Jakubowicz handles these threads with coherence and vigor.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
A TV review of Hulu's High Fidelity.
A dispatch from Sundance on two Midnight titles.
Chaz Ebert reveals her Top Ten (PLUS) Films of 2019.
A personal report from the 2020 CCA Awards.
Some of our favorite performances of the year.
Leading the Netflix movies was Marriage Story, which received six nominations.
An article about the Critics Choice Association's Celebration of Black Cinema scheduled for Monday, December 2nd, in Los Angeles.
A tribute to John Witherspoon.
On 20 major premieres from the Toronto Film Festival that we'll be covering over the next two weeks.
The first wave of World Premieres announced for TIFF 2019.
A tribute to the late, great John Singleton.
Ebert Fellow Tiffany Walden reports from the Sundance world premiere of Boomerang, BET's new series based on the 1992 romantic comedy.
An interview with Lil Rel Howery, star of "Uncle Drew" and "Get Out."
The latest on Blu-ray and DVD, including Phantom Thread, Molly's Game, and The Commuter.
A celebration of the late Jonathan Demme.
An essay on the subversive tendencies of Disney's "Mulan."
An appreciation of David Letterman on his final day on the air.
Sam Fragoso interviews Spike Lee; Why Christian movies are so bad; "SNL" anniversary a hollow milestone; Cinephiles need to care about PBS; Diane Rehm and the right-to-die debate.
Gentrification of racial humor; Jimmy Fallon isn't funny; Creative women dismissed as "quirky"; Suddenly CinemaScope; "Fifty Shades of Grey" fan fiction.
Retire the Disney Death; Seven problems with "Interstellar"; Cubicles on the rise; John Oliver is outdoing "The Daily Show"; Ernie Hudson is haunted by "Ghostbusters."
David Chase comments on Tony Soprano's fate; How writers find their voices; The 'Star Wars' Lucas wants to forget; 20 overlooked 60s thrillers; Hollywood's new hit factory.
By all accounts, 2013 has been a striking year for black film directors. But is the real story about black directors working in television?
A video essay on Wes Anderson's second film "Rushmore," by Matt Zoller Seitz and Steven Santos. Second in a series of seven.
August, 2012, marks the 20th anniversary of the debut of "The Larry Sanders Show," episodes of which are available on Netflix Instant, Amazon Instant, iTunes, and DVD. This is the third and final part of Edward Copeland's extensive tribute to the show, including interviews with many of those involved in creating one of the best-loved comedies in television history. Part 1 (Ten Best Episodes) is here and Part 2 (The show behind the show) is here.
A related article about Bob Odenkirk and his characters, Stevie Grant and Saul Goodman (on "Breaking Bad"), is here.
by Edward Copeland
"It was an amazing experience," said Jeffrey Tambor. "I come from the theater and it was very, very much approached like theater. It was rehearsed and Garry took a long, long time in casting and putting that particular unit together." In a phone interview, Tambor talked about how Garry Shandling and his behind-the-scenes team selected the performers to play the characters, regulars and guest stars, on "The Larry Sanders Show" when it debuted 20 years ago. Shandling chose well throughout the series' run and -- from the veteran to the novice, the theater-trained acting teacher and character actor to the comedy troupe star in his most subtle role -- they all tend to feel the way Tambor does: "It changed my career. It changed my life."
"Johnny Carson: The King of Late Night" (120 minutes) premieres on PBS' "American Masters" at 9:00pm Monday, May 14th (check local listings). The film will also be released on DVD and Blu-ray on July 17th.
As I reflect on my life, I grow increasingly grateful for having witnessed the greatest half-century in the history of the United States. Consider just a few of the crucial events that have shaped us during the past 50 years: The civil rights movements for African-Americans, women and the disabled; the assassinations of JFK, MLK and RFK; the war in Vietnam and its domestic fallout; landing on the moon and exploring the outer reaches of the universe; the global trauma of AIDS and seemingly perpetual threats of war and terrorism; and, perhaps most important, the emergence and meteoric rise of the digital age, exemplified by the Internet and social media with the power to literally change history through an exponential expansion of human connectedness.
If you've witnessed these decades through the multicolored lenses of popular culture, the rewards have been astonishing. Consider the careers we've seen in that time: Dylan, The Beatles, The Rolling Stones, Neil Young, Springsteen, Madonna, The Clash, U2, Nirvana... Don Rickles, Richard Pryor, George Carlin, Eddie Murphy, Tina Fey... Clint Eastwood, Martin Scorsese, Dustin Hoffman, Meryl Streep, Steven Spielberg, Werner Herzog... We could all make our own long lists and we'd all arrive at the same conclusion: The past half-century has been nothing short of phenomenal.
And one way or another, it all comes down to "The Tonight Show with Johnny Carson."