Frightmare
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Patrick
Patrick
Patrick Movie Reviews
Blog Posts That Mention Patrick
Chaz Ebert on “Podtalk with Patrick McDonald”
“He Stood on a Firm Piece of Earth”: John Patrick Shanley on Moonstruck director Norman Jewison
Neil Patrick Harris Gets His Gay Groove Back in Darren Star’s Frothy Sitcom Uncoupled
Benedict Cumberbatch Reasserts His Star Power with Patrick Melrose
Whatever’s Different: Patrick Wilson on “Bone Tomahawk”
From Clint to Orson: A Conversation with Biographer Patrick McGilligan
The ten thousand rule: Timothy Patrick Monyihan, aka Gus Murphy, aka M, aka Mendl, 1956-2015
Patrick Wang’s “In the Family” Captures Intimate Human Drama
Patrick McGoohan escapes (1928-2009)
Retreating From The Elephant: The Perpetually Impending Demise of Indie Cinema
Cinematic Albums of the 2020s: Music That Feels Like a Movie
Historic Franchise Finds New Life in Wildly Entertaining “007 First Light”
Cannes 2026: I See Buildings Fall Like Lightning, Diary of a Chambermaid, La Perra
Cannes 2026: The Black Ball, Bitter Christmas
This Year’s Ebert Fellows Reflect on the 2026 True/False Film Festival
SXSW 2026: Never After Dark, Dreamquil, Drag
Lisa Kudrow Makes An Extremely Welcome “Comeback” to HBO
In Taylor Sheridan’s “The Madison,” Michelle Pfeiffer and Kurt Russell Weather an Urban-Rural Romance
A New Cup of Tea: The Best Murder Mysteries You Haven’t Seen
Berlinale 2026: A Politicized Festival with Great Political Cinema
We Give It Absolutely Everything: James Van Der Beek (1977-2026)
Sundance 2026: Chasing Summer, Frank & Louis, The Friend’s House is Here, Run Amok
FOX’s “Memory of a Killer” Can’t Remember Why It Exists
Peacock’s “Ponies” Offers Unbridled Spy Intrigue For Its Two Female Leads
40 Shows We Can’t Wait to Watch in 2026
“The Pitt” Hasn’t Lost a Step in Confident Second Season
Chaz Ebert’s 30 Best Movies of 2025 (and One Guilty Pleasure)
The Great Performances of 2025
The 25 Best TV Shows of 2025
Sundance Film Festival Announces 2026 Line-Up
“One Battle After Another,” “Sinners” Lead Chicago Film Critics Association Nominees
I’m Just An Actor: Rebuilding Roles with Josh O’Connor
Right Now, It’s Important: An Ode to S.E. Hinton’s Teenagers
Can Movies Save the World?
“Devil in Disguise: John Wayne Gacy” is a Tough but Important Watch
It’s A Process: Kelly Reichardt on “The Mastermind” and Josh O’Connor’s Timeless Mug
A Tale of Two Machines: On the First Season of “Alien Earth”
An Ear for Writing For Women: Stan Zimmerman on Golden Girls, Rosanne, Gilmore Girls
Season 3 of “Tulsa King” Features Boomers, Bullets, and Bourbon, Oh My
“Gen V” Rivals “The Boys” in a Sharper and Sleeker Season Two
TIFF 2025: Palestine 36, The Choral, Peak Everything
Robert Daniels & Odie Henderson Talk “Highest 2 Lowest”
“When the World Broke Open: Katrina and its Afterlives” Launches at MOMA
Locarno Film Festival 2025: 14 Films Commemorating Postwar Britain
One Final Look: Terence Stamp (1938-2025)
Effective Second Season of “Peacemaker” Proves the Future of the DCU’s TV Slate is Bright
FX’s “Alien: Earth” Shatters Already High Expectations
Book Excerpt: It Can’t Rain All the Time by Alisha Mughal
Showtime’s “Dexter: Resurrection” Keeps the Killer Thriller Franchise’s Blood Flowing
June 2025 Blu-Ray/Streaming Guide: “Drop,” “The Nice Guys,” “Dark City,” More
Cannes 2025: The President’s Cake, Death Does Not Exist, Peak Everything
April 2025 Blu-Ray Guide: “Anora,” “The Brutalist,” “Heart Eyes,” “One of Them Days,” More
SXSW Film Festival 2025: One More Shot, Mermaid, Sweetness
Pay Attention Now: Gretchen Mol and Juliana Margulies on “Millers in Marriage”
HBO’s “The White Lotus” Remains Worth the Trip in Brilliant Third Season
“Your Friendly Neighborhood Spider-Man” Brings Marvel’s Web-Slinger Down to Street Level
Sundance 2025: The Ugly Stepsister, By Design
FOX’s “Going Dutch” Lacks Chemistry, Heart, and a Sense of Humor
2025 Sundance Film Festival Announces Ambitious Program
Tokyo International Film Festival 2024: Orang Ikan, Missing Child Videotape, Kiyoshi Kurosawa
FX’s “What We Do in the Shadows” Loses Some Of Its Bite In Season Six
TIFF 2024: Millers in Marriage, Sketch, The Deb
TIFF 2024: Young Werther, Addition, My Fathers’ Daughter
TIFF 2024: The Life of Chuck, Nightbitch, K-Pops!
Prime Video’s “The Lord of the Rings: The Rings of Power” is the Boldest Fantasy Show of the Year
Netflix’s “Receiver” Should Work for NFL Fans Despite a Predictable Playbook
Flying to the Moon: Ten Films About the Apollo Program
At the Movies, It’s Hard Out There for a Hit Man
Home Entertainment Guide: May 2024
Saved! at 20: Religious Satire and the Millennial Generation
Fantastic Start to Fourth Season of Evil Maintains Creepy Quality
The 10 Best Start-of-Summer-Movie-Season Films of the 21st Century
Luca Guadagnino Is Love
SXSW 2024: Clemente, Cheech & Chong’s Last Movie, This is a Movie About the Black Keys
Female Filmmakers in Focus: Rose Glass on Love Lies Bleeding
9 Underrated Romantic Movies for Valentine’s Day This Year
Peacock’s Ted Feels Like a Recycled Toy
2024 Sundance Film Festival Announces 91 Projects Selected for the Feature Films, Episodic, and New Frontier Lineup for 40th Edition
Chicago Style: Andrew Davis on the Making of The Fugitive, Stony Island, and More
Home Entertainment Guide: October 2023
Carlito’s Way Gets Excellent 4K Arrow Release with Commentary by Matt Zoller Seitz
Prime Video’s Gen V is An Antidote for Superhero Fatigue
TIFF 2023: American Fiction, Wicked Little Letters, The Critic
XL Film Festival & Summit 2023: Highlights of an Ambitious New Event
HBO’s Winning Time: The Rise of the Lakers Dynasty Returns with Improved but Uneven Game
New York Asian Film Festival 2023 Highlights
XL Film Festival Runs August 18-20
A Look Back at Tribeca 2023
Trust Your Gut: The Role of Conscience in Horror
Tribeca 2023: Suitable Flesh, You’ll Never Find Me, Bad Things
Bright Wall/Dark Room April 2023: All the Beauty and the Bloodshed: Friends, Lovers, or Neighbors by Frank Falisi
Apple TV+’s Schmigadoon! Takes on Schmicago! in Snazzy Second Season
Raquel Welch (1940-2023)
The Company You Keep Has All the Elements of a Smart, Sexy Caper Show
