Bikram: Yogi, Guru, Predator
It doesn’t say much about abusive charlatans, their enablers, and their victims, that we don’t already know.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
A tribute to John Witherspoon.
On 20 major premieres from the Toronto Film Festival that we'll be covering over the next two weeks.
The first wave of World Premieres announced for TIFF 2019.
A tribute to the late, great John Singleton.
Ebert Fellow Tiffany Walden reports from the Sundance world premiere of Boomerang, BET's new series based on the 1992 romantic comedy.
An interview with Lil Rel Howery, star of "Uncle Drew" and "Get Out."
The latest on Blu-ray and DVD, including Phantom Thread, Molly's Game, and The Commuter.
A celebration of the late Jonathan Demme.
An essay on the subversive tendencies of Disney's "Mulan."
An appreciation of David Letterman on his final day on the air.
Sam Fragoso interviews Spike Lee; Why Christian movies are so bad; "SNL" anniversary a hollow milestone; Cinephiles need to care about PBS; Diane Rehm and the right-to-die debate.
Gentrification of racial humor; Jimmy Fallon isn't funny; Creative women dismissed as "quirky"; Suddenly CinemaScope; "Fifty Shades of Grey" fan fiction.
Retire the Disney Death; Seven problems with "Interstellar"; Cubicles on the rise; John Oliver is outdoing "The Daily Show"; Ernie Hudson is haunted by "Ghostbusters."
David Chase comments on Tony Soprano's fate; How writers find their voices; The 'Star Wars' Lucas wants to forget; 20 overlooked 60s thrillers; Hollywood's new hit factory.
By all accounts, 2013 has been a striking year for black film directors. But is the real story about black directors working in television?
A video essay on Wes Anderson's second film "Rushmore," by Matt Zoller Seitz and Steven Santos. Second in a series of seven.
August, 2012, marks the 20th anniversary of the debut of "The Larry Sanders Show," episodes of which are available on Netflix Instant, Amazon Instant, iTunes, and DVD. This is the third and final part of Edward Copeland's extensive tribute to the show, including interviews with many of those involved in creating one of the best-loved comedies in television history. Part 1 (Ten Best Episodes) is here and Part 2 (The show behind the show) is here.
A related article about Bob Odenkirk and his characters, Stevie Grant and Saul Goodman (on "Breaking Bad"), is here.
by Edward Copeland
"It was an amazing experience," said Jeffrey Tambor. "I come from the theater and it was very, very much approached like theater. It was rehearsed and Garry took a long, long time in casting and putting that particular unit together." In a phone interview, Tambor talked about how Garry Shandling and his behind-the-scenes team selected the performers to play the characters, regulars and guest stars, on "The Larry Sanders Show" when it debuted 20 years ago. Shandling chose well throughout the series' run and -- from the veteran to the novice, the theater-trained acting teacher and character actor to the comedy troupe star in his most subtle role -- they all tend to feel the way Tambor does: "It changed my career. It changed my life."
"Johnny Carson: The King of Late Night" (120 minutes) premieres on PBS' "American Masters" at 9:00pm Monday, May 14th (check local listings). The film will also be released on DVD and Blu-ray on July 17th.
As I reflect on my life, I grow increasingly grateful for having witnessed the greatest half-century in the history of the United States. Consider just a few of the crucial events that have shaped us during the past 50 years: The civil rights movements for African-Americans, women and the disabled; the assassinations of JFK, MLK and RFK; the war in Vietnam and its domestic fallout; landing on the moon and exploring the outer reaches of the universe; the global trauma of AIDS and seemingly perpetual threats of war and terrorism; and, perhaps most important, the emergence and meteoric rise of the digital age, exemplified by the Internet and social media with the power to literally change history through an exponential expansion of human connectedness.
If you've witnessed these decades through the multicolored lenses of popular culture, the rewards have been astonishing. Consider the careers we've seen in that time: Dylan, The Beatles, The Rolling Stones, Neil Young, Springsteen, Madonna, The Clash, U2, Nirvana... Don Rickles, Richard Pryor, George Carlin, Eddie Murphy, Tina Fey... Clint Eastwood, Martin Scorsese, Dustin Hoffman, Meryl Streep, Steven Spielberg, Werner Herzog... We could all make our own long lists and we'd all arrive at the same conclusion: The past half-century has been nothing short of phenomenal.
And one way or another, it all comes down to "The Tonight Show with Johnny Carson."
