Die My Love
Pam
Sissy Spacek
Sissy Spacek
Sissy Spacek Movie Reviews
Dying for Sex
Gail
The Old Man and the Gun
Jewel
The Help
Missus Walters
Get Low
Mattie
Four Christmases
Paula
Hot Rod
Marie Powell
Nine Lives
Ruth
The Ring Two
Evelyn
A Home at the End of the World
Alice Glover
Tuck Everlasting
Mae Tuck
In the Bedroom
Ruth Fowler
The Straight Story
Rose
Blast From The Past
Helen
Affliction
Margie Fogg
Hard Promises
Chris
JFK
Liz Garrison
The Long Walk Home
Miriam Thompson
Crimes Of The Heart
Babe Magrath
Violets Are Blue
Gussie Sawyer
Blog Posts That Mention Sissy Spacek
Julia Roberts Stars in Fascinating Thriller Homecoming
Netflix Launches Your Next Obsession in Thriller “Bloodline”
De Palmania!
Why the Helvetica is Trajan the movie font?
Opening Shots: Badlands
Home Entertainment Guide April 2026: Send Help, 28 Years Later: The Bone Temple, Highest 2 Lowest, More
The 17 Best Movies About Radio, Ranked
You’re Living Intrusive Thoughts: Jennifer Lawrence and Lynne Ramsay on “Die My Love”
The Golden Boy: 11 of Our Favorite Robert Redford Performances
The Best TV of 2025 (So Far)
Cannes 2025 Video #3: Robert Daniels on Urchin, Renoir, Die My Love, and More
Cannes 2025: Die My Love, Pillion, Miroirs No. 3
From Gena to Annette: Great Actresses with Oscar Nominations but No Wins
Shelley Duvall’s Five Best Performances
Transplendent: Shelley Duvall (1949-2024)
David Lynch’s The Straight Story & Playing Catch-Up
An Unforgettable Performer: Piper Laurie (1932-2023)
Angelo Badalamenti (1937-2022)
I Won’t Know If I’m Coming or Going: Rodrigo García on Nine Lives and His Latest Film, Raymond & Ray
Prime Video’s Night Sky is a Sentimental but Hollow Sci-fi Series
He Made Everything Better: Fred Ward (1942-2022)
We Do What We Can to Endure: On Memory and Time in David Lowery’s Films
I’m a Sound Man: Brian De Palma’s Blow Out at 40
Book Excerpt: Films of Endearment by Michael Koresky
My Mother’s Stories: Michael Koresky on Films of Endearment
Getting to the Heart of America in David Lynch’s The Straight Story
Life in the Frame: Michael Apted: 1941-2021
Bright Wall/Dark Room May 2020: Life is Short – Stunt It: The Refined Nothing of Hot Rod
Return to the World of Stephen King with Hulu’s Castle Rock
If I Had an Emmy Ballot 2019
Rock and Roll Me: On Andrea Riseborough’s Spellbinding 2018 Performances
10 Shows to Watch This Fall
Real-Life Heroes and Star-Driven Films at 2018 Telluride Film Festival
Hulu’s Castle Rock Doesn’t Quite Live Up to Its Inspiration Yet
Comic-Con 2018: A First-Look at Hulu’s New Stephen King Series, Castle Rock
Hitting the Mother Lode: The Oscar Race Embraces Its Maternal Side
Much More than “Star Wars”: The Cinema of ’77 Strikes Back at Film Society of Lincoln Center
Mary Tyler Moore 1936-2017
If Only They Knew She Had the Power: Brian De Palma’s “Carrie” Turns 40
Exclusive: Roger Ebert’s “The Great Movies IV” In Print For the First Time
Badass Intensity and Holy Cool: A Warren Oates Retrospective
Bright Wall/Dark Room May 2016: “Floating in Jars” by Elisabeth Geier
Thumbnails 4/29/16
“Affliction”
Making the Cut: Imogen Poots on “Knight of Cups”
Wax Masks and Helicopter Acrobatics: An Extra’s Experience on the Set of “Spectre”
The Shape of Rage: David Cronenberg’s “The Brood”
Back in Fashion After 35 Years: The Return of “Dressed to Kill”
Terrence Malick’s Cathedrals of Cinema: Excerpt from “Faith and Spirituality in Masters of World Cinema, Vol. 3”
Beyond Narrative: The Future of the Feature Film
Thumbnails 12/15/14
Book Excerpt: “Approaching the End: Imagining Apocalypse in American Film” by Peter Labuza
Defying Explanation: The Brilliance of David Lynch’s “Eraserhead”
Fire and Ice: On Box Office for Films with Women as Protagonists
The Trouble with “Carrie”: Strong Female Characters and Onscreen Violence
Brian De Palma on “Passion,” passion and film
Brian De Palma’s Films, Ranked
Whispered thoughts: the evolution of Terrence Malick’s voice-over
Best 10 Movies of 2003
Familiar names top Indie awards
Cowboy plays it `Straight’
The Best 10 Movies of 1991
Days of Heaven: “Somewhere, I don’t know, over there…”
Tracing the image #2: The rebirth of ‘The Descent’
Can a movie ruin a good review?
The prom night from Hell
Sundance #4: ‘Nine Lives,’ nine films
The shifting sands
Believe it or not
Indie films alive and well
Bright spots at Sundance
Oscar Nominations 1977
Ebert’s Altman Home Companion
Hoffman shines in Truman show
‘Vincent’ nudges director Robert Altman into ’90s
Whoopi Goldberg among the stars
Dolly Parton: Gee, she’s really nice
Interview with William Katt
Interview with Nick Nolte
Interview: Robert Altman, “Wedding” Photographer
Ridiculous, the people they let write movie reviews these days
Movie Answer Man (02/10/2002)
