There isn’t an honest moment in all 96 minutes of Traffik.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
A report from the 2018 Critics Choice Awards.
A review of Scott Tracy Griffin's "Tarzan on Film," released by Titan Books.
A report from SXSW 2016 on the latest from Ti West, Keegan-Michael Key & Jordan Peele, John Michael McDonagh and more.
An interview with Marielle Heller, writer/director of "The Diary of a Teenage Girl."
A report from the 2015 Los Cabos International Film Festival.
An article about films that have moved me in 2015, including "Room," "99 Homes" and "He Named Me Malala."
An obituary for film icon Jerry Weintraub.
A preview of dozens of films being released this Summer.
An email conversation about Sundance 2015.
Marie writes: I received the following from intrepid club member Sandy Kahn and my eyes widened at the sight of it. It's not every day you discover a treasure trove of lost Hollywood jewelry!
Grace Kelly is wearing "Joseff of Hollywood"chandelier earrings in the film "High Society" (1965)(click image to enlarge.)
Marie Haws: Remember the Old Vic Tunnels? I did some more sniffing around and you'll never guess where it led me. That's right - into the sewer system! But not just any old sewer, oh no... it's the home of a famous forgotten river flowing beneath Fleet Street; the former home of English journalism.So grab a flashlight and some rubber boots as we go underground to explore "mile after mile of ornate brickwork" and a labyrinthine of tunnels which reveal the beauty of London's hidden River Fleet. (click images to enlarge.)
Marie writes: Did you know that the world's steepest roller-coaster is the Takabisha, which opened earlier this year at the Fuji-Q Highland Amusement Park in Yamanash, Japan? The ride lasts just 112 seconds but is packed with exciting features including seven twists, blackened tunnels and a 43m-high peak. But the most impressive thing about Takabisha is the 121 degree free-fall, so steep that it's been recognized by the Guinness World Records as the steepest roller-coaster made from steel!
"Melancholia" is now available On Demand; in theaters November 7.
Of the Four Bodily Humours -- sanguine (blood), choleric (yellow bile), melancholic (black bile) and phlegmatic (phlegm) -- Lars von Trier has probably been most closely associated with the choleric, as expressed in angry, violent, inflammatory, irritating and caustic films such as "Breaking the Waves," "The Idiots," "Dancer in the Dark," "Dogville," "Manderlay," "Antichrist"... The latter felt to me like a glossy fashion magazine's idea of a horror movie ("Evil Vogue" -- all it was missing were the scratch-n-sniff Odorama perfume ads), but von Trier¹ claimed it grew from deep inside a cocoon of depression.
"Melancholia" strikes me as a more focused and harrowing portrait of clinical depression, a glowing, black-bile-on-velvet portrait of despair so bleak that it destroys the entire planet. Two planets, in fact: one is Earth and the other (quite similar looking but much, much larger) called Melancholia, a kind of massive-planet-sized anti-matter particle which we see collide with and engulf the Earth (from deep in space) in the opening montage... and again, from a terrestrial perspective, at the end.
If Terence Malick's "Tree of Life" is, as I described it earlier in the year, "a movie about (and by) a guy who wants to create the universe around his own existence in an attempt to locate and/or stake out his place within it," then "Melancholia," by my reckoning, is a movie about (and by) a person whose depression is so inescapably great and soul-destroying that it envelops and annihilates the world. Because it has to. There's nowhere else for it to go. Also, it's important for the depressed character/filmmaker to firmly assert that the only life in the universe is on Earth, and that all of it is annihilated. Hope of any kind is not an option. Besides, anything less that than the obliteration of absolutely everything would spoil the perfection of the happy ending for von Trier and Justine (Kirsten Dunst), his Bride of Oblivion.
Marie writes: I love illustrators best in all the world. There's something so alive about the scratch and flow of pen & ink, the original medium of cheeky and subversive wit. And so when club member Sandy Kahn submitted links for famed British illustrator Ronald Searle and in the hopes others might find him interesting too, needless to say, I was quick to pounce; for before Ralph Steadman there was Ronald Searle... "The two people who have probably had the greatest influence onmy life are Lewis Carroll and Ronald Searle."-- John LennonVisit Kingly Books' Ronald Searle Gallery to view a sordid collection of wicked covers and view sample pages therein. (click to enlarge image.) And for yet more covers, visit Ronald Searle: From Prisoner of War to Prolific Illustrator at Abe Books.
Marie writes: you've all heard of Banksy. But do you know about JR...?(click to enlarge image)
Marie writes: Yarn Bombing. Yarn Storming. Guerilla Knitting. It has many names and all describe a type of graffiti or street art that employs colorful displays of knitted or crocheted cloth rather than paint or chalk. And while yarn installations may last for years, they are considered non-permanent, and unlike graffiti, can be easily removed if necessary. Yarn storming began in the U.S., but it has since spread worldwide. Note: special thanks go to Siri Arnet for telling me about this cool urban movement.
From the Grand Poobah and Mrs. Poobah:Seasons Greetings Everyone! (click to enlarge)