It’s as much fun as you’re going to have in a movie theater this year.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
Premieres, Midnights, Special Events and more have been announced for next month's Sundance Film Festival.
The latest on Netflix and Blu-ray, including three fantastic Criterion releases.
An interview with director Ben Wheatley about "High-Rise," adapting J.G. Ballard's novel, guiding actors like Tom Hiddleston, upcoming projects and more.
A piece on extending the conversation about diversity at the Oscars to include all minorities.
A look back at the five "Die Hard" movies.
Reviews of "The Family Fang," "Sunset Song" and "High-Rise" from Toronto.
A preview of the 40th Toronto International Film Festival
An appreciation of Ingrid Bergman on her centenary, with interviews with Pia Lindstrom, Ingrid Rossellini and Isabella Rossellini.
The latest on Blu-ray/DVD, including "The Knick," "Day For Night," and "Unfriended."
Marie writes: The late John Alton is widely regarded as being one of greatest film noir cinematographers to have ever worked in Film. He perfected many of the stylized camera and lighting techniques of the genre, including radical camera angles, wide-angle lenses, deep focus compositions, the baroque use of low-level cameras and a sharp depth of field. His groundbreaking work with director Anthony Mann on films such "TMen" and "Raw Deal" and "He Walked by Night" is considered a benchmark in the genre, with "The Big Combo" directed by Joseph H. Lewis, considered his masterpiece. John Alton also gained fame as the author of the seminal work on cinematography: "Painting with Light".
The Big Combo (1955) [click to enlarge]
Marie writes: Behold a living jewel; a dragonfly covered in dew as seen through the macro-lens of French photographer David Chambon. And who has shot a stunning series of photos featuring insects covered in tiny water droplets. To view others in addition to these, visit here.
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Marie writes: It's no secret that most Corporations are evil - or at the very least, suck big time. And while I have no actual proof, I'm fairly certain there is a special level of Dante's Hell reserved just for them. (Map of Dante's Hell.)That being the case, when my younger brother Paul wrote me about a cool project sponsored by Volkswagen, I was understandably wary and ready to denounce it sight-unseen as self-serving Corporate shyte. As luck would have it however, I was blessed at birth with curiosity and which got the better of me and why I took a look. For what I found was nothing less than extraordinary....
As we race further and faster toward a global war between Christians and Muslims, and as we feel compelled to choose sides, I have to think back to my childhood. One of the blessings of my youth is that my parents raised me in the simple, small life of the South Suburbs of Chicago. When we landed, the overwhelming majority of South Asian immigrants took residence in the North and West sides. The blessing is not that I was raised away from most other Pakistanis and Indians. Rather, that I grew up in a town that boldly, humbly calls itself a "Community of Churches." It is a small town that banned all business on Sundays and prohibited any liquor sales any time of the day or week. And, what becomes more important is that when watching a film like Ridley Scott's "Kingdom of Heaven" (2005), I remember my wonderful neighbors, childhood friends, and teachers far more than I remember the television and internet bigots who today masquerade as Christians, no matter how many of them there seem to be.
Marie writes: According to the calendar, summer is now officially over (GASP!) and with its demise comes the first day of school. Not all embrace the occasion, however. Some wrap themselves proudly in capes of defiance and make a break for it - rightly believing that summer isn't over until the last Himalayan Blackberry has been picked and turned into freezer jam!
Marie writes: This week's Newsletter arrives a day early and lighter than usual, as come Tuesday morning, I'll be on a Ferry heading to Pender Island off the West Coast, where I've arranged to visit old friends for a few days and enjoy my first vacation in two years; albeit a brief one. No rest for the wicked. :-)
When Jeremy Irons won an Oscar for his icy but humorous performance in "Reversal of Fortune" (1990), he thanked David Cronenberg at the end of his acceptance speech. He had a very good reason; in Cronenberg's unforgettable medical drama "Dead Ringers" (1988), he gave a stunning performance, or a pair of stunning performances, as the peculiar but prodigious twin gynecologists who are threatened by real emotions and then plunged into the self-destructive chaos where the only exit for them may be becoming one again, as they were conceived at first in their mother's womb.
I have a friend who promised himself over a decade ago never to be at the service of his career, and rather, that his career should be at his service. The result is that his wife left him, his family looks down on him, he earns a fraction of what his peers earn--a fraction of what his aptitude would dictate (I think he's a genius). He takes most of his jobs on contract, spanning very short periods of time. And, he is one of the happiest, most calm people I know; at least he seems content. In contrast, J.C. Chandor's "Margin Call" (2011) is the story of a group of high-powered bankers getting set to lose their jobs, and perhaps more.