It was like an episode from "The Twilight Zone." The Academy Award for best picture went to a silent film in black and white. The unstoppable "The Artist," which had nothing going for it but boundless joy, defeated big-budgeted competitors loaded with expensive stars because … well, because it was so darned much fun. Its victory will send Hollywood back to its think-tanks.
Marie writes: I was browsing the 2010 National Geographic Photography Contest Galleries and came upon this amazing shot - click to enlarge!
The Birth Of Earth: Photo by Terje Sorgjerd"Getting close or getting too close? Photo taken of the Eyjafjallajokull volcano eruption that would grind most of europe air traffic. This is the scariest moment in my life, and also the most beautiful and frightening display of raw force I have ever seen." - Terje Sorgjerd
Marie writes: It occurred to me that I've never actually told members about the Old Vic Tunnels. Instead, I've shared news of various exhibits held inside them, like the recent Minotaur. So I'm going to fix that and take you on a tour! (click image to enlarge.)
Lesson for the day: How to have fun while wasting time... Marie writes: welcome to DRAW A STICK MAN, a delightful Flash-based site prompting viewers to draw a simple stick figure which then comes to life! Ie: the program animates it. You're given instructions about what to draw and when, which your dude uses to interact with objects onscreen. Thanks go to club member Sandy Kahn who heard about it from her pal Lauren, in Portland Oregon.Note: here's a screen-cap of what I drew; I've named him Pumpkin Head.
Marie writes: I love illustrators best in all the world. There's something so alive about the scratch and flow of pen & ink, the original medium of cheeky and subversive wit. And so when club member Sandy Kahn submitted links for famed British illustrator Ronald Searle and in the hopes others might find him interesting too, needless to say, I was quick to pounce; for before Ralph Steadman there was Ronald Searle... "The two people who have probably had the greatest influence onmy life are Lewis Carroll and Ronald Searle."-- John LennonVisit Kingly Books' Ronald Searle Gallery to view a sordid collection of wicked covers and view sample pages therein. (click to enlarge image.) And for yet more covers, visit Ronald Searle: From Prisoner of War to Prolific Illustrator at Abe Books.
A joke should have the perfection of a haiku. Not one extra word. No wrong words. It should seem to have been discovered in its absolute form rather than created. The weight of the meaning should be at the end. The earlier words should prepare for the shift of the meaning. The ending must have absolute finality. It should present a world view only revealed at the last moment. Like knife-throwing, joke-telling should never be practiced except by experts.
For many laymen, a joke is a heavenly gift allowing them to monopolize your attention although they lack all ability as an entertainer. You can tell this because they start off grinning and grin the whole way through. They're so pleased with themselves. Their grins are telling you they're funny and their joke is funny. The expert knows not to betray the slightest emotion. The expert is reciting a fact. There is nothing to be done about it. The fact insists on a world that is different than you thought. The fact is surprising and ironic. It is also surprising--you mustn't see it coming. That's why the teller should not grin. His face shouldn't tell you it's coming. If the joke is also vulgar, so much the better, but it must never exist for the sake of vulgarity. That's why "The Aristocrats" is not only the most offensive joke in the world, but also, in the wrong hands, the most boring.
I will not give away any jokes here (though too many reviews will), just one small concept: In "Tropic Thunder," Ben Stiller plays a not-very-talented actor who has made a widely loathed movie called "Simple Jack" (explicitly a parody of Sean Penn's "I Am Sam") that flopped ignominiously, failing to earn him the Oscar nomination he so desperately, transparently (and cynically) expected. Both Penn and "I Am Sam" are mentioned by name -- as are the Oscar-winning performances by Dustin Hoffman in "Rain Man" and Tom Hanks in "Forrest Gump." They should have thrown in Robin Williams in "Patch Adams." (Look for the glimpse of Penn and some other well-known actors in award-seeking stunt-roles near the end.)
From start to finish, the target of the satire here is Hollywood. As Roger Ebert describes it: "The movie is a send-up of Hollywood, actors, acting, agents, directors, writers, rappers, trailers and egos..." There's even a funny moment with a key grip that's even funnier if you know what a key grip is.
And yet, according to an article in Monday's New York Times: "A coalition of disabilities groups is expected as early as Monday to call for a national boycott of the film 'Tropic Thunder' because of what the groups consider the movie's open ridicule of the intellectually disabled."
This has got to be a joke.