Kentucky
Kentucky Movie Reviews
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Blog Posts That Mention Kentucky
Ebertfest Adds Barbara Kopple’s Academy Award Winner “Harlan County U.S.A.”
The Weirdos and the Outsiders: Gregg Araki on “The Teen Apocalypse Trilogy”
Time to Bloom: KiKi Layne on Dandelion
Point of No Return: Laurel Parmet, Eliza Scanlen, and Lewis Pullman on The Starling Girl
Tragically Common: Jamie Dack, Lily McInerny and Jonathan Tucker on Palm Trees and Power Lines
A True Movie Star: On the Career of Channing Tatum
Roger’s Top Ten Lists: Best Films of 2012
Our Favorite Roger Reviews: Lincoln
Clothes Make the Character: Janie Bryant on the Wardrobe of Mad Men
A Different Perspective: David S. Reynolds on Lincoln’s Dilemma
Ivan Reitman: 1946-2022
Laughing Until It Hurts: An American Werewolf in London at 40
Sitting in the Undefined: Philip Ettinger on The Evening Hour
The 18th Annual African Diaspora International Film Festival Streams Through June 24th at Facets
Ned Beatty: 1937-2021
The Cruelest Month, Part 6: The Wreck
The Annotated Table of Contents for Women Writers Week 2021
Larry Flynt: 1942-2021
Life in the Frame: Michael Apted: 1941-2021
Enjoy the Black Harvest Film Festival at Home
Netflix’s Aunty Donna’s Big Ol’ House of Fun is Sketch Comedy Bliss
TIFF 2020: Fireball: Visitors from Darker Worlds, Enemies of the State, 76 Days
Netflix’s Raunchy Series Hoops Loses with Foul Play
Fred Willard: 1933-2020
Meet the Writers of Women Writers Week 2020
Ebert Fellows Confirmed for Sundance 2019
Ebert Fellows Announced for Sundance 2019
NYFF 2018: La Flor
Sundance 2018: “Blindspotting,” “American Animals,” “Lizzie”
We Should Be So Lucky: A Tribute to Harry Dean Stanton
Harry Dean Stanton: 1926-2017
The Big Knockover: “Noir City: Chicago” Brings Heist Films to the Music Box Theater
The frontier in his eyes: Sam Shepard, 1943-2017
Breakout Talent: Royalty Hightower on “The Fits”
Sense Memory: “Platoon” Through a Veteran’s Eyes
Bright Wall/Dark Room August 2016: “Sacred Texts and Ruined Childhoods: On Aronofsky’s ‘Noah'” by Lauren Wilford
Badass Intensity and Holy Cool: A Warren Oates Retrospective
Starting Over Every Single Time: Barbara Kopple on “Miss Sharon Jones!”
Berlin 2016 Interview: Jeff Nichols & Michael Shannon on “Midnight Special”
My Sundance Trifecta 2016
It’s Real: A Few Words with Haskell Wexler
Thumbnails 9/25/15
Short Films in Focus: Ramin Bahrani’s “Lift You Up”
The Act of Not Having An Act: Cameron Crowe’s Ambivalent Humanism
Thumbnails 5/1/15
Interview: Cary Elwes on the Lasting Power of “The Princess Bride”
New York Comic-Con: “Penguins of Madagascar” and “Home”
Book Excerpt: “Tom Cruise: Anatomy of An Actor” by Amy Nicholson
“Life Itself” On Sale For “Smart Summer Reading”
Book Excerpt: Life Itself by Roger Ebert
Walton Goggins of “Justified”: The best kept secret in American acting?
“GET THE PICTURE!”: Public Nominations to the National Film Registry
The Wes Anderson Collection, Chapter 4: “The Life Aquatic with Steve Zissou”
His own man: Jim Kelly, 1946-2013
I Miss Roger’s Reviews
John Prine: American Legend
Me “Bobby McGee” “Into the Wild”
Ebert’s Top Movies of 2012
A Convenient Semi-Truth
Pearl of the South: A tale of two reviews
Talking Heads > American Psycho > Christian Bale > Tom Cruise > Miles Fisher > Mad Men
Mad Men: Memories, doppelgängers & phantoms
Mad Men in Tomorrowland: “Things aren’t perfect.”
String of Pearl: The Lady of Altman’s “Nashville”
Is Bill Maher a performer, a preacher, or a pimp?
A British boutique festival without an identity crisis
Remembering Gene
Tweet! Tweet! Tweet!
Perform a concert in words: RIP Bill Nack 1941-2018
I was born inside the movie of my life
New Agers and Creationists should not be President
I’d like you to meet your best friend
The plague of movie trivia
Sundance #7: A bus to the best
Ebert’s memories of Cannes past
Offbeat films, personas hum
John Dillinger, scholar of crime: The Michael Mann transcript
Robert Altman invents his life as it goes along
Winfrey confronts the strength and the spirits of ‘Beloved’
Ashley Judd: “Ruby in Paradise”
Ashley, the Acting Judd, Discovers A `Paradise’ In First Film
Interview with Vincent Canby
Re: ‘Glory,’ ‘Crash,’ ‘Geisha,’ etc.
Critics vs. gamers on ‘Doom’
Movie Answer Man (11/01/1994)
