years Later
Connecting to a Lost Score by Johann Johannsson, Personal Effects
Diverse Cast Shines in Topical Starz Drama Hightown
Sundance 2020 Announces Competition, Midnight, Premiere Titles and More
TIFF 2019: Arab Blues, White Lie, I Was at Home But…
Preview of Film at Lincoln Center’s Horror Festival, Scary Movies XII
Franco Zeffirelli: 1923-2019
From Don’t Look Back to Rolling Thunder Revue: The Cinema of Bob Dylan
Renee Zellweger Holds Court in Netflix’s Soapy Series What/If
SXSW 2019: Pink Wall, Villains, Sword of Trust
The Best TV of 2018
Captain of the Ship: Gerard Butler on Hunter Killer
CIFF 2018: Films We Covered at Other Festivals
TIFF 2018: Table of Contents
The 20 Most Exciting World Premieres of TIFF 2018
If I Had an Emmy Ballot 2018
Three Billboards, Lady Bird Win Big at 75th Golden Globes
“The Shape of Water” Leads the 2018 Golden Globe Nominees
If I Had an Emmy Ballot 2017
The Real “Rocky”: Philippe Falardeau on “Chuck”
Tribeca 2017: “Dabka,” “Take Me,” “Chuck”
“24: Legacy” is a Busted Clock
Sundance 2017 Announces Premieres, Midnight Films and More
TIFF Announces First Wave of Galas and Special Presentations
Life Refuses to Stand Still: Another Look at Steven Spielberg’s “Always”
If I Had an Emmy Ballot 2016
The Best TV of 2015
“Carol,” “Trainwreck,” “Mr. Robot” Among 2016 Golden Globe Nominees
FX’s “Fargo” Maintains High Quality in Second Chapter
NYFF 2015: “Bridge of Spies”
FX Hopes You Can Never Leave “American Horror Story: Hotel”
If I Had an Emmy Ballot 2015
Thumbnails 11/6/14
TV Review: BBC America’s “Intruders” Takes Itself Too Seriously
TV Review: USA & FX Tread Familiar Ground in New Series
FX Looks For Next Drama Hit in “Tyrant,” “The Bridge,” “The Strain”
If I Had An Emmy Ballot 2014
Thumbnails 6/17/14
Jack Bauer Returns in “24: Live Another Day”
The Six Questions TV Audiences Will Be Asking in 2014
Top Ten Lists of 2013 From Our Contributors
Toronto International Film Festival 2013: What to Expect
The Fall and Rise of “Falling Skies”
Thumbnails 8/22/2013
“Low Winter Sun” Premieres in Shadow of Other TV Antiheroes
Films on fire: Tony Scott and Christopher Nolan
TIFF 2007: Robert Zimmerman Bob Dylan Revisited
Hurdy Gurdys and Aqua Velvas: Misc. “Zodiac” fax…
Argo: A Hollywood ending
Call him “Mr. Contrarian”
Ebertfest ’07: “It’s his happening and it freaks him out!”
Sundance #5: From Judd to Jesus
Toronto #6: Stars present & future
Movie Answer Man (06/01/1997)
