Dying for Sex
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Sissy Spacek Movie Reviews
The Old Man and the Gun
Jewel
The Help
Missus Walters
Get Low
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Four Christmases
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Nine Lives
Ruth
The Ring Two
Evelyn
A Home at the End of the World
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Tuck Everlasting
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The Straight Story
Rose
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Helen
Affliction
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Hard Promises
Chris
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The Long Walk Home
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Crimes Of The Heart
Babe Magrath
Violets Are Blue
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Marie: A True Story
Marie Ragghianti
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Julia Roberts Stars in Fascinating Thriller Homecoming
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From Gena to Annette: Great Actresses with Oscar Nominations but No Wins
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Book Excerpt: Films of Endearment by Michael Koresky
My Mother’s Stories: Michael Koresky on Films of Endearment
Getting to the Heart of America in David Lynch’s The Straight Story
Life in the Frame: Michael Apted: 1941-2021
Bright Wall/Dark Room May 2020: Life is Short – Stunt It: The Refined Nothing of Hot Rod
Return to the World of Stephen King with Hulu’s Castle Rock
If I Had an Emmy Ballot 2019
Rock and Roll Me: On Andrea Riseborough’s Spellbinding 2018 Performances
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Real-Life Heroes and Star-Driven Films at 2018 Telluride Film Festival
Hulu’s Castle Rock Doesn’t Quite Live Up to Its Inspiration Yet
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Hitting the Mother Lode: The Oscar Race Embraces Its Maternal Side
Much More than “Star Wars”: The Cinema of ’77 Strikes Back at Film Society of Lincoln Center
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If Only They Knew She Had the Power: Brian De Palma’s “Carrie” Turns 40
Exclusive: Roger Ebert’s “The Great Movies IV” In Print For the First Time
Badass Intensity and Holy Cool: A Warren Oates Retrospective
Bright Wall/Dark Room May 2016: “Floating in Jars” by Elisabeth Geier
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“Affliction”
Making the Cut: Imogen Poots on “Knight of Cups”
Wax Masks and Helicopter Acrobatics: An Extra’s Experience on the Set of “Spectre”
The Shape of Rage: David Cronenberg’s “The Brood”
Back in Fashion After 35 Years: The Return of “Dressed to Kill”
Terrence Malick’s Cathedrals of Cinema: Excerpt from “Faith and Spirituality in Masters of World Cinema, Vol. 3”
Beyond Narrative: The Future of the Feature Film
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Book Excerpt: “Approaching the End: Imagining Apocalypse in American Film” by Peter Labuza
Defying Explanation: The Brilliance of David Lynch’s “Eraserhead”
Fire and Ice: On Box Office for Films with Women as Protagonists
The Trouble with “Carrie”: Strong Female Characters and Onscreen Violence
Brian De Palma on “Passion,” passion and film
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Tracing the image #2: The rebirth of ‘The Descent’
Can a movie ruin a good review?
The prom night from Hell
Sundance #4: ‘Nine Lives,’ nine films
The shifting sands
Believe it or not
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Oscar Nominations 1977
Ebert’s Altman Home Companion
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Dolly Parton: Gee, she’s really nice
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Movie Answer Man (02/10/2002)
