A perfect engine of corrosive satire, this drama follows the adventures of an amoral cameraman to its logical and unsettling end.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
In interview with Anthony Stacchi and Graham Annable, directors of LAIKA's "The Boxtrolls".
An interview with the one and only Terry Gilliam, director of this week's "The Zero Theorem."
An examination and appreciation of one of Robin Williams' greatest films, "The Fisher King."
The latest and greatest additions to streaming services like Netflix, Amazon, and more.
A history of movies not directly based on comic books but definitely inspired by them.
Scout Tafoya's "The Unloved," an appreciation of fascinating movies that were critically reviled on first release, continues with a look at 1994's "The Hudsucker Proxy."
Sheila writes: Animators Doug Bayne, Ben Baker and Trudy Cooper were approached by the Australian sketch show "The Elegant Gentleman's Guide to Knifefighting" to create some animations. They were asked, "You guys like Terry Gilliam, right?" Clearly, they do. Here is one of their extremely amusing creations: Famous Paintings, animated.
Edgar Wright, the director of "The World's End," talks about the dangers of nostalgia, his work on "Ant Man" and the amazing references some people think they see in his films.
Marie writes: According to the calendar, summer is now officially over (GASP!) and with its demise comes the first day of school. Not all embrace the occasion, however. Some wrap themselves proudly in capes of defiance and make a break for it - rightly believing that summer isn't over until the last Himalayan Blackberry has been picked and turned into freezer jam!
San Diego Comic-Con International is a celebration of cartoons, costumes and fictional and real characters. Recent years have brought increasing commercialization. Many of the panels are little more than tantalizing propaganda for upcoming TV programs and movies and the panels bare their wares as brazenly as the whores who used to walk the Gaslamp District before it became a hip place to be. But SDCC is also a venue for introducing and releasing movies that have a link to geek culture and SDCC hosts a Comic-Con International Independent Film Festival.
Marie writes: It was my birthday June 25th. Unlike Roger however, I'm a Crab not a Gemini. So to celebrate and with my brother's help (he has a car), I took my inner sea crustacean to Barnet Marine Park on the other side of Burnaby Mountain... and where our adventure begins....
After discovering that a cancer will take her life within a few months, Ann, a young 23 years-old, makes two important decisions: to hide the disease from everyone (including her husband and their two young daughters) and to draw up a list of things she wants to do before her death - and her wishes include "making love to another man" and "causing someone to fall for me." This is the point at which "My Life Without Me," directed and written by Isabel Coixet, risks scaring away its viewers: the attitudes of Ann show, yes, selfishness and immaturity.
Marie writes: some of you may recall reading about the Capilano Suspension Bridge in North Vancouver, British Columbia Canada. (Click to enlarge.)
Marie writes: I attended three different elementary schools; St. Peter's, Our Lady of Mercy (which was anything but) and finally St. Micheal's; where I met my Canadian-Italian chum, Marta Chiavacci (key-a-vah-chee) who was born here to Italian immigrants. We lost touch after high school, moving in different directions til in the wake of a trip to Venice and eager to practice my bad Italian and bore friends with tales of my travels abroad, I sought her out again.We've kept in touch ever since, meeting whenever schedules permit; Marta traveling more than most (she's a wine Sommelier) living partly in Lucca, Italy, and happily in sin with her significant other, the great Francesco. I saw her recently and took photos so that I might show and tell, in here. For of all the friends I have, she's the most different from myself; the contrast between us, a never-ending source of delight. Besides, it was a nice afternoon in Vancouver and her condo has a view of False Creek...smile...
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Marie writes: Yarn Bombing. Yarn Storming. Guerilla Knitting. It has many names and all describe a type of graffiti or street art that employs colorful displays of knitted or crocheted cloth rather than paint or chalk. And while yarn installations may last for years, they are considered non-permanent, and unlike graffiti, can be easily removed if necessary. Yarn storming began in the U.S., but it has since spread worldwide. Note: special thanks go to Siri Arnet for telling me about this cool urban movement.
So, did you like what you got for Christmas..?
Marie writes: what do you get a man with a massive book collection who has artwork by Edward Lear and huge canvases by Gillian Ayres? What would a man with a Pulitzer and a Webby now renowned for the verbosity of his tweeting, like for his birthday? Much pondering went into answering that. Until suddenly a light-bulb went on above my head! (Click image.)Of course! It's so obvious - turn the Grand Poobah into a super hero! Super Critic: battling the forces of bad movies and championing the little guy, while tweeting where no critic has gone before! In the process, we'll get to see him wearing a red cape and blue tights. Perfect.Note: the artwork was done by Dave Fox of INTOON Productions. He makes personalized comic book covers and animation cels. Diane Kremmer, a long time friend and fellow artist, works and lives with Dave on Pender Island (one of the Gulf Islands off the coast of BC near Washington State.) I spent last weekend with them and took advantage of Dave's cartooning skills. I mention this because he did all the work. I just sat there and drank his wine. :-)
Click above to REALLY enlarge...
