How to Be Single
Think of "How to Be Single" as a cinematic Whitman’s Sampler: There are enough pieces that work to offset the pieces that don’t.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
An interview with director Kent Jones about his documentary "Hitchcock/Truffaut."
A recap of the screenings and events at the 2015 Middleburg Film Festival.
A NYFF report on "Carol," "The Assassin" and "Right Now, Wrong Then."
An interview with Patricia Clarkson, star of Learning to Drive.
A report from the August 2015 installment of the Midwest Independent Film Festival in Chicago.
A piece on two Westerns released on Blu-ray this week by Kino Lorber: "Duel at Diablo" and "Monte Walsh."
The movie questionnaire and 2015 reviews of RogerEbert.com film critic Peter Sobczynski.
A critic looks back on the films that formed the way she reads cinema and life.
My mom and I both loved the Master of Suspense—in ways that seem different but were, ultimately, not unrelated in the least.
An obituary for actor/filmmaker Leonard Nimoy.
Roger Ebert's essay on film in the 1978 edition of the Britannica publication, "The Great Ideas Today."
A feature on Bing Crosby, including an interview with the director of a special "American Masters" about the legendary actor.
A discussion with the RogerEbert.com writers on the legacy of Sophia Loren.
Sheila writes: Some long takes in cinema are gratuitous and flashy, some connect themselves to the theme of the movie, but all of them are fun to pick apart and deconstruct. The technological challenges are daunting and it's fun to see film-makers rise to those challenges. I came across a video analyzing 12 long takes in cinema, and it should be a fun jumping-off point for discussion. What are your favorite long takes?
Writer Dan Callahan responds to our Movie Love Questionnaire.
Recent releases on Blu-ray.
A survey of selected films available now on Blu-ray.
Glenn Kenny highlights the picks of Blu-ray releases for the month of November
Writer Peter Sobczynski responds to our Movie Love Questionnaire.
Alice Munro wins Nobel Prize in literature; film critic Stanley Kauffmann dies at 97; SF Film Society director Ted Hope steps down; documentary oversaturation; Will Self on the changing role of the critic.
A remembrance by Roger Ebert's book editor Donna Martin: "I had never even seen "Siskel & Ebert" on television when I knew I wanted to publish Roger's first book. John McMeel, president of Universal Press Syndicate/Andrews McMeel Publishing in Kansas City, had met Roger Ebert in the Chicago Sun-Times newsroom back when John was selling syndicated features to newspapers."
Marie writes: the great Ray Harryhausen, the monster innovator and Visual Effects legend, passed away Tuesday May 7, 2013 in London at the age of 92. As accolades come pouring in from fans young and old, and obituaries honor his achievements, I thought club members would enjoy remembering what Harry did best.
Marie writes: Behold the amazing Art of Greg Brotherton and the sculptures he builds from found and re-purposed objects - while clearly channeling his inner Tim Burton. (Click to enlarge.)
"With a consuming drive to build things that often escalate in complexity as they take shape, Greg's work is compulsive. Working with hammer-formed steel and re-purposed objects, his themes tend to be mythological in nature, revealed through a dystopian view of pop culture." - Official website
"The Girl" premieres on HBO at 9:00pm (8:00pm Central) on Saturday, Oct. 20. It will also be available on HBO GO.
by Jeff Shannon
October, 1961: A New York fashion model on the verge of Hollywood stardom, 31-year-old Tippi Hedren (Sienna Miller) is invited to a celebratory lunch with legendary film director Alfred Hitchcock (Toby Jones) and his wife Alma (Imelda Staunton), who's also his long-time collaborator. A divorced single mother (of future actress Melanie Griffith, then four years old), Hedren is plucked from obscurity to star in "The Birds," Hitchcock's highly anticipated follow-up to his phenomenally successful 1960 thriller, "Psycho." After Alma sees her in a TV commercial ("I like her smile," she says to "Hitch"), she arranges a meeting. Secretly smitten, Hitchcock directs Hedren's screen test in his own Bel Air home and, shortly thereafter, offers a toast.