A piece on Robert De Niro, Harvey Keitel, and Joe Pesci, and what they've meant to the career of Martin Scorsese.
An interview with writer/director Paul Harrill about his supernatural story of loss, Light from Light.
Sarah Knight Adamson reports from Santa Monica, CA on the winners and speeches at last weekend's Critics' Choice Awards.
The best in television for the year.
A review of two films that played at CIFF on William Friedkin and Buster Keaton.
Through their films’ unique narrative and visual styles, Jennifer Fox and Bart Layton expose how fiction is a fundamental part of the human experience.
A look at the contenders for Best Actress and Best Supporting Actress this year and how many of them play a historically-beloved role for Oscar, the mother.
Molly Haskell speaks with Matt Zoller Seitz about "From Reverence to Rape," "Love and Other Infectious Diseases," "Steven Spielberg: A Life in Films" and more.
Scout Tafoya responds to our Movie Love Questionnaire.
A review from Sundance of Todd Solondz's "Wiener-Dog."
The shaming of Robert De Niro; Disappointment invades "The 5th Wave"; Christopher Jason Bell on "The Winds That Scatter"; Why the #OscarsSoWhite fuss matters; Boxing's greatest muse.
A preview of our most anticipated titles at the 2016 Sundance Film Festival.
Picks for the best of the 2013-14 television season, in the form of a Dream Emmy ballot.
Haitian-born director Djinn Carrenard's nearly three-hour second feature is by turns enthralling and exasperating.
Louis C.K. brings his hit FX show back to the network on Monday, May 5th. We've seen the first four. It's still the best comedy on TV.
Many of today's films seem to be made solely for financial reasons, but the case of "The Exorcist" is more complex than most. It was a tremendous financial success, the all-time box office champ for a while, but only a psychic could have predicted that people would line up to see a movie of this nature.
"I love music so much and I had such ambition that I was willing to go way beyond what the hell they paid me for. I wanted people to look at the artwork and hear the music." - Alex Steinweiss
