Everybody Has a Plan
Soledad Villamil
Claudia
Claudia
Claudia Movie Reviews
Blog Posts That Mention Claudia
The Most Beautiful Italian Girl in Tunisia: Claudia Cardinale (1938-2025)
The Mendocino Film Festival 2019: A Conversation with Claudia Puig
Justine Nagan Named Executive Director of AmDoc, Claudia Puig Named Festival Program Director of NVFF
Interview with Claudia Weill
AMC Turns “Interview With a Vampire” Into the Delicious, Malicious “The Vampire Lestat”
All’s Well that Ends Well in Part Two of “Bridgerton”’s Fourth Season
Can “Bridgerton”‘s New Cinderella in Silver Rekindle the Fairytale in Season 4?
Happy New Year 2026 from Chaz Ebert and Everyone at RogerEbert.com
Actors Superbly Channel Siskel and Ebert Onstage in Chicago
A Duo Unlike Any Other: On the Fiftieth Anniversary of “Siskel & Ebert”
Two Thumbs Up to Siskel & Ebert’s 50th Anniversary: “Eve’s Bayou” Kicks Off Film Series
The 11 Best Body-Swap Movies, Ranked
Lauren Melinda Receives the Inaugural Chaz Ebert Phenomenal Person in Film Award
The Fire in Your Eyes: Ozzy Osbourne (1948-2025)
True/False 2025: WTO/99, Family Album, Land With No Rider
The 25 Best TV Series of 2024
The Hard Way, Or My Way? RIP Bill Cobbs (1934-2024)
AMC’s Interview with the Vampire Has a Different Flavor in Season Two
BET+’s Diarra from Detroit Successfully Blends Comedy & Mystery
Our Opinion of Crossroads Hasn’t Changed, Our Feelings About Britney Spears Have
A Farewell from Our Literary Editor, Matt Fagerholm
Spirit Awards 2024: A Platform for Essential Independent Films
The 15th Annual AAFCA Awards Announces Award Recipients
Female Filmmakers in Focus: Nancy Savoca on Household Saints
The 25 Best TV Series of 2023
The Unloved, Part 116: It’s My Turn
Magnolia: One Day in the Valley
Female Filmmakers in Focus: Kelly Reichardt on Showing Up
Prime Video’s Riches is Black, Bold, and Beautiful
Forspoken Frustrates as Much as it Thrills
Twenty Movie Legends We Lost in 2022
Apple TV’s Echo 3 is a Thrilling, Subversive Adventure
Despite Terrific Performances, The Crown is Getting Wobbly
AMC’s Interview with the Vampire is a Cheesy but Curious Series Adaptation
SDCC 2022: Zombies vs. Vampires
A Look Back at Tribeca 2022: The Narrative Features
The Boys Returns for a Bloated, Super-Sized Third Season
The 2022 Chicago Critics Film Festival Welcomes Major Chicago Premieres
Roger’s Top Ten Lists: Best Films of 1973
Netflix’s Bridgerton Returns with a Tame, Slow Second Season
Lady Villainy: A Feast of Wicked Iconoclasts
Monica Vitti: 1931-2022
Sundance 2022: Hatching, Piggy, Meet Me In the Bathroom
Sundance 2022: Fire of Love, Riotsville, USA, La Guerra Civil
An Eternal Influence: Anne Rice: 1941-2021
Walking in My Mother’s Shoes
Thumbnails Special Edition: Gregory Nava’s Selena
SXSW 2021: 12 Films We Can’t Wait to See
Female Film Critics Are More Important Than Ever: A Special Event
Empowered and Joyful: Alycia Pascual-Peña and Hadley Robinson on Moxie
Bridgerton is a Scintillating, But Somewhat Shallow, Regency Fantasy
Being Human Is Heroic: Melora Walters on Waterlily Jaguar, Drowning, Magnolia and More
Home Entertainment Guide: November 2020
Break Open the Paradigm: Amanda McBaine and Jesse Moss on Boys State
Cinema Femme’s Inaugural Short Film Festival, Running August 6th-9th, to Host Virtual Events with Karyn Kusama, Jennifer Reeder and Others
Women Hold Key Positions in Chapel Hill’s Film Fest 919
Gil Robertson Talks to Chaz Ebert About the Importance of the African American Film Critics Awards and AAFCA
Richard Roeper to Receive the Roger Ebert Award at AAFCA’s Special Achievement Awards Luncheon
We Are a Nation of Immigrants: Gregory Nava on His Masterpiece, El Norte
Venice 2019: Restored Classics
Preview of Film at Lincoln Center’s Horror Festival, Scary Movies XII
Serious Oscar Contenders Unveiled at 2019 Indy Shorts International Film Festival
Cinepocalypse 2019: Kindred Spirits, The Swerve
Join Us to See What We See Through Our Lens at the CHA/DePaul Spring Doc Film Premiere on April 28th
Pulitzer Prize-winner Wesley Morris to receive Roger Ebert Award from AAFCA
RIP Cinema: On James Dean’s Disappearance and French New Wave Legacy
NYFF 2018: Divide and Conquer, What You Gonna Do When the World’s on Fire?, Film Noir Revivals
Home Entertainment Consumer Guide: October 4, 2018
Thumbnails Special Edition: Critics in the Spotlight
How a Cliffhanger Finale Proves that NBC Needs to Renew Timeless
Ebertfest 2018: A Photo Journal
Ebertfest 2018, Day 2: Critics Panel, Interstellar, Selena, Belle
Ebertfest 2018 Guests: Critical Mass
FX’s The Americans Keeps with Series’ Strengths in Final Season
Dear Roger: I Can’t Believe Our Film Festival is Twenty Years Old!
L.A. Film Critics Association Awards Ceremony to be Held January 13th
“Get Out” Named Best Film of 2017 by AAFCA
The Most Cinematic Gaming Franchise: Why You Must Play the “Uncharted” Games
Cannes 2017: Palme de Whiskers
Home Entertainment Consumer Guide: April 27, 2017
Monica Vitti and the Modern ‘Something Terrible’
Sundance 2017 Announces Competition Titles
Cinemax’s Excellent “Outcast” Asks Timeless Questions
Thumbnails 11/25/15
The Moral Unknown: “L’avventura” as Influential Text on “Clouds of Sils Maria” & “About Elly”
Thumbnails 1/29/15
Joseph Sargent, 1925-2014
More Upturned Thumbs for “Life Itself”
Blu-ray Consumer Guide: March 18, 2014
Neil Jordan’s Seven Grim Fairy Tales: An Infographic Guide to a Director’s Obsessions
Why ‘Crash’? Some theories…
Seduced by Sonoma
Detour: the guilty soul of film noir
Moi, misérable: Fermer le trou à tarte
Great cinema, Italian style
Stepin Fetchit, then and now
