300
Screenplay by
Snyder
Snyder
Snyder Movie Reviews
Blog Posts That Mention Snyder
Zack Snyder’s Animated Netflix Epic “Twilight of the Gods” Aims for Valhalla, Lands at Mediocre
The Bond Between Parent and Child in Zack Snyder’s Justice League
Home Entertainment Guide December 2025: “Black Phone 2,” “Bugonia,” “Good Fortune,” More
The Great Craft of 2025
Palm Springs Film Festival Announces 2026 Lineup
From Chicago to the World: On the 50th Anniversary of Siskel & Ebert
Music to Make A Man Fly: The Power of John Williams’ Theme to “Superman”
The Unloved, Part 139: Rebel Moon
What to Watch on Netflix: May 2025
Women Develop New Models of Heroism in Festival Docs
A Look at Every Oscar-Nominated Short This Year
Sundance 2025: The Librarians, Middletown, Speak.
2025 Sundance Film Festival Announces Ambitious Program
When You’re Angry, You’re Already Losing: Guy Maddin, Evan Johnson, and Galen Johnson on “Rumours”
“Matlock” Remakes a Classic with Humor and Moral Force
A Plea for Someone to Save Megalopolis
I Used to Hate The Phantom Menace, but I Didn’t Know How Good I Had It
Wonderful Tom: Tom Shales (1944-2024)
The Return of 70MM
Home Entertainment Guide: June 2023
Home Entertainment Guide: January 2023
From the Deep: On the Staying Power of Creature from the Black Lagoon
Female Filmmakers in Focus: Carlota Pereda on Piggy
Netflix’s Farzar is One of the Worst Animated Shows in Years
I Want to Punch People In The Face: Lauren Hadaway and Isabelle Fuhrman on The Novice
The Individual Top Tens of 2021
Black Writers Week 2021: Table of Contents
Oscars 2021: Nomadland is the Big Winner at an Unusual Academy Awards
Steven Yeun Breathes Life into the Animated Superhero Series Invincible
Women Take Top Prizes at Critics Choice Awards
How Misery Predicted Toxic Fandom
Sundance 2020 Announces Competition, Midnight, Premiere Titles and More
Doris Day: 1922-2019
Chicago Critics Film Festival Announces Full Schedule, Special Guests
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Excellent Assassin’s Creed Odyssey Reflects Long History of Swords and Sandals Epics
What We Do Matters: Watching Buffy the Vampire Slayer and Angel in 2018
Book Review: “Justice League: The Art of the Film”
Home Entertainment Consumer Guide: November 2, 2017
Bright Wall/Dark Room October 2017: “All We Did is Survive” by Amy Woolsey
Home Entertainment Consumer Guide: September 21, 2017
A Lasting Bite: The RogerEbert.com Staff Remembers George Romero
Home Entertainment Consumer Guide: June 22, 2017
Powers Boothe: 1948-2017
2017 Summer Movie Preview: 25 Films We’re Excited About
A Moment of Significance: Nacho Vigalondo on Making “Colossal” to Scale
New Voices: Ebert Young Writers Program for the Arts Covers HIFF 2016
Home Entertainment Consumer Guide: August 18, 2016
Blu-ray Review: “Batman v Superman: Dawn of Justice (Ultimate Edition)”
No Survivors and Heroes: “Batman v Superman: Dawn of Justice”
Meet the Writers: Monica Castillo
The Tougher Thing Is To Feel: “The Flash” and Masculinity
Berlin 2016 Interview: Jeff Nichols & Michael Shannon on “Midnight Special”
Sundance 2016: “Jim,” “Newtown,” “Trapped”
Sundance 2016 Offers a Sneak Peek at Narrative, Documentary and Midnight Selections
Why you should be able to cancel your clicks
Roof Dreams: How Indie Films Series Elevated Films Chicago Got Off the Ground
Who’s Who In Reviews: Peter Sobczynski
Who’s Who In Reviews: Christy Lemire
Good Pitch Chicago Welcomes Filmmakers for Second Year
Meet the Writers: Matt Fagerholm
Home Entertainment Consumer Guide: December 19, 2014
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Comic Book Movie Comment Section Bingo
A Personal Take on Disaster Movies
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Hashtag Activism and the #CancelColbert campaign
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Meet the Writers: Christy Lemire
“Man of Steel”, Feet of Clay
Oscar Isaac Takes the Lead with the Coen Brothers’ “Inside Llewyn Davis”
Director Barry Avrich on “Filthy Gorgeous: The Bob Guccione Story”
Meet the Writers: Peter Sobczynski
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Dear Hollywood: Hiring women directors could rescue the superhero movie. Love, half the human race.
“Something to Strive For”: Why We Don’t Need a “Relatable” Superman
Kodak says film is alive and well
The new-er-est “Blade Runner”
Hollywood joins Batman, Iron Man to promote Truth, Justice, American Way
Do critics hate comic-book movies?
Can superhero movies be works of art?
The Master: What does it all mean?
The Dark Knight Rises, an American genre falls
Corman’s World: Monsters, mayhem & breast nudity!
Larry Sanders: Changing television and changing lives
We’re all puppets, Laurie. I’m just a puppet who can see the strings
Judy, Judy, Judy
Dr. Manhattan’s you-know-what: an exercise in quantum mechanics
Life & death and the joker
Hollywood lip smackdown!
