Hellboy
Written by
Del Toro
Del Toro Movie Reviews
Blog Posts That Mention Del Toro
Guillermo del Toro’s Cabinet of Curiosities Boasts a Master’s Standards
SDCC 2020: Guillermo del Toro and Scott Cooper on Antlers and Filmmaking
Bright Wall/Dark Room October 2018: A Story with A Ghost in It: On Family, Trauma, and Hope in Guillermo del Toro’s Crimson Peak
Book Excerpt: Guillermo del Toro’s “The Devil’s Backbone” by Matt Zoller Seitz & Simon Abrams
AFI Fest 2017: “The Shape of Water” Panel with Guillermo del Toro, Sally Hawkins and more
Eye Protein: The Beauty of Trilogía de Guillermo del Toro
Guillermo del Toro’s “Monsters” Unleashed at LACMA
Ebertfest 2016: An Interview with Guillermo del Toro
Ebertfest 2016: 21 Most Quotable Moments from Guillermo del Toro
Ebertfest 2016, Day 1: Guillermo del Toro Opens This Year’s Cinematic Theme Park
Roger’s Favorites: Guillermo del Toro, Alfonso Cuarón and Alejandro González Iñárritu
Guillermo Del Toro’s ‘Crimson Peak’ to Open Ebertfest 2016
Crimson Peak Primer: 8 Films to Check Out Before Guillermo Del Toro’s Latest
Video Interview: Benicio Del Toro, Emily Blunt and Josh Brolin on “Sicario”
Book Excerpt: Guillermo Del Toro talks about the Best FIlm You’ve Never Seen
Ten Must-See Films at the 2023 Toronto International Film Festival
“The Little Prince: The Art of the Movie” Offers Glimpse at Cinematic Satisfaction Delayed
Great Cast Elevates Slow Escape at Dannemora
The Unloved, Part 49: Mimic
TIFF 2017: “The Shape of Water,” “First Reformed,” “Darkest Hour”
A Box of Chocolates: Preview of the 2017 Telluride Film Festival
The Power of Fear: Reflections on “Pan’s Labyrinth”
Thumbnails 10/26/15
Thumbnails 11/22/2013
Indie Spirit Awards: Good news & bad news
Opening Shots: Pan’s Labyrinth
TIFF 08: Revolution and starvation, personal and political
Moments Out of Time 2008
TIFF: A-maze-ing
Zweiundzwanzig: Meine 22 beliebtesten Filme, 2000-2009 (Best o’ Decade — UPDATE!)
TIFF 2007: What did I know and when did I know it?
Losing control, or ceding control, or not…
TIFF 2007: Casa of Horrors
Opening Shots: ‘Raw Meat’
TIFF: Borat R US
Racial Purity, Part II
“Talking faux-seriously about juvenilia…”
Wolfman versus Werewolf
The 2025 TCM Classic Film Festival
April 2025 Blu-Ray Guide: “Anora,” “The Brutalist,” “Heart Eyes,” “One of Them Days,” More
Will I Ever Take My Kids to the Movies?
What to Watch on Netflix: March 2025
February 2025 Blu-Ray Guide: “Wicked,” “Nosferatu,” “Here,” “Heretic,” More
Sundance 2025: Mad Bills to Pay, Rains Over Babel, Serious People
Meet the Writers: Zachary Lee
The Great Craft of 2024
Home Entertainment Guide: November 2024
Criterion Releases Gorgeous Box Set for Their 40th Anniversary
10 Underrated Horror Movies That Roger Ebert Loved (and Where to Watch Them)
Criterion Adds Val Lewton Double Feature to the Collection
Phenomenal Remake Reminds Gamers of the Influence of “Silent Hill 2”
Fantasia 2024: The Chapel, The Beast Within, FAQ
10 Films to Thrill You at the 2024 Fantasia International Film Festival
Home Entertainment Guide: June 2024
58th KVIFF Welcomes Viggo Mortensen, Steven Soderbergh, Clive Owen, And More
Home Entertainment Guide: May 2024
She’s Alive! Why Frankenstein Is Back—And Why It’s Being Used to Tell Women’s Stories
Ebertfest Film Festival Over the Years
30 Minutes On: Dune Part One
Home Entertainment Guide: December 2023
The Great Craft of 2023
Disney+’s Percy Jackson and the Olympians is Nice, Safe, and Fun
Chaz Ebert Celebrates 25 Years of Ebertfest While Honored at University of Illinois Alumni Awards Gala
TIFF 2023: 20 World Premieres We Can’t Wait to See
