Imagine an "R" rated "Lassie" by way of "Spartacus." That's Kornél Mundruczó's "White God," a brutal but stirring fantasy about street dogs rising up against…
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
A recap of the best of the 2015 SXSW Film Festival.
Picks for the best of the 2013-14 television season, in the form of a Dream Emmy ballot.
Jason Bateman talks about directing, working with kids, and shaking up his nice-guy image for an R-rated comedy.
Ian Grey visits Sherlock Holmes, and deduces why Sir Arthur Conan Doyle's detective is perfectly suited to episode television—and endlessly re-inventable.
For serious cinema fans, romantic comedy have become dirty words in the post-Meg Ryan era. That's what makes the films of Seattle-based indie writer-director Lynn Shelton so refreshing: They're romantic and comedic without ever being formulaic.
The New York Times' David Carr admits that Glenn Greenwald is a journalist; Criterion Collection appreciates Alex Cox's Repo Man; poets go to the movies; James Franco's never-ending navel-gaze; David Edelstein dismantles The Way, Way Back; Kerry Washington on the cover of Vanity Fair; Dennis Hopper documentary.
Marie writes: Widely regarded as THE quintessential Art House movie, "Last Year at Marienbad" has long since perplexed those who've seen it; resulting in countless Criterion-esque essays speculating as to its meaning whilst knowledge of the film itself, often a measure of one's rank and standing amongst coffee house cinephiles. But the universe has since moved on from artsy farsty French New Wave. It now prefers something braver, bolder, more daring...
Marie writes: Welcome to "Good Books", an online bookseller based in New Zealand. Every time you buy a book through them, 100% of the retail profit goes directly to fund projects in partnership with Oxfam; projects which provide clean water, sanitation, develop sustainable agriculture and create access to education for communities in need. To increase awareness of Good Books' efforts to raise money for Oxfam, String Theory (New Zeland based agency) teamed up with collaborative design production comany "Buck" to create the first of three videos in a digital campaign called Good Books Great Writers. Behold the award winning animated Good Books Metamorphosis.
Marie writes: "let's see what happens if I tickle him with my stick..."(Photo by Daniel Botelho. Click image to enlarge.)
Marie writes: Intrepid club member Sandy Kahn came upon the following recipe and wisely showed it to me, so that I might share it in turn with all of you. Behold the morning chocolate cookie - a healthy breakfast treat loaded with good stuff; like fiber and imported French chocolate.
Let me indulge my passion for operatic drama for a moment and say that I've seen Kenneth Lonergan's "Margaret" four times now (the theatrical version and the new "extended cut" on DVD, twice each) and, while I'm watching it, I feel like I've never before seen a movie that fully recognized what human behavior is like. Sure, the focus is entirely on a certain demographic slice of human beings -- mostly middle- to upper-class, educated, New York-dwelling, Judeo-Christian-atheist white people -- but these people are alive and ragged and messy in ways few movie characters are allowed to be. (The characters, and the lives the movie depicts, are messy; the movie itself is exquisitely shaped according to its maker's vision, and that was apparent from the theatrical cut.)
Of course, all movies are stylized and all characters, whether documentary subjects or fictional, are creations (of writers, directors, actors, editors, cinematographers and others) presented to us in a frame. Yet there are dimensions to the interactions in "Margaret" -- the longing to be understood, the perverse impulse to (deliberately?) misinterpret someone else, the desire to inflict emotional sabotage on yourself or another person just because you can -- that movies so often overlook in an effort to provide clear and clean drama in which everybody announces, bluntly and correctly, exactly what they mean to say.
In other words, as Lisa Cohen might say, "Margaret" calls bullshit on most other movies.
Marie writes: As I'm sure readers are aware, the 2012 Summer Olympics in London are now underway! Meanwhile, the opening ceremony by Danny Boyle continues to solicit comments; both for against. (Click image to enlarge.)
