2.0
Editor
Anthony
Anthony Movie Reviews
Blog Posts That Mention Anthony
Movies for the Freaks: Mark Anthony Green on “Opus”
Book Excerpt: An Anthony Mann Reader by Scout Tafoya
Send It Back: How Roadrunner Fails Anthony Bourdain
By George: The Hollywood Stories of George Anthony
Anthony Maras on Hotel Mumbai, Finding the Humanity in Tragedy and More
Feel the Scene: Anthony Gonzalez on Coco
Hot Docs 2017 Interview: Theo Anthony on “Rat Film”
Michael Phillips, Anthony Hemingway, Vanessa Morrison and Floyd Norman Honored with AAFCA Awards
Speaking for a Generation: Kevin Costner, Anthony Mackie and Mike Binder on “Black or White”
Anthony Mann’s Big Black Book
Anthony Hopkins: Flashing in front of his eyes
Anthony James Ryan: In Memory
Interview with Anthony Quinn
What to Watch on Netflix: June 2025
Home Entertainment Guide May 2025: Better Man, Black Bag, Mickey 17, More
Book Excerpt: Gandolfini: Jim, Tony & the Life of a Legend by Jason Bailey
What to Watch on Netflix: April 2025
The Unloved, Part 134: A Dandy in Aspic
Sundance 2025: Sabar Bonda (Cactus Pears), DJ Ahmet, André Is an Idiot
January 2025 Blu-Ray Guide: “Hundreds of Beavers,” “Smile 2,” “Venom: The Last Dance,” and More
Sundance 2025: East of Wall, Obex, BLKNWS: Terms and Conditions
Sundance 2025: Lurker; Free Leonard Peltier; Oh, Hi
Sundance 2025: Big Swings Pay Off in the Episodic Program
Sundance 2025: If I Had Legs I’d Kick You, The Thing with Feathers, Rabbit Trap
Sundance Film Festival 2025 Preview: 20 Films We Can’t Wait to See
My Night at the Critics Choice Celebration of Black Cinema and Television
2025 Sundance Film Festival Announces Ambitious Program
Lost Souls: Bringing Out the Dead at 25
Home Entertainment Guide: October 2024
Hammy Acting and Stilted Pacing Dampen Peacock’s “Hysteria!”
Fantastic Fest 2024: The Fall, The Birthday, Wake in Fright
A Cinematic Partnership for the Ages: James Ivory and Director Stephen Soucy on Telling the Merchant Ivory Story
TIFF 2024: Unstoppable, Triumph, April
TIFF 2024: 20 World Premieres We Can’t Wait to See
13 Films Illuminate Locarno Film Festival’s Columbia Pictures Retrospective
Peacock’s Those About to Die Should Appeal to People Counting the Days Until Gladiator 2
The 10 Best Fourth of July Releases of the 21st Century
Home Entertainment Guide: June 2024
The Shield vs. The Wire
Robert Daniels & Odie Henderson Talk Wild Wild West at 25
It’s Physical Work: Barry Jenkins on The Underground Railroad
The Brat Pack Movies, Ranked
The Actors Rumored to Star in the Beatles Biopics Look Nothing Like Them. Good.
Cannes 2024: Marcello Mio, Parthenope, Elementary
Book Excerpt: Hollywood Pride by Alonso Duralde
The 10 Best Start-of-Summer-Movie-Season Films of the 21st Century
What You Do is Who You Are: Irena’s Vow Screenwriter Dan Gordon on Telling the Story of a Teenager Who Saved Jews During the Holocaust
The 10 Best Movies Made for Under $50,000
True To Yourself: James Gray on James Gray’s New York
Oscar Predictions 2024: What Will Win This Year
All That Kong: When Bob Fosse Wanted to Make a King Kong Movie
A Farewell from Our Literary Editor, Matt Fagerholm
Wonderful Tom: Tom Shales (1944-2024)
At the Movies: Clarenfreud
Home Entertainment Guide: December 2023
It’s Down to Two People Having Respect for One Another: Matthew Brown on Freud’s Last Session
Goodbye to a TV Pioneer: Norman Lear (1922-2023)
The Year of Black Men in Cinema: Chaz Ebert’s Top Ten(-ish) Films of 2023
Saltburn and Subverting the Passing Narrative
Home Entertainment Guide: November 2023
A Comedy of Ourselves: Emerald Fennell on Saltburn
Black Harvest Film Festival 2023 Highlights: John Singleton, Tyler Perry, and A Vibrant Artistic Community
Home Entertainment Guide: October 2023
The State of the 2024 Oscar Race: The Fall Festivals Leave Burning Questions
TIFF 2023: American Fiction, Wicked Little Letters, The Critic
TIFF 2023: Finestkind, Ezra, One Life
TIFF 2023: 20 World Premieres We Can’t Wait to See
Noir City Returns to the Music Box in Chicago
Empathy Comes With Maturity: Ira Sachs on Passages
Oscar-winner Spike Lee to Receive the 2023 TIFF Ebert Director Award on Sunday, September 10th
Peacock’s Twisted Metal Adaptation Takes Too Long to Get Into Gear
Ten Must-See Films at the 2023 Toronto International Film Festival
No Moment was Wasted: Highlights at the 2023 Indy Shorts International Film Festival
Rise of the Beats: On Hip-Hop and Hollywood
Sam Hargrave on the Making of Extracton 2, That 21-Minute Oner, Advice from the Russo Brothers, and More
The Foundation for the Augmentation of African Americans in Film Hosts The LightReel Film Festival June 8-10 in Washington, D.C.
Book Excerpt: Scout Tafoya’s But God Made Him a Poet: Watching John Ford in the 21st Century
Peacock’s Droll Bupkis Wants Us to Take Pete Davidson Seriously
Prime Video’s Citadel Traps Priyanka Chopra Jonas and Richard Madden in Played-Out Spy Game
Barry Can’t Outrun His Past In His Impeccable Final Season
Ebert Symposium 2023 to Precede Ebertfest on April 18th & 19th
Ebertfest 2023: Studio Head Jason Michael Berman and Director Edson Oda Open Festival with Nine Days
Update: RogerEbert.com is Wishing You Health, Safety and Compassion During the COVID-19 Pandemic: Message for Day4Empathy, April 4th, 2020
SXSW 2023: Citizen Sleuth, Last Stop Larrimah, The New Americans: Gaming a Revolution
Ted Lasso Wonders Whether He’s Outstayed His Welcome in Season Three
SXSW 2023: If You Were the Last, Upon Entry, Scrambled
Malibu’s Most Wanted at 20: Black Culture as Food For All
The Lost Pioneers of the Early Film Era
Bright Wall/Dark Room February 2023: The Unflattering Portrait: On Armageddon Time and Failed Solidarity by Nicholas Russell
Home Entertainment Guide: February 2023
Sundance 2023: Landscape with Invisible Hand, Drift
10 Major Snubs and Surprises from the 2023 Oscar Nominations
Sundance 2023: Earth Mama, Fremont
The Stars Shine at the 2023 Critics Choice Awards
Alamo Drafthouse Wrigleyville Opens Today in Chicago
15 Films We Can’t Wait to See at Sundance 2023
Sundance 2023 Announces Additional Premiere, Competition, Encore Titles
The 25 Best TV Series of 2022