UPDATED 01/28/10: 2:25 p.m. PST -- COMPLETED!: Thanks for all the detective work -- and special thanks to Christopher Stangl and Srikanth Srinivasan himself for their comprehensive efforts at filling the last few holes! Now I have to go read about who some of these experimental filmmakers are. I did find some Craig Baldwin movies on Netflix, actually...
Srikanth Srinivasan of Bangalore writes one of the most impressive movie blogs on the web: The Seventh Art. I don't remember how I happened upon it last week, but wow am I glad I did. Dig into his exploration of connections between Quentin Tarantino's "Inglourious Basterds" and Jean-Luc Godard's "History of Cinema." Or check out his piece on James Benning's 1986 "Landscape Suicide." There's a lot to look through, divided into sections for Hollywood and World Cinema.
In the section called "The Cinemaniac... I found the above collage (mosaic?) of mostly-famous faces belonging to film directors, which Srikanth says he assembled from thumbnails at Senses of Cinema. Many of them looked quite familiar to me, and if I'm not mistaken they were among the biographical portraits we used in the multimedia CD-ROM movie encyclopedia Microsoft Cinemania, which I edited from 1994 to 1998, first on disc, then also on the web. (Anybody with a copy of Cinemania able to confirm that? My Mac copy of Cinemania97 won't run on Snow Leopard.)
As the quaintly anachronistic title suggests, "The Imaginarium of Dr. Parnassus" is as whimsical and rickety as any Terry Gilliam contraption -- an apparent labor of love, and not just for its star Heath Ledger, who died during production, but for the smoke-and-mirrors tomfoolery that goes into the construction of illusions. Another of Gilliam's charmingly antiquated, hand-crafted thingamadoodles, this one gets off to a bit of a slow start -- trying to set up too many stories... but spinning too many stories, and keeping track of them all, is also a good part of its subject.
Ledger's untimely death unavoidably became another element, since he hadn't finished filming his central role at the time of his demise. Gilliam, as you probably know, figured out a way to complete the film with three other actors -- Johnny Depp, Jude Law and Colin Farrell -- stepping in to complete the part. Once you're watching the movie, that no longer seems like such a strange or desperate move, but I'm not going to tell you how or why it works. (Remember that Natalie Wood died during the filming of "Brainstorm" and Brandon Lee in a production accident on the set of "The Crow," but those two pictures were completed, for better or worse. David Lynch's "Mulholland Dr." was a failed TV series pilot that wasn't released theatrically until Lynch said he dreamed an ending for it.) A title card at the end announces it as a presentation of "Heath Ledger and Friends."
The programming director of the Gene Siskel Film Center in Chicago is blogging from Cannes for us.
Thursday, May 14--You can't beat the weather here in Cannes. After the cold rain and dark skies in Frankfurt, where I changed planes yesterday, the perfect, summery temperatures and extravagant displays of flowers makes this town seem even more like a Mediterranean paradise than usual.
The festival kicked off to the world Wednesday night with the first red-carpet walk by the jury, and the Pixar folks with their 3-D animated feature "Up", but for most of us in film-industry jobs, the festival is already well underway with press screenings, market screenings, and press conferences.
But I just had to look, Having read the book... -- John Lennon
Really, I just wanted to point out that a glowing blue naked guy is the hero of one of the most anticipated mainstream movies in years. Did you know that? Seriously, though, I do have a dilemma: "Watchmen" opens March 6. I read the compiled comic book series by Alan Moore and Dave Gibbons back in the early 1990s, I think -- just around the time Terry Gilliam was attached to make the movie version. Here's the poser: Having read the book so long ago I've forgotten it, should I read it again before seeing the movie?
"Watchmen" is something many fans know practically by heart. I know one who attended an early screening of the movie and said it was one of the best adaptations he'd ever seen. An already notorious Nerd World post by "Simpsons" executive producer Matt Selman ("My Own Private Watchmen") broke the review embargo by proclaiming that he didn't consider himself "press" and wasn't actually reviewing the movie, but couldn't control the 14-year-old still living inside him: "Someone took the most special personal thing of my adolescence and put it on a movie screen."
Just think: Johnny Depp could have had the career of, say, Richard Grieco. In 1988, they were both break-out stars, young TV cops working undercover as high school students in the fledgling Fox network's first hit show, "21 Jump Street."
EXCERPT FROM INTRO: This isn't like Roger Ebert's "Great Movies" series. It's not my idea of The Best Movies Ever Made (that would be a different list, though there's some overlap here), or limited to my personal favorites or my estimation of the most important or influential films. These are the movies I just kind of figure everybody ought to have seen in order to have any sort of informed discussion about movies. They're the common cultural currency of our time, the basic cinematic texts that everyone should know, at minimum, to be somewhat "movie-literate." I hope these movies are experiences we can all assume we share.
TORONTO – It was like I had moved to a city where only movie people live. I wandered Toronto on Saturday, from screening to party, and on the busiest day of the 30th annual Toronto Film Festival there were more stars, as MGM liked to say, than in the heavens. Amazing: I ran into Deborah Kara Unger, Ed Harris, Kris Kristofferson, Steve Martin, Anthony Hopkins, Peter Sarsgaard and Maggie Gyllenhaal without even trying to, just because they were right there on the sidewalk or in the hotel lobby.