Marie writes: Behold a truly inspired idea...Age 8: Eileen's pink creature It started with a simple idea: to make a recognizable comfort toy for her 4 year-old son Dani, based on one of his drawing. His school had asked the children to bring in a toy from home; an emergency measure in the event of a tantrum or crying fit. Fearing he might lose his favorite, Wendy Tsao decided to make Dani a new one. Using a drawing he often made as her guide, she improvised a plush toy snowman. Five years later, Wendy Tsao has her own thriving home-based craft business - Child's Own Studio - in which she transforms the imaginative drawings of children into plush and cloth dolls; each one handcrafted and one-of-a-kind. She receives requests from parents all over the world; there's 500 people on waiting list. Note: kudos to club member Sandy Kahn for submitting the piece.
Marie writes: yet again, we have intrepid club member Sandy Kahn to thank for the following find. She sent me some links devoted to automata and how I ultimately discovered the amazing work of artist Keith Newstead...
Marie writes: I was browsing the 2010 National Geographic Photography Contest Galleries and came upon this amazing shot - click to enlarge!
The Birth Of Earth: Photo by Terje Sorgjerd"Getting close or getting too close? Photo taken of the Eyjafjallajokull volcano eruption that would grind most of europe air traffic. This is the scariest moment in my life, and also the most beautiful and frightening display of raw force I have ever seen." - Terje Sorgjerd
Marie writes: I've always found the ocean more interesting than space and for invariably containing more delights and surprises. Case in point, discovering the existence of an extraordinary underwater museum...
by Roger Ebert
by Roger Ebert
Q I have been following the debate about the clever dialogue in "Juno" and there are two things I don't understand: (1) Why do people continue to expect every film they see to be a flawless reflection of reality when no film, not even a documentary, could ever accomplish such a feat? Isn't one of the pleasures of going to the movies is seeing things we don't usually see in the real world? (2) Why aren't more people refreshed that a film has gone against the grain by creating characters more intelligent than real people, as opposed to the Hollywood norm of creating characters who are considerably dumber and more shallow than real people? Adam Breckenridge, Edmond, Okla.
Q. I am a devoted fan of Ian McEwan’s novel "Atonement," one of those books that raises your heartbeat and ignites conflicting emotions and thoughts like fireworks exploding in the sky. So many nights I returned to that book to amuse myself for several hours by just repeating the poetry of McEwan’s prose, its words melting over my tongue like butter.
View image And the Exploding Head goes to... Seth Rogen and Paul Rudd in "Knocked Up"?
I'll publish my annotated "best of" list next week, but while thinking back over the year's movies I recalled some things that seemed to me "beyond category." Or the usual categories, anyway. One way or another, they made my head feel that it might explode. So, while everybody's preoccupied with all those other awards, here are the 2007 Exploding Heads for Achievement in Movies:
Best endings: • "The Sopranos" (final episode): blackout • "No Country for Old Men": "Then I woke up." • "I'm Not There": Dylan's harmonica on "Mr. Tambourine Man" • "Superbad": Baby-steps toward adulthood, separating at the mall escalator • "Zodiac": Stare-down
Most electrifying moment: A dog. A river. "No Country for Old Men."
Best grandma: "Persepolis"
Best surrogate grandpa: Hal Holbrook, "Into the Wild"
"Arrested Development" Award for Best Throwaway Lines: • "Keep it in the oven..." -- Jason Bateman, "Juno" • "... Terrorism..." -- Michael Cera, "Superbad" (actually, Cera has so many astonishingly brilliant under-his-breath moments in "Superbad" and "Juno" it's uncanny)
Best performance by an inanimate object: (tie) The cloud (and its shadow), the candy wrapper, the blown lock housing in the motel room door, "No Country for Old Men"
Most cringe-worthy lines: • "My cooperation with the Nazis is only symbolic." -- "Youth Without Youth" • "That ain't no Etch-a-Sketch. This is one doodle that can't be undid, home skillet." -- "Juno" (the cutesy moment at the beginning when I nearly ran screaming for an exit; cutting this entire unnecessary scene would improve "Juno" immensely)
Funniest double-edged observation: "He's playing fetch... with my kids... he's treating my kids like they're dogs." -- Debbie (Leslie Mann) in "Knocked Up," watching Ben (Seth Rogen) play with her daughter, who is loving it. That's her point of view, and she's right, but she says it like it's a bad thing.
View image Ain't nothin' but the real thing, baby: Brian Dierker and Catherine Keener in "Into the Wild."
The Real Thing: "Non-actor" Brian Dierker, rubber tramp, "Into the Wild" (and, of course, his "old lady" Catherine Keener, actor extraordinaire)
Best film about the way The Industry really works since "The Big Picture": Jake Kasdan's "The TV Set." The moment I knew it was going to be exceptional (sharp, precise and, therefore, extraordinarily funny) was when the writer's choice for the lead role gives an audition that's just... underwhelming. He isn't good. He isn't terrible. He just isn't enough. Which then allows the network execs to push for the "broader" alternative ("To me, the broad is the funny"). And even he proves himself capable of being not-awful -- in rehearsal, at least...
Best political film: (tie) "12:08 East of Bucharest" and "Persepolis" -- a pair of smart, funny movies about the effects of political revolutions on individuals in (respectively) Romania and Iran.
Deadliest stare: (tie) Anton Chigurh (Javier Bardem), "No Country for Old Men"; Briony Tallis (Saoirse Ronan), "Atonement"
Young comedy whippersnapper stars of the year: Michael Cera (19), Ellen Page (20), Seth Rogen (25), Jonah Hill (24), Christopher Mintz-Plasse (18)
Game savers: J.K. Simmons and Allison Janney, who come to the rescue of "Juno" not a moment too soon
Best torture porn: The excruciatingly funny baptism scene with Paul Dano and Daniel Day Lewis (both of 'em overactin' up a storm -- but in a fun way), "There Will Be Blood"
Most worthless critical label: "Independent." A movie should not be viewed through its budget, financing or distribution. And in these days of studio "dependents" (Miramax, Focus Features, Paramount Vantage, Fox Searchlight, etc.), the term "indie" is frequently misleading at the very least.
Best bureaucrat: Dr. Fischer (Alberta Watson), "Away From Her"
Best negotiations: • Chigurh and the gas station owner, "No Country for Old Men" • Chigurh and the trailer park lady, "No Country for Old Men" • Chigurh and Carla Jean, "No Country for Old Men" • "4 months, 3 weeks, 2 days": The painfully protracted, ever-shifting moral balance (and exhausting power-struggle) in the hotel room, between the friend and the abortionist -- while the pregnant woman herself passive-aggressively bows out of any responsibilities for what has happened, or will happen.
"Perfume" Award for Best Portrayal of Synesthesia: "Ratatouille"
Best Supporting Crotch: Sacha Baron Cohen, "Sweeney Todd." An squirm-inducing scene-stealer that makes you long for a change of angle: Please give us an above-the-waist shot! (Did they have spandex in mid-19th century London?)
When he was Juno's age, Jason Reitman remembers, "I was a loser. I was a movie geek, shy, I'd get dropped off at the movies, and go from theater to theater, all day. And I would actually buy tickets to every movie, not just one. Too shy to sneak in."
TORONTO, Ont.--It's the Cinderella story of this year's Toronto Film Festival. Girl is born in Chicago, grows up, graduates from college, moves to Minneapolis to join her boyfriend Jonny, who she met on the net. Works in advertising, finds it boring. Starts working as a stripper, doesn't find it boring. Changes her name to Diablo Cody. Starts a blog. Works as a phone sex voice. Writes book, Candy Girl: A Year in the Life of an Unlikely Stripper. Quits the sex biz, marries Jonny, moves to suburbs. His daughter is their flower girl at wedding.
TORONTO, Ont. -- I don’t know when I’ve heard a standing ovation so long, loud and warm as the one after Jason Reitman’s “Juno,” which I predict will become quickly beloved when it opens at Christmas time, and win a best actress nomination for its 20- year old star, Ellen Page.