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SXSW Film Festival 2024: Babes, My Dead Friend Zoe, Y2K

Songs from a Marriage: Zoe Lister-Jones on “Band Aid”

Art Cuts Through Tyranny: Zoe Kazan on “The Monster”

“Am I crazy for even considering this?” Stuntwoman Zoë Bell says, “Yes,” then does it anyway

“Split Fiction” Has Compelling Gameplay Held Back By Pacing Issues

Women Writers Week 2025: Table of Contents

International and Indie Cinema on the Rise: A Report from the 97th Academy Awards

Anora’s Real-Life Fairytale: Five-Oscar Victory for Indie Film

A Salute to the Movies That Got Overlooked During Oscar Season

If We Picked the Winners: The 97th Academy Awards

“Anora,” “Shōgun” Win Big with Critics Choice Awards

Oscar Nominations Predictions 2025

Somehow, James Gunn Always Gets You: An Appreciation of “Creature Commandos”

“The Brutalist,” “Emilia Pérez” Win Big at 2025 Golden Globe Awards

Happy New Year from Chaz Ebert and All of Us at RogerEbert.com

The Great Performances of 2024, Part One

Two Thumbs Up! The Individual Top Tens of 2024

“The Brutalist” Leads Chicago Film Critics Association Nominees

Kyle Mooney and Evan Winter Go Back in Time with “Y2K”

Nicole Kidman Joins Honorees at Palm Springs International Film Festival

New York Film Festival 2024: Preview and Thoughts on “The Brutalist,” “The Seed of the Sacred Fig”

The State of the 2024 Oscar Race

TIFF 2024: Emilia Pérez, The End

TIFF 2024: The Life of Chuck, Nightbitch, K-Pops!

Venice Film Festival 2024: Happyend, Pavements, Familiar Touch

Losers Win: Guardians of the Galaxy Turns 10

The 10 Most Intriguing Titles at the 2024 Venice Film Festival

Cannes 2024 Video #8: Award Winners

Cannes 2024: Sean Baker’s Anora wins Palme d’Or

Cannes 2024: Emilia Pérez, Three Kilometers to the End of the World, Caught by the Tides

Which Cannes Film Will Win the Palme d’Or? Let’s Rank Their Chances

SXSW 2024: Table of Contents

Along for the Ride with Sofia Coppola

Stay Vigilant: Directors Camille Hardman and Gary Lane on Still Working 9 to 5

Paul Dano is Ready for His Next Mission

Berlin Film Festival 2024: Meanwhile on Earth, La Cocina, Another End

Our Opinion of Crossroads Hasn’t Changed, Our Feelings About Britney Spears Have

10 Films We Can’t Wait to See at Berlin 2024

9 Underrated Romantic Movies for Valentine’s Day This Year

NYFF 2023: Here, La Chimera, Janet Planet

Telluride Film Festival 2023 Highlights

Rosario Dawson is a Force to Follow in Disney+ Series Ahsoka

Rite of Passage: Danny and Michael Philippou on Talk to Me

Taylor Sheridan Stretches Himself Beyond Mission Parameters with Special Ops: Lioness

Apple TV+’s Murder Comedy The Afterparty Embraces a Playful, Imperfect Formula

Home Entertainment Guide: June 2023

SXSW 2023: If You Were the Last, Upon Entry, Scrambled

Home Entertainment Guide: January 2023

Sundance 2023: The Persian Version, Mutt

The Stars Shine at the 2023 Critics Choice Awards

The Great Performances of 2022

2023 Sundance Film Festival Announces Competition Films, Premiere Titles, Midnight Selections, and More

Nell Minow’s Overlooked Films of 2022

NYFF 2022: Return to Seoul, She Said, Exterior Night

Preview of the 58th Chicago International Film Festival

TIFF 2022: Prisoner’s Daughter, What’s Love Got to Do with It, Walk Up

Some Idea of Me: On the 10th Anniversary of Ruby Sparks

We’re Only as Good as Our Generation: Ethan Hawke on The Last Movie Stars

Boo, Bitch Fails to Find Scares or Heart

The Legacy of Gen-X Black Filmmakers

Subscribe to the Black Women Directors Newsletter

Previewing and Predicting the 94th Academy Awards

Everything You Need to Know About the 94th Academy Awards (So Far)

The Cost of Heroism: Matt Reeves on The Batman

Clever Comedy Ensemble Elevates Creative The Afterparty on Apple TV+

Sundance 2022: Master, Emergency, 892

Finding Some Magic: Jean-Marc Vallée (1963-2021)

Maya and the Three Celebrates Mexican Culture with Vivid Adventure

TIFF 2021 Preview: 20 Films We Can’t Wait to See

Hulu’s Nine Perfect Strangers is a Crowded, Tedious Retreat

Amazon’s Modern Love Only Intermittently Offers Romantic Insight in Season Two

Sundance 2021: How It Ends, Mother Schmuckers