Marie writes: I've never seen this done before - and what an original idea! Gwen Murphy is an artist who breathes new life into old shoes, transforming them from fashion accessories into intriguing works of art. Thanks go to club member Cheryl Knott for telling me about this. (Click to enlarge.)
The two most important things that can happen to you in a mainstream movie are being killed and having an orgasm. Sometimes in facial close-ups it's hard to tell one from the other. When Pauline Kael saw that wall poster in Italy saying "Kiss Kiss Bang Bang," she sensed she was onto something.
Marie writes: Behold an extraordinary collection of Steampunk characters, engines and vehicles created by Belgian artist Stephane Halleux. Of all the artists currently working in the genre, I think none surpass the sheer quality and detail to be found in his wonderful, whimsical pieces...
Left to right: Little Flying Civil, Beauty Machine, Le Rouleur de Patin(click images to enlarge)
Marie writes: I attended three different elementary schools; St. Peter's, Our Lady of Mercy (which was anything but) and finally St. Micheal's; where I met my Canadian-Italian chum, Marta Chiavacci (key-a-vah-chee) who was born here to Italian immigrants. We lost touch after high school, moving in different directions til in the wake of a trip to Venice and eager to practice my bad Italian and bore friends with tales of my travels abroad, I sought her out again.We've kept in touch ever since, meeting whenever schedules permit; Marta traveling more than most (she's a wine Sommelier) living partly in Lucca, Italy, and happily in sin with her significant other, the great Francesco. I saw her recently and took photos so that I might show and tell, in here. For of all the friends I have, she's the most different from myself; the contrast between us, a never-ending source of delight. Besides, it was a nice afternoon in Vancouver and her condo has a view of False Creek...smile...
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Marie writes: I love illustrators best in all the world. There's something so alive about the scratch and flow of pen & ink, the original medium of cheeky and subversive wit. And so when club member Sandy Kahn submitted links for famed British illustrator Ronald Searle and in the hopes others might find him interesting too, needless to say, I was quick to pounce; for before Ralph Steadman there was Ronald Searle... "The two people who have probably had the greatest influence onmy life are Lewis Carroll and Ronald Searle."-- John LennonVisit Kingly Books' Ronald Searle Gallery to view a sordid collection of wicked covers and view sample pages therein. (click to enlarge image.) And for yet more covers, visit Ronald Searle: From Prisoner of War to Prolific Illustrator at Abe Books.
From the Grand Poobah: Here in Michigan Oink's ice cream parlor exerts a magnetic pull on helpless citizens for miles around. I can no longer sample their countless flavors, but not log ago I took Kim Severson there. She is a New York Times writer doing a piece on The Pot. Oink's is run by my friend Roger Vink, who says, "May the Oink be with you."
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The dissection of a real life legal case from every possible point of view may be the main subject from Barbet Schroeder's "Reversal of Fortune" but the heart of the film unquestionably resides in one of the most amazing acting performances in the history of cinema: Jeremy Iron's portrayal of Claus Von Bulow
The real Von Bulow was indeed convicted to a thirty year term for the murder of his socialite wife Sunny, played by Glenn Close, but the movie, without taking sides, does make it clear that his sentencing was somehow influenced by the court of public opinion in which everybody believed Claus was guilty, he had to be, he certainly seemed like a man guilty of something.
A winter afternoon. A man walks down a muddy village backstreet with his shoulders hunched against the chill, accompanied by what could be industrial noise or a string score. Whatever it is, it evokes tension and anxiety. The catches the attention of a passing German Shepherd, who strains on its leash to keep an eye on him -- all the more so when the man attempts to conceal himself around a corner. In a small general store, he buys an axe. The clerk wraps the blade neatly in crisp brown paper. The camera tracks a slow-moving car that is being pushed along by several other men, the "driver" looking behind him through an open door. The man places the axe against his side, facing us, to shield it from their view.
What are we watching?
Later, a man enters a flat. The door of a small refrigerator is ajar, the light glowing inside. The man grabs an object from a white plate sitting on top of the fridge. It is a woman's black shoe.
So, what is this? A horror movie? A crime thriller? A macabre mystery? Sure. But I think a more accurate genre description would be romantic comedy.