The President’s Wife
Bernadette Chirac
Catherine Deneuve
Catherine Deneuve Movie Reviews
Marcello Mio
Catherine
Peaceful
Crystal
Helmut Newton: The Bad and the Beautiful
The Truth
Fabienne Dangeville
The Midwife
Béatrice
The Brand New Testament
Martine
Standing Tall
Le Juge
In the Name of My Daughter
Renée Le Roux
3 Hearts
Madame Berger
On My Way
Cathy
Beloved
Madeleine
Potiche
Suzanne Pujol
The Girl on the Train
Louise
A Christmas Tale
Junon
Persepolis
Tadji
Donkey Skin
Queen/Daughter
Kings and Queen
Mme. Vasset
The Umbrellas of Cherbourg
Genevieve
8 Women
Gaby
Blog Posts That Mention Catherine Deneuve
Deneuve soars above glitz of Cannes
Claude Chabrol, RIP. The master at midpoint
Manuel de Oliveira is 102: A tribute
From Gena to Annette: Great Actresses with Oscar Nominations but No Wins
Retrospective: Jean-Pierre Melville and the Cinematic Hitman
Cannes 2024: Marcello Mio, Parthenope, Elementary
Which Cannes Film Will Win the Palme d’Or? Let’s Rank Their Chances
In AMC’s Brilliant Monsieur Spade, Even the Detectives Come Hard-Boiled
Bright Wall/Dark Room September 2023: I Used to Float, Now I Just Fall Down by Lindsey Romain
Female Filmmakers in Focus: Jennifer Reeder on Perpetrator
Cannes 2023 Video #2: Festival Opens with Jeanne du Barry
Cannes 2023 Line-up Includes Wes Anderson, Martin Scorsese, and Many More
Jean-Paul Belmondo: 1933-2021
You Need to Feed The Eyes For Your Dreams: The Cinema of Leos Carax
Art Alone Endures: A Parisian’s Take on the 2021 Cannes Film Festival
Meet the Writers: Carlos Aguilar
Cinema of Herself: On Four Short Films by Haaniyah Angus
Poetry is Necessary in Film: Hirokazu Kore-eda on The Truth
A Preview of the 2020 Rendez-Vous With French Cinema
Love Dialogue: Céline Sciamma on Portrait of a Lady on Fire
CIFF 2019: Preview of the 55th Chicago International Film Festival
Bright Wall/Dark Room September 2019: Blind Date by Veronica Fitzpatrick
55th Chicago International Film Festival Announces Gala and Special Presentation Selections
Twelve Thumbs-Up Films from the Venice Film Festival
Venice Film Festival Preview 2019
Agnès Varda: 1928-2019
If Beale Street Could Talk – A Spiritual Successor to The Umbrellas of Cherbourg
CIFF 2018: Preview of the 54th Chicago International Film Festival
“Vampyr” and Other Horror Classics From Criterion For Halloween
A Box of Chocolates: Preview of the 2017 Telluride Film Festival
Jeanne Moreau: 1928-2017
Cinematic Immortality: Danielle Darrieux Turns 100
The Great Performances of 2016
Chicago French Film Festival 2016 Preview
Cannes 2016: Festival Preview
Jane Birkin and Charlotte Gainsbourg: Like Mother, Like Daughter
We Lost It At Our Video Stores: The Writers Remember Movie Rental Havens
The Young Person’s Guide To Max Von Sydow, Part Two
Omar Sharif: 1932-2015
Emotional Logic: Bryan Fuller Redefines the Crime Drama with “Hannibal”
Cannes 2015: “Standing Tall,” “Our Little Sister,” “Tale of Tales”
Welcome to Cannes 2015
Landscape is a Reality: Manoel de Oliveira 1908-2015
Bright Wall/Dark Room October 2014: “The Flower of Evil” by Karina Wolf
Criterion’s “The Essential Jacques Demy”
Cannes, Day Seven: “The Salt of the Earth,” “In the Name of My Daughter”
The Best of the d’Ors
On “Ms. 45” and Revenge Movie Feminism
Bernadette Lafont: The French New Wave’s First Leading Lady Hardly Ever Played “Lady-like”
The year’s best foreign films (I hope they play in your state)
The Best 10 Movies of 2000
A Meditation on 2 Faces of Film
The Best 10 Movies of 1971
A teacher wins the Cannes film festival
‘Birth’ of a Buñuelian Notion
Close-Ups: A free-association dream sequence
CIFF 2009: The winners! And our reviews
Claude Chabrol, RIP. The death of a master
Cannes #8: Oh, the days dwindle down, to a precious few…
TIFF #3: Some of the films I’ve seen
Cannes #9: “I got in!” and other tales, and some great beauties of the festival
On orgasms
Chicago Underground Film Fest: Other-friendly
Watching the Oscars with Ebert
Ebert’s memories of Cannes past
A breath of thin air
Bjork stars in Dogma movie
Even great films can leave you infuriated
Danish filmmaker emerges from `Dark’
Telluride gets high marks
Award ceremony passes over festival favorites
Telluride earns trust of film fans
Cannes lacks blockbuster start
A critic’s ordeal
The vying game
1993 Academy Award Nominations
Emmanuelle Beart in Cannes
Marcello Mastroiani, 1924-1996
‘Unforgiven’ ropes honors for Eastwood
Interview with Burt Reynolds